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The Concert, Antoine Jean Duclos  French, Etching; before first state of three (Bocher)
Antoine Jean Duclos
After Augustin de Saint-Aubin
1774
The Concert, Antoine Jean Duclos  French, Etching and engraving; first state of three (Bocher)
Antoine Jean Duclos
After Augustin de Saint-Aubin
1774
Le Bal Paré, Antoine Jean Duclos  French, Proof with etching and engraving; second state of four (Bocher)
Antoine Jean Duclos
After Augustin de Saint-Aubin
1774
Arrival of Telemachus at the Island of Calypso, Antoine Jean Duclos  French, Etching and Engraving
Etched by Antoine Jean Duclos
Engraved by Jean-Baptiste Patas
After François Boucher
Facsimile Reproduction of The Concert, Reichsdruckerei  German, Facsimile of etching and engraving
Multiple artists/makers
19th century
Le Bal Paré, Antoine Jean Duclos  French, Etched proof; first state of four (Bocher)
Antoine Jean Duclos
After Augustin de Saint-Aubin
1774
Facsimile Reproduction of Le Bal Paré, Reichsdruckerei  German, Facsimile of etching and engraving; fourth state of four (Bocher)
Multiple artists/makers
19th century
The Head of Cyrus brought to Queen Tomyris, Antoine Jean Duclos  French, Etching; proof
Antoine Jean Duclos
After Peter Paul Rubens
1785–89
Le Bal Paré, Antoine Jean Duclos  French, Etching and engraving
Antoine Jean Duclos
After Augustin de Saint-Aubin
1774
Le Concert, Antoine Jean Duclos  French, Etching and engraving
Antoine Jean Duclos
After Augustin de Saint-Aubin
1774
Multiple artists/makers
1773
Multiple artists/makers
1775–76
Multiple artists/makers
1775–84
Antoine Jean Duclos
After Polidoro da Caravaggio
ca. 1762–95
Multiple artists/makers
1788
Multiple artists/makers
1786–95
Antoine Jean Duclos
After Titian (Tiziano Vecellio)
1786–95
Antoine Jean Duclos
After Titian (Tiziano Vecellio)
1786–95
Antoine Jean Duclos
After Titian (Tiziano Vecellio)
1788
Antoine Jean Duclos
After Titian (Tiziano Vecellio)
1791
Engraver Antoine Jean Duclos
Possibly after Jean Duplessi-Bertaux
ca. 1770s

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.