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Landscape with Three Figures and Birds, Albert Flamen Flemish, Pen and brown ink, brush and gray wash; framing lines in pen and brown ink, and brush and brown wash
Landscape with Three Figures and Birds
Albert Flamen
mid–late 17th century
Studies of Birds (recto); Village Scene with Skaters (verso), Albert Flamen Flemish, Pen and brown ink, brush and brown wash (recto); watercolor (verso)
Studies of Birds (recto); Village Scene with Skaters (verso)
Albert Flamen
Former Attribution Formerly attributed to Anonymous, Netherlandish, 16th century
mid-17th century
Title Page from "Livre d'Oyseaux" (Book of Birds), Albert Flamen Flemish, Etching
Title Page from "Livre d'Oyseaux" (Book of Birds)
Albert Flamen
1655–60
Vanellus, Vanneau (The Lapwing), from "Livre d'Oyseaux" (Book of Birds), Albert Flamen Flemish, Etching
Vanellus, Vanneau (The Lapwing), from "Livre d'Oyseaux" (Book of Birds)
Albert Flamen
1655–60
Querquedula, Cercelle (The Teal), from "Livre d'Oyseaux" (Book of Birds), Albert Flamen Flemish, Etching
Querquedula, Cercelle (The Teal), from "Livre d'Oyseaux" (Book of Birds)
Albert Flamen
1655–60
Perdix rubra, Perdix rouge (The Red-Legged Partridge), from "Livre d'Oyseaux" (Book of Birds), Albert Flamen Flemish, Etching
Perdix rubra, Perdix rouge (The Red-Legged Partridge), from "Livre d'Oyseaux" (Book of Birds)
Albert Flamen
1655–60
Ficedula, Piuoyne (The Bullfinch), from "Livre d'Oyseaux" (Book of Birds), Albert Flamen Flemish, Etching
Ficedula, Piuoyne (The Bullfinch), from "Livre d'Oyseaux" (Book of Birds)
Albert Flamen
1655–60
Rusticula, Beccasse (The Woodcock), from "Livre d'Oyseaux" (Book of Birds), Albert Flamen Flemish, Etching
Rusticula, Beccasse (The Woodcock), from "Livre d'Oyseaux" (Book of Birds)
Albert Flamen
1655–60
Rusticula minor, Beccassine (The Snipe), from "Livre d'Oyseaux" (Book of Birds), Albert Flamen Flemish, Etching
Rusticula minor, Beccassine (The Snipe), from "Livre d'Oyseaux" (Book of Birds)
Albert Flamen
1655–60
Ortygometra, Ralle (The Rail), from "Livre d'Oyseaux" (Book of Birds), Albert Flamen Flemish, Etching
Ortygometra, Ralle (The Rail), from "Livre d'Oyseaux" (Book of Birds)
Albert Flamen
1655–60
Carduëlis, Chardonnet (The Goldfinch), from "Livre d'Oyseaux" (Book of Birds), Albert Flamen Flemish, Etching
Carduëlis, Chardonnet (The Goldfinch), from "Livre d'Oyseaux" (Book of Birds)
Albert Flamen
1655–60
Alcedo, Martin-pescheur (The Kingfisher), from "Livre d'Oyseaux" (Book of Birds), Albert Flamen Flemish, Etching
Alcedo, Martin-pescheur (The Kingfisher), from "Livre d'Oyseaux" (Book of Birds)
Albert Flamen
1655–60
Garrulus, Gey (The Jay), from "Livre d'Oyseaux" (Book of Birds), Albert Flamen Flemish, Etching
Garrulus, Gey (The Jay), from "Livre d'Oyseaux" (Book of Birds)
Albert Flamen
1655–60
Monedula, Chouëtte (The Owl), from "Livre d'Oyseaux" (Book of Birds), Albert Flamen Flemish, Etching
Monedula, Chouëtte (The Owl), from "Livre d'Oyseaux" (Book of Birds)
Albert Flamen
1655–60
Carduëlis; Chardonnet, Albert Flamen Flemish, Etching
Carduëlis; Chardonnet
Albert Flamen
ca. 1650–80
Orpheus Eucharisticus, Sive Devs Absconditus
Author Written by Augustin Chesneau
Publisher Published by Florentin Lambert
Designer Title page designed and cut by Albert Flamen
1657
Devises et Emblesmes D'Amour Moralisez
Author Written by Albert Flamen
Publisher Published by Olivier de Vareanes
1658
Livre de Plusieurs Cartouches
Albert Flamen
Publisher Jacques Van Merlen
1664
Plate 1, from "Livre de Plusieurs Cartouches"
Albert Flamen
Publisher Jacques Van Merlen
1664
Plate 2, from "Livre de Plusieurs Cartouches"
Albert Flamen
Publisher Jacques Van Merlen
1664
Plate 3, from "Livre de Plusieurs Cartouches"
Albert Flamen
Publisher Jacques Van Merlen
1664
Plate 7, from "Livre de Plusieurs Cartouches"
Albert Flamen
Publisher Jacques Van Merlen
1664
Plate 5, from "Livre de Plusieurs Cartouches"
Albert Flamen
Publisher Jacques Van Merlen
1664
Plate 6, from "Livre de Plusieurs Cartouches"
Albert Flamen
Publisher Jacques Van Merlen
1664
