The State Waggoner and John Bull, or, the Waggon too much for the Donkeys!
Not on view
Gratefully built with ACNLPatternTool
Not on view
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title: The State Waggoner and John Bull, or, the Waggon too much for the Donkeys!
Artist:
James Gillray (British, London 1756–1815 London)
Publisher:
Hannah Humphrey (British, ca. 1745–1819)
Subject:
Henry Addington, 1st Viscount Sidmouth (British, Holborn 1757–1844 London)
Subject:
John Hilley Addington (British, 1759–1818)
Subject:
George Nugent Temple Grenville, 1st Marquess of Buckingham (British, 1753–1813)
Subject:
George Canning (British, 1770–1827)
Subject:
Frederick Howard, 5th Earl of Carlisle
Subject:
Thomas Erskine, 1st Baron Erskine (British, 1750–1823)
Subject:
Charles Fox (British, Costessey Park, near Norwich 1795–1849 Leyton, Essex)
Subject:
William Wyndham Grenville, Baron Grenville (British, 1759–1834)
Subject:
Charles Grey, 2nd Earl Grey (British, Northumberland 1764–1845 Northumberland)
Subject:
William Petty, 2nd Earl of Shelburne and 1st Marquess of Lansdowne (British, 1735–1805)
Subject:
James Maitland, 8th Earl of Lauderdale (British, 1759–1839)
Subject:
Charles Howard, 11th Duke of Norfolk (British, 1746–1815)
Subject:
William Pitt (British, 1759–1806)
Subject:
Richard Brinsley Sheridan (Irish, Dublin 1751–1816 London)
Subject:
George John Spencer, 2nd Earl Spencer (British, 1758–1834)
Subject:
William Wilberforce (British, Hull 1759–1833 London)
Subject:
William Windham (British, 1750–1810)
Date: March 14, 1804
Medium: Etching, hand-colored
Dimensions:
Plate: 10 3/8 × 14 3/8 in. (26.4 × 36.5 cm)
Sheet: 11 in. × 15 3/4 in. (27.9 × 40 cm)
Classification: Prints
Credit Line: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund and Harris Brisbane Dick Fund, by Exchange, 1970
Accession Number: 1970.541.98
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.