Chōmeiji Temple (Chōmeiji), from the series Miracles of Kannon
Below, designed by Kunisada, is a depiction of the apocryphal episode from the temple history based on an episode in the Illustrated Teachings of the Kannon Sutra in Japanese (Kannon-kyō wakun-zue), by Mantei Oga—abridged in the accompanying text here. It shows fishermen recovering the body of Sahara Tōjūrō 佐原藤十郎, who had committed suicide because he could not pay off family debts. But he was found and saved by fisherman who saw his drifting body in the water of Lake Biwa, near the temple. The bodhisattva Kannon had taken mercy on him and revived him, because of the deep faith in Buddhism previously held by his parents when they were still alive. To show his appreciation, Tōjūrō became a pupil of a monk from Chōmeiji and commissioned a statue of Kannon in his village.
Coincidentally, The Met owns a rare example of Chōmeiji pilgrimage mandala, created to raise funds for its rebuilding after the entire temple complex was leveled by fire in 1516 during warfare that affected the whole Kyoto area (2016.517).
Artwork Details
- 観音霊験記 長命寺
- Title: Chōmeiji Temple (Chōmeiji), from the series Miracles of Kannon
- Artist: Utagawa Hiroshige II 二代目歌川広重 (Japanese, 1826–1869) (upper)
- Artist: Utagawa Kunisada (Toyokuni III) 歌川国貞(三代歌川豊国) (Japanese, 1786–1864) (lower)
- Period: Edo period (1615–1868)
- Date: 1859
- Culture: Japan
- Medium: Woodblock print (nishiki-e); ink and color on paper
- Dimensions: Vertical ōban; image: 13 1/2 × 9 1/4 in. (34.3 × 23.5 cm)
- Classification: Prints
- Credit Line: Gift of Sue Cassidy Clark, in honor of John T. Carpenter, 2021
- Object Number: 2021.396.5
- Curatorial Department: Asian Art
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