Plate 4, from "Livre de Plusieurs Cartouches"
Albert Flamen
Publisher Jacques Van Merlen
1664
Plate 6, from "Livre de Plusieurs Cartouches"
Albert Flamen
Publisher Jacques Van Merlen
1664
Plate 8, from "Livre de Plusieurs Cartouches"
Albert Flamen
Publisher Jacques Van Merlen
1664
The death of Abel lying in the forground, Cain faces God in the background
François Perrier
After Albert Flamen
1645–49
Vue du chemin de Longuetoise à St. Mars (View of the Road between Longuetoise Chateau and St. Mars), from "Vues et paisages du chateau de Longuetoise et des environs" (Views of the Longuetoise Chateau)
Artist and engraver Albert Flamen
Publisher Jacques Lagniet
ca. 1640–69
Vue du chemin de Longuetoise à St. Mars (View of the Road between Longuetoise Château and St. Mars), from "Vues et paisages du chateau de Longuetoise et des environs" (Views of the Longuetoise Château)
Artist and engraver Albert Flamen
Publisher Jacques Lagniet
ca. 1640–69
Frontispiece to "Paisages dessignes apres le naturel aux environs de Paris et gravés par Albert Flamen Peintre"
Artist and engraver Albert Flamen
Publisher Pierre Mariette
ca. 1640–69
Veuë des Moulins a pouldre d'Essonne, et de la Commanderie de Sainct Iean en Lisle, from "Paisages dessignes apres le naturel aux environs de Paris et gravés par Albert Flamen Peintre"
Artist and engraver Albert Flamen
Publisher Pierre Mariette
ca. 1640–69
Une partie du Village de Gentilly veu de dessus le pont (Part of the Village of Gentilly), from "Paisages dessignes apres le naturel aux environs de Paris et gravés par Albert Flamen Peintre"
Artist and engraver Albert Flamen
Publisher Pierre Mariette
ca. 1640–69
Gentilly veu du chemin hault qui vient du faubourg Sainct Marceau (View of Gentilly), from "Paisages dessignes apres le naturel aux environs de Paris et gravés par Albert Flamen Peintre"
Artist and engraver Albert Flamen
Publisher Pierre Mariette
ca. 1640–69
Veue de la Maison de Monsr. de Chasteauneuf et village de Montrouge (View of the house of Mr. Chateauneuf and the village of Montrouge), from "Paisages dessignes apres le naturel aux environs de Paris et gravés par Albert Flamen Peintre"
Artist and engraver Albert Flamen
Publisher Pierre Mariette
ca. 1640–69
Ruine de la vieille Eglise de Vaugirard (Ruins of the Church of Vaugirard), from "Paisages dessignes apres le naturel aux environs de Paris et gravés par Albert Flamen Peintre"
Artist and engraver Albert Flamen
Publisher Pierre Mariette
ca. 1640–69
Veue du parterre de la maison de Monsr. de Seue Abbé de l'Isle a Issy (View of the garden and the house of Mr de Seve, Abbot of the Isle at Issy), from "Paisages dessignes apres le naturel aux environs de Paris et gravés par Albert Flamen Peintre"
Artist and engraver Albert Flamen
Publisher Pierre Mariette
ca. 1640–69
Paysage veu de dessoubs les arcades de l'Aqueduc d'Arqueüil (Landscape seen from the aquaduct of Arqueuil), from "Paisages dessignes apres le naturel aux environs de Paris et gravés par Albert Flamen Peintre"
Artist and engraver Albert Flamen
Publisher Pierre Mariette
ca. 1640–69
Le vieil Chasteau et partie du Pont de Corbeil veu du costé de Seinemont (The Old Chateau), from "Paisages dessignes apres le naturel aux environs de Paris et gravés par Albert Flamen Peintre"
Artist and engraver Albert Flamen
Publisher Pierre Mariette
ca. 1640–69
Le Chasteau de Peray pres Corbeil a M. Tronson veu du costé du Jardin (The Peray Chateau), from "Paisages dessignes apres le naturel aux environs de Paris et gravés par Albert Flamen Peintre"
Artist and engraver Albert Flamen
Publisher Pierre Mariette
ca. 1640–69
Veuë de Baigneux du costé de Fontenay aux Roses, from "Paisages dessignes apres le naturel aux environs de Paris et gravés par Albert Flamen Peintre"
Artist and engraver Albert Flamen
Publisher Pierre Mariette
ca. 1640–69
Le Village de Chastillon veu du costé de Baigneux, from "Paisages dessignes apres le naturel aux environs de Paris et gravés par Albert Flamen Peintre"
Artist and engraver Albert Flamen
Publisher Pierre Mariette
ca. 1640–69

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.