The relaxed attitudes of the 1960s could be achieved in couture day wear. Hubert de Givenchy excelled in a style associated with such non-chalant style paladins as Jacqueline Kennedy Onassis and Audrey Hepburn. Learning from his mentor, Balenciaga, Givenchy offered a seemingly unstructured two-piece dress indebted to the Balenciaga sack, and dubbed his "split level." For necessary articulation of details, he employed "souplesse" instead of a tailor's dart, allowing a supplementary soft fold of material to give shape to these unassuming and chic tops.
The Metropolitan Museum of Art. "Diana Vreeland: Immoderate Style," December 9, 1993–March 20, 1994.
The Metropolitan Museum of Art. "Haute Couture," December 7, 1995–March 24, 1996.
Palazio Fortuny - Fondazione Musei Civici di Venezia. "Diana Vreeland: The Eye Has To Travel," March 10, 2012–June 26, 2012.