Old Italian Masters, II, Engraved by Timothy Cole, Japan Proofs

Portfolio. Lithographed title page border and 34 wood engravings by Cole. Thirty-three of these are after Italian painters and one a portrait of Cole by Wyatt Eaton. Each work has a thin protective mat printed with the title, painter and location of the related work. Housed in a tan four-flap enclosure with the title stamped in gold on the front cover and spine.
27.102(2-1): No. 35: after Sandro Botticelli, Madonna and Child, detail from "Madonna and Child and St. John," in the Louvre, Paris; originally pub. Century Magazine, August 1890, p. frontispiece (Smith 227).
27.102(2-2): No. 36: after Sandro Botticelli, Head of Flora, from the "Allegory of the Seasons," in the Academy of Fine Arts, Florence; originally pub. Century Magazine, August 1890, p. 505 (Smith 228).
27.102(2-3): No. 37: after Sandro Botticelli, The Three Graces, from the "Allegory of the Seasons," in the Academy of Fine Arts, Florence; originally pub. Century Magazine, August 1890, p. 507 (Smith 229).
27.102(2-4): No. 38: after Luca Signorelli, Angel Sounding the Trumpet, from the fresco in the Duomo, Orvieto; originally pub. Century Magazine, November 1890, p. 77 (Smith 230).
27.102(2-5): No. 39: after Leonardo da Vinci, Mona Lisa (La Giaconda), from the original picture in the Louvre, Paris; originally pub. Century Magazine, April 1891, frontispice (Smith 231).
27.102(2-6): No. 40: after Leonardo da Vinci (attrib.), The Goldsmith, from the original picture in the Pitti Gallery, Florence; originally pub. Century Magazine, April 1891, p. 840 (Smith 232).
27.102(2-7): No. 41: after Leonardo da Vinci, Adoration of the Magi, detail from the unfinished picture, Uffizi Gallery, Florence; originally pub. Century Magazine, April 1891, p. 843 (Smith 233).
27.102(2-8): No. 42: after Bartolommeo, Mary Magdalene, detail from the original picture in the Palazzo Pubblico (formerly Church of S. Romano), Lucca; originally pub. Century Magazine, July 1891, p. 346 (Smith 234).
27.102(2-9): No. 43: after Albertinelli, The Visitation, from the original painting in the Uffizi Gallery, Florence; originally pub. Century Magazine, July 1891, p. 349 (Smith 235).
27.102(2-10): No. 44: after Battista Franco, Unknown Man, in the Pitti Gallery, Florence; originally pub. Century Magazine, September 1891, p. 749 (Smith 236).
27.102(2-11): No. 45: after Ghirlandaio, St. Gerome, from the original picture in the Church of the Ognissanti, Florence; originally pub. Century Magazine, September 1891, p. 752 (Smith 237).
27.102(2-12): No. 46: after Lorenzo di Credi, Portrait of Verrocchio, from the original painting in the Uffizi Gallery, Florence; originally pub. Century Magazine, October 1891, p. 893 (Smith 238).
27.102(2-13): No. 47: after Perugino, St. Michael, detail from the "Assumption of the Virgin," in the Accademia di Belle Arte, Florence; originally pub. Century Magazine, October 1891, p. 896 (Smith 239).
27.102(2-14): No. 48: after Michelangelo, Delphian Sibyl, from the fresco on the ceiling of the Sistine Chapel, Rome; originally pub. Century Magazine, November 1891, frontispiece (Smith 240).
27.102(2-15): No. 49: after Michelangelo, Cumaean Sibyl, from the fresco on the ceiling of the Sistine Chapel, Rome; originally pub. Century Magazine, November 1891, frontispiece (Smith 241).
27.102(2-16): No. 50: after Raphael, Aeneas Group, from the original freso "Incendio del Borgo," in the Vatican; originally pub. Century Magazine, December 1891, p. 167 (Smith 243).
27.102(2-17): No. 51: after Raphael, Parnassus, from the original freso in the Vatican; originally pub. Century Magazine, December 1891, p. 170 (Smith 244).
27.102(2-18): No. 52: after Raphael, Portrait of Maddalena Doni, from the original in the Pitti Gallery, Florence; originally pub. Century Magazine, December 1891, p. 172 (Smith 245).
27.102(2-19): No. 53: after Andrea del Sarto, St. Agnes, in the Pisa Cathedral; originally pub. Century Magazine, January 1892, p. 353 (Smith 246).
27.102(2-20): No. 54: after Andrea del Sarto, Two Angels, in the Florence Academy; originally pub. Century Magazine, January 1892, p. 356 (Smith 247).
27.102(2-21): No. 55: after Titian, La Bella, from the painting in the Pitti Palace, Florence; originally pub. Century Magazine, February 1892, p. frontispiece (Smith 248).
27.102(2-22): No. 56: after Titian, The Entombment, from the painting in the Louvre, Paris; originally pub. Century Magazine, February 1892, p. 577 (Smith 249).
27.102(2-23): No. 57: after Titian, L'Homme aux Gants (The Man with the Gloves), from the painting in the Louvre, Paris; originally pub. Century Magazine, February 1892, p. 579 (Smith 250).
27.102(2-24): No. 58: after Giorgione, Knight of Malta, from the painting in the Uffizi Gallery, Florence; originally pub. Century Magazine, March 1892, p. 713 (Smith 251).
27.102(2-25): No. 59: after Giorgione, St. Liberalis, from the "Madonna and Child Enthroned," in the Cathedral of Castelfranco; originally pub. Century Magazine, March 1892, p. 716 (Smith 252).
27.102(2-26): No. 60: after Giorgione, The Concert, in the Hall of the Iliad of the Pitti Gallery, Florence; originally pub. Century Magazine, March 1892, p. 718 (Smith 253).
27.102(2-27): No. 61: after Lorenzo Lotto, The Three Ages of Mna, in the Pitti Gallery, Florence; originally pub. Century Magazine, April 1892, frontispiece (Smith 254).
27.102(2-28): No. 62: after Bernardino Luini, St. Apollonia, in the Church of Monastero Maggiore, Milan; originally pub. Century Magazine, May 1892, p. 49 (Smith 255).
27.102(2-29): No. 62: after Carpaccio, The Legend of St. Ursula, detail from the painting in The Academy, Venice; originally pub. Century Magazine, June 1892, p. 245 (Smith 256).
27.102(2-30): No. 63: after Veronese, Venice Enthroned, in the Academy at Venice; originally pub. Century Magazine, August 1892, p. 582 (Smith 257).
27.102(2-31): No. 64: after Tintoretto, The Miracle of St. Mark, in the Academy of Fine Art, Venice; originally pub. Century Magazine, September 1892, p. 747 (Smith 259).
27.102(2-32): No. 65: after Tintoretto, The Death of Abel, in the Academy of Fine Art, Venice; originally pub. Century Magazine, September 1892, p. 745 (Smith 258).
27.102(2-33): No. 66: after Correggio, Madonna and Child in Glory, in the Uffizi Gallery, Florence; originally pub. Century Magazine, October 1892, p. 917 (Smith 261).
27.102(2-34): No. 67: after Wyatt Eaton, Portrait of Timothy Cole; originally pub. Century Magazine, October 1892, p. 882 (Smith 260).