Italianate river landscape

1750–60
Not on view
Taverner was among the earliest British artists to paint ambitiously in watercolor, adopting visual structures previously associated with Italian and Dutch works in oil. This expansive composition across three joined sheets of paper encapsulates his experimental approach. Layers of tone define form, gouache strengthens the foliage, and iron gall ink is applied to the shadows. Aspects of the river scene resemble a stretch of the Thames near Windsor, although the sinuous arrangement and planar buildings recall landscapes by the Italian master Paolo Anesi. Taverner earned his living in London as procurator-general of the ecclesiastical Court of Arches of Canterbury. This freed him from the drudgery of painting country-house views and enabled him to produce watercolors that Paul Sandby and Thomas Gainsborough admired.

Artwork Details

Object Information
  • Title: Italianate river landscape
  • Artist: William Taverner (British, London 1700–1772 London)
  • Date: 1750–60
  • Medium: Watercolor, gouache (bodycolor) and iron gall ink over graphite on three joined sheets
  • Dimensions: Sheet: 12 5/8 × 46 11/16 in. (32.1 × 118.6 cm)
  • Classification: Drawings
  • Credit Line: Harry G. Sperling Fund, 2017
  • Object Number: 2017.432
  • Curatorial Department: Drawings and Prints

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