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Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Painting and Poetry mourning the death of Agostino Carracci, painted by Francesco Brizio; 2. Painting with a lyre and Apollo pointing to stars on Carracci's grave, design by Giacomo Cavedone; 3. The head of Christ, painted by Agostino Carracci; 4. Prometheus with a torch and Athena behind him, painted by Alessandro Albini; 5. Aurora abducting Cephalus, painted by Leonello Spada., Guido Reni Italian, Etching
Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Painting and Poetry mourning the death of Agostino Carracci, painted by Francesco Brizio; 2. Painting with a lyre and Apollo pointing to stars on Carracci's grave, design by Giacomo Cavedone; 3. The head of Christ, painted by Agostino Carracci; 4. Prometheus with a torch and Athena behind him, painted by Alessandro Albini; 5. Aurora abducting Cephalus, painted by Leonello Spada.
Multiple artists/makers
1603
Satyr whipping a nymph, who is shown from behind and bound to a tree, a second satyr bearing a club stands in the middle ground, Agostino Carracci Italian, Engraving
Satyr whipping a nymph, who is shown from behind and bound to a tree, a second satyr bearing a club stands in the middle ground
Agostino Carracci
ca. 1590–95
Il Goffredo ovvero Gerusalemme liberata, Torquato Tasso Italian, Printed book with intaglio illustration.
Il Goffredo ovvero Gerusalemme liberata
Multiple artists/makers
1760–61
Studies of Nudes and Human Heads (recto and on the verso), Agostino Carracci Italian, Pen and brown ink over traces of graphite
Studies of Nudes and Human Heads (recto and on the verso)
circle of Agostino Carracci
1557–1602
Hercules and Cacus, after Annibale Carracci, and the Destruction of Enceladus, after Agostino Carracci, Jean Honoré Fragonard French, Black chalk; framing lines in pen and brown ink
Hercules and Cacus, after Annibale Carracci, and the Destruction of Enceladus, after Agostino Carracci
Jean Honoré Fragonard
After Annibale Carracci
After Agostino Carracci
1761
The Last Communion of Saint Jerome, François Perrier French, Etching
The Last Communion of Saint Jerome
François Perrier
After Agostino Carracci
1584–1650
Sine Cerere et Baccho Friget Venus, Agostino Carracci Italian, Engraving
Sine Cerere et Baccho Friget Venus
Agostino Carracci
1599
The Crucifixion, Agostino Carracci Italian, Engraving
The Crucifixion
Agostino Carracci
After Paolo Veronese (Paolo Caliari)
1582
Bust of an Old Man, Agostino Carracci Italian, Engraving
Bust of an Old Man
Agostino Carracci
ca. 1583
Omnia Vincit Amor, Agostino Carracci Italian, Engraving
Omnia Vincit Amor
Agostino Carracci
1599
Ogni cosa vince l'oro, Agostino Carracci Italian, Engraving
Ogni cosa vince l'oro
Agostino Carracci
ca. 1590–95
Stage set for the marriage of Ferdinand de' Medici and Christine of Lorraine in Florence in 1589; Apollo and the Python, Agostino Carracci Italian, Etching and engraving
Stage set for the marriage of Ferdinand de' Medici and Christine of Lorraine in Florence in 1589; Apollo and the Python
Agostino Carracci
After Bernardo Buontalenti (Bernardo delle Girandole)
After Andrea Boscoli
1589–92
Pietà: Christ supported by the Virgin and an angel at the right, Agostino Carracci Italian, Engraving
Pietà: Christ supported by the Virgin and an angel at the right
Agostino Carracci
After Paolo Veronese (Paolo Caliari)
Publisher Orazio Bertelli
1582
Ecce Homo, Agostino Carracci Italian, Engraving
Ecce Homo
Agostino Carracci
After Correggio (Antonio Allegri)
1587
Allegory of the Psalm of David, Agostino Carracci Italian, Engraving
Allegory of the Psalm of David
After Agostino Carracci
After Orazio Samacchini
1579
A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c,, Arthur Pond British, Engraving, etching, woodcut
A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c,
Multiple artists/makers
1732–69
Orpheus and Eurydice, Agostino Carracci Italian, Engraving, second state
Orpheus and Eurydice
Agostino Carracci
ca. 1590–95
Aeneas and his family fleeing Troy, Agostino Carracci Italian, Engraving
Aeneas and his family fleeing Troy
Agostino Carracci
After Federico Barocci
Publisher Donato Rasicotti
1595
Saint Paul raising Patroclus who is on the ground, surrounded by a group of onlookers, a dog in the foreground at left, Agostino Carracci Italian, Engraving
Saint Paul raising Patroclus who is on the ground, surrounded by a group of onlookers, a dog in the foreground at left
Agostino Carracci
After Antonio Campi
1583
Christ on the cross, Saint John to the right looking toward him, to the left is the fainting Virgin Mary supported by two women, Agostino Carracci Italian, Engraving
Christ on the cross, Saint John to the right looking toward him, to the left is the fainting Virgin Mary supported by two women
Agostino Carracci
After Paolo Veronese (Paolo Caliari)
Publisher Orazio Bertelli
1582
