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A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c,, Arthur Pond  British, Engraving, etching, woodcut
Multiple artists/makers
1732–69
Il Goffredo ovvero Gerusalemme liberata, Torquato Tasso  Italian, Printed book with intaglio illustration.
Multiple artists/makers
1760–61
Andromeda, after Agostino Carracci, Pieter Tanjé  Dutch, Red chalk, inlaid into french mount with brown and gold framing lines
Pieter Tanjé
After Agostino Carracci
18th century
Hercules and Cacus, after Annibale Carracci, and the Destruction of Enceladus, after Agostino Carracci, Jean Honoré Fragonard  French, Black chalk; framing lines in pen and brown ink
Jean Honoré Fragonard
After Annibale Carracci
After Agostino Carracci
1761
Studies and Sketches for Figures: Standing Male Nude in Frontal View, Male Heads, Seated Monkey, and a Long-Beaked Bird (a Stork?) (recto); Figure Studies:  Back View of Standing Male and Female Heads, a Flying Long-Beaked Bird, etc. (verso), Agostino Carracci  Italian, Pen and brown ink, over traces of leadpoint or soft black chalk (recto and verso)
Agostino Carracci
1557–1602
Figure Studies for Various Female and Male Figures (recto); Threes Amors in the Garden of Venus (verso), Agostino Carracci  Italian, Pen and brown ink, some sketches over red chalk, some faint scribbles in charcoal (recto); pen and brown ink, brush and gray-blue wash (verso)
Agostino Carracci
1600–02
Bust-Length Portrait of a Woman (recto); Bust-Length Study of a Girl (verso), Agostino Carracci  Italian, Red chalk, over black chalk (recto); red chalk (verso)
Agostino Carracci
1577–1602
Ogni cosa vince l'oro, Agostino Carracci  Italian, Engraving
Agostino Carracci
ca. 1590–95
Sine Cerere et Baccho Friget Venus, Agostino Carracci  Italian, Engraving
Agostino Carracci
1599
Stage set for the marriage of Ferdinand de' Medici and Christine of Lorraine in Florence in 1589; Apollo and the Python, Agostino Carracci  Italian, Etching and engraving
Agostino Carracci
After Bernardo Buontalenti (Bernardo delle Girandole)
After Andrea Boscoli
1589–92
Saint Paul raising Patroclus who is on the ground, surrounded by a group of onlookers, a dog in the foreground at left, Agostino Carracci  Italian, Engraving
Agostino Carracci
After Antonio Campi
1583
Christ on the cross, Saint John to the right looking toward him, to the left is the fainting Virgin Mary supported by two women, Agostino Carracci  Italian, Engraving
Agostino Carracci
After Paolo Veronese (Paolo Caliari)
Publisher Orazio Bertelli
1582
Pietà: Christ supported by the Virgin and an angel at the right, Agostino Carracci  Italian, Engraving
Agostino Carracci
After Paolo Veronese (Paolo Caliari)
Publisher Orazio Bertelli
1582
The mystic marriage of Saint Catherine who sits at center with the Christ child, angels with instruments at the left, Agostino Carracci  Italian, Engraving
Agostino Carracci
After Paolo Veronese (Paolo Caliari)
1585
Ecce Homo, Agostino Carracci  Italian, Engraving
Agostino Carracci
After Correggio (Antonio Allegri)
1587
Allegory of the Psalm of David, Agostino Carracci  Italian, Engraving
After Agostino Carracci
After Orazio Samacchini
1579
The Crucifixion, Agostino Carracci  Italian, Engraving
Agostino Carracci
After Paolo Veronese (Paolo Caliari)
1582
Bust of an Old Man, Agostino Carracci  Italian, Engraving
Agostino Carracci
ca. 1583
Omnia Vincit Amor, Agostino Carracci  Italian, Engraving
Agostino Carracci
1599
Coat of Arms of a Cardinal of the Sampieri Family, Agostino Carracci  Italian, Engraving
Agostino Carracci
1590–95
Orpheus and Eurydice, Agostino Carracci  Italian, Engraving, second state
Agostino Carracci
ca. 1590–95
Stage set for the marriage of Ferdinand de' Medici and Christine of Lorraine in Florence in 1589; Apollo and the Python, Agostino Carracci  Italian, Etching, engraving
Agostino Carracci
After Bernardo Buontalenti (Bernardo delle Girandole)
After Andrea Boscoli
1589–92
Aeneas and his family fleeing Troy, Agostino Carracci  Italian, Engraving
Agostino Carracci
After Federico Barocci
Publisher Donato Rasicotti
1595
Studies of Nudes and Human Heads (recto and on the verso), Agostino Carracci  Italian, Pen and brown ink over traces of graphite
circle of Agostino Carracci
1557–1602
Symbolicarum Quaestionum. . .Libri Quinque, Achille Bocchi  Italian, Engraving
Multiple artists/makers
1574
La Gierusalemme Liberata, Torquato Tasso  Italian, Printed book with engraved illustrations
Multiple artists/makers
1590
The Last Communion of Saint Jerome, François Perrier  French, Etching
François Perrier
After Agostino Carracci
1584–1650
Five Legs and Three Feet, Luca Ciamberlano  Italian, Engraving
Luca Ciamberlano
After Agostino Carracci
17th century
Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Painting and Poetry mourning the death of Agostino Carracci, painted by Francesco Brizio; 2. Painting with a lyre and Apollo pointing to stars on Carracci's grave, design by Giacomo Cavedone; 3. The head of Christ, painted by Agostino Carracci; 4. Prometheus with a torch and Athena behind him, painted by Alessandro Albini; 5. Aurora abducting Cephalus, painted by Leonello Spada., Guido Reni  Italian, Etching
Multiple artists/makers
1603
Satyr whipping a nymph, who is shown from behind and bound to a tree, a second satyr bearing a club stands in the middle ground, Agostino Carracci  Italian, Engraving
Agostino Carracci
ca. 1590–95
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree, Agostino Carracci  Italian, Engraving
Agostino Carracci
1599
The Assumption of the Virgin, plate 2 from "Bononiensium Pictorum Celebrioris...", Giuseppe Maria Mitelli  Italian, Etching
Giuseppe Maria Mitelli
After Agostino Carracci
Publisher Gioseffo Longhi
1678
Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso), Agostino Carracci  Italian, Pen and brown ink, over black chalk underdrawing
Agostino Carracci
ca. 1590–93
Seated Figure of Justice, from Farnese Palace, after Annibale and Agostino Carracci, Jacques Belly  French, Etching; first state of two
Jacques Belly
After Annibale Carracci
After Agostino Carracci
1641
Jupiter embracing Juno, from "La Gallerie du Palais Farnaise de la ville de Rome", Jacques Belly  French, Etching; first state of two
Jacques Belly
After Annibale Carracci
After Agostino Carracci
1641
Pan and Cupid, Flaminio Torre (Torri)  Italian, Etching
Flaminio Torre (Torri)
After Agostino Carracci
1640–60
After Agostino Carracci
1590
Agostino Carracci
After Federico Barocci
1582
Agostino Carracci
1581
Agostino Carracci
1581
Agostino Carracci
After Jacopo Tintoretto (Jacopo Robusti)
1588
Agostino Carracci
1595

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