Interior of Saint Bavo Church, Haarlem
Sunlight dapples the whitewashed walls of the Church of Saint Bavo, a major monument in the Dutch city of Haarlem. Following the Protestant Reformation in the sixteenth century, Dutch churches were largely stripped of stained glass, paintings, and sculpture. Dutch painters soon took these "cleansed" churches as an artistic subject, exploring the play of light and perspective, as well as the intermingling of social classes within these sacred interiors. In Berckheyde’s rendering, a mother and child beg for alms on the left, while wealthy parishioners stroll past, seemingly oblivious to their plight.
Artwork Details
- Title:Interior of Saint Bavo Church, Haarlem
- Artist:Job Adriaensz Berckheyde (Dutch, Haarlem 1630–1693)
- Date:ca. 1676
- Medium:Oil on oak
- Dimensions:15 3/8 in. × 12 in. (39.1 × 30.5 cm)
- Classification:Paintings
- Credit Line:Gift of Patricia A. Gruber, in honor of Peter Gruber, and with thanks to her sister, Marilyn Gasparini, 2024
- Object Number:2024.381
- Curatorial Department: European Paintings
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Salomon van Ruysdael (Dutch, Naarden, born ca. 1600–1603, died 1670 Haarlem)
early 1650s
Jan van Goyen (Dutch, Leiden 1596–1656 The Hague)
1646
Frans Post (Dutch, Haarlem 1612–1680 Haarlem)
1650
Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
1640
Pieter Claesz (Dutch, Berchem? 1596/97–1660 Haarlem)
1628
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