The mystic marriage of Saint Catherine who sits at center with the Christ child, angels with instruments at the left, Agostino Carracci Italian, Engraving
The mystic marriage of Saint Catherine who sits at center with the Christ child, angels with instruments at the left
Agostino Carracci
After Paolo Veronese (Paolo Caliari)
1585
Stage set for the marriage of Ferdinand de' Medici and Christine of Lorraine in Florence in 1589; Apollo and the Python, Agostino Carracci Italian, Etching, engraving
Stage set for the marriage of Ferdinand de' Medici and Christine of Lorraine in Florence in 1589; Apollo and the Python
Agostino Carracci
After Bernardo Buontalenti (Bernardo delle Girandole)
After Andrea Boscoli
1589–92
Bust-Length Portrait of a Woman (recto); Bust-Length Study of a Girl (verso), Agostino Carracci Italian, Red chalk, over black chalk (recto); red chalk (verso)
Bust-Length Portrait of a Woman (recto); Bust-Length Study of a Girl (verso)
Agostino Carracci
1577–1602
Coat of Arms of a Cardinal of the Sampieri Family, Agostino Carracci Italian, Engraving
Coat of Arms of a Cardinal of the Sampieri Family
Agostino Carracci
1590–95
Symbolicarum Quaestionum. . .Libri Quinque, Achille Bocchi Italian, Engraving
Symbolicarum Quaestionum. . .Libri Quinque
Multiple artists/makers
1574
Studies and Sketches for Figures: Standing Male Nude in Frontal View, Male Heads, Seated Monkey, and a Long-Beaked Bird (a Stork?) (recto); Figure Studies: Back View of Standing Male and Female Heads, a Flying Long-Beaked Bird, etc. (verso), Agostino Carracci Italian, Pen and brown ink, over traces of leadpoint or soft black chalk (recto and verso)
Studies and Sketches for Figures: Standing Male Nude in Frontal View, Male Heads, Seated Monkey, and a Long-Beaked Bird (a Stork?) (recto); Figure Studies: Back View of Standing Male and Female Heads, a Flying Long-Beaked Bird, etc. (verso)
Agostino Carracci
1557–1602
Figure Studies for Various Female and Male Figures (recto); Threes Amors in the Garden of Venus (verso), Agostino Carracci Italian, Pen and brown ink, some sketches over red chalk, some faint scribbles in charcoal (recto); pen and brown ink, brush and gray-blue wash (verso)
Figure Studies for Various Female and Male Figures (recto); Threes Amors in the Garden of Venus (verso)
Agostino Carracci
1600–02
Andromeda, after Agostino Carracci, Pieter Tanjé Dutch, Red chalk, inlaid into french mount with brown and gold framing lines
Andromeda, after Agostino Carracci
Pieter Tanjé
After Agostino Carracci
18th century
La Gierusalemme Liberata, Torquato Tasso Italian, Printed book with engraved illustrations
La Gierusalemme Liberata
Multiple artists/makers
1590
Jupiter embracing Juno, from "La Gallerie du Palais Farnaise de la ville de Rome", Jacques Belly French, Etching; first state of two
Jupiter embracing Juno, from "La Gallerie du Palais Farnaise de la ville de Rome"
Jacques Belly
After Annibale Carracci
After Agostino Carracci
1641
Seated Figure of Justice, from Farnese Palace, after Annibale and Agostino Carracci, Jacques Belly French, Etching; first state of two
Seated Figure of Justice, from Farnese Palace, after Annibale and Agostino Carracci
Jacques Belly
After Annibale Carracci
After Agostino Carracci
1641
Five Legs and Three Feet, Luca Ciamberlano Italian, Engraving
Five Legs and Three Feet
Luca Ciamberlano
After Agostino Carracci
17th century
Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso), Agostino Carracci Italian, Pen and brown ink, over black chalk underdrawing
Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)
Agostino Carracci
ca. 1590–93
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree, Agostino Carracci Italian, Engraving
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Agostino Carracci
1599
The Assumption of the Virgin, plate 2 from "Bononiensium Pictorum Celebrioris...", Giuseppe Maria Mitelli Italian, Etching
The Assumption of the Virgin, plate 2 from "Bononiensium Pictorum Celebrioris..."
Giuseppe Maria Mitelli
After Agostino Carracci
Publisher Gioseffo Longhi
1678
Pan and Cupid, Flaminio Torre (Torri) Italian, Etching
Pan and Cupid
Flaminio Torre (Torri)
After Agostino Carracci
1640–60
Galatea, plate 31 from "Schola Italica Picturae"
Domenico Cunego
After Agostino Carracci
Publisher Gavin Hamilton
1772
Il Funerale d'Agostin Carroccio fatto in Bologna sua Patria da gl'Incaminati Academici del Disegno
Multiple artists/makers
1603
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Multiple artists/makers
1764–73
Vita Di Cosimo De'Medici, Primo Gran Duca Di Toscana, Descritta da Aldo Mannucci
Multiple artists/makers
1586
Eighty-two prints engraved by F. Bartolozzi, etc., from the original drawings of Guercino in the collection of His Majesty, vol. I / Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Multiple artists/makers
1792–98
Wilton album, folio 134: Saint Lucy, half-length and looking downwards, a palm in her right hand and her own eyes in a small dish in her left hand, from 'Four Female Saints'
Agostino Carracci
ca. 1581