The King's Declaration to his Gentry & Army in September 1642

Engraver After Gerard Vandergucht British

After Peter Tillemans Flemish

Sitter Charles I, King of England, Scotland, Wales and Ireland British

1711–34

Not on view

Artwork Details

Overview

Signatures, Inscriptions, and Markings

Provenance

Title: The King's Declaration to his Gentry & Army in September 1642
Engraver: After Gerard Vandergucht (British, London 1696–1776 London)
Artist: After Peter Tillemans (Flemish, Antwerp ca. 1684–1734 Norton, Suffolk (active Britain))
Sitter: Charles I, King of England, Scotland, Wales and Ireland (British, Dunfermline, Scotland 1600–1649 London)
Date: 1711–34
Medium: Engraving
Dimensions: Plate: 16 5/16 × 18 5/16 in. (41.5 × 46.5 cm)
Sheet: 16 15/16 × 18 13/16 in. (43 × 47.8 cm)
Classification: Prints
Credit Line: Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924
Object Number: 24.63.1865
Curatorial Department: Drawings and Prints

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Gulliver Presented to the Queen of Babilary, Frontispiece to "The Travels of Mr. John Gulliver", Gerard Vandergucht British, Etching and engraving — Gulliver Presented to the Queen of Babilary, Frontispiece to "The Travels of Mr. John Gulliver"
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Raffle Ticket for the Painting of Venus and Cupid after Michelangelo, Gerard Vandergucht British, Etching, additions in the text in pen and ink — Raffle Ticket for the Painting of Venus and Cupid after Michelangelo
Multiple artists/makers
1734

Frontispiece to "The Humours of Oxford", Gerard Vandergucht British, Etching and engraving — Frontispiece to "The Humours of Oxford"
Multiple artists/makers
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Scrapbook of Drawings and Prints, Gideon Saint British, Pen and ink, engraving and etching — Scrapbook of Drawings and Prints
Gideon Saint
ca. 1760

Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal) Italian, Etching; undivided plate, only state — Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
Joseph Smith
1741

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