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Department
Perseus with the Head of Medusa, Antonio Canova  Italian, Marble, Italian, Rome
Antonio Canova
Patron Commissioned by Count Jan and Countess Valeria Tarnowski
1804–6
Reclining Naiad, Antonio Canova , and his studio Italian, Carrara marble, Italian, Rome
Antonio Canova
Patron Commissioned by John Bligh, 4th Earl of Darnley
1819–24
Cupid and Psyche, Antonio Canova  Italian, Plaster, Italian, Rome
Antonio Canova
1794
Venus Italica, Antonio Canova  Italian, Carrara marble, Italian, Rome
Workshop of Antonio Canova
probably ca. 1822–23, variant of marble first executed 1810
Paris, Antonio Canova  Italian, Marble, Italian, Rome
Workshop of Antonio Canova
ca. 1822–23, original marble version completed November 1812
Hercules about to hurl Lichas into the sea, Antonio Canova  Italian, Onyx, Italian, probably Rome
After a composition by Antonio Canova
first half 19th century
The Vestal, Antonio Canova  Italian, Marble, Italian
Workshop of Antonio Canova
probably ca. 1819–23
Impressions of intaglios after the statuary of Canova and Thorvaldsen, Francesco Carnesecchi  Italian, Gesso, paper, leather, Italian, Rome
Francesco Carnesecchi
After originals by Antonio Canova
After originals by Bertel Thorvaldsen
ca. 1822–44
Venus and Cupid, Antonio Canova  Italian, Terracotta, Italian
Antonio Canova
1798–99
The Graces and Venus Dancing before Mars, Antonio Canova  Italian, Bronze, Italian
After a composition by Antonio Canova
19th century
Head of Medusa, Antonio Canova  Italian, Plaster cast, with modern metal rod, Italian, Rome
Studio of Antonio Canova
1806–7
Bust of Napoleon, Antonio Canova  Italian, White marble (probably Carrara), Italian
After a model by Antonio Canova
ca. 1808–14
Nude Man Reclining (recto); Man Facing Left with Out-stretched Arms (verso), Anonymous, Italian, early 19th century  Italian, Pen and brown ink
Anonymous, Italian, early 19th century
Former Attribution Formerly attributed to Antonio Canova
early 19th century
Nude Man Standing with One Arm Raised, Anonymous, Italian, early 19th century  Italian, Pen and brown ink, over black chalk
Anonymous, Italian, early 19th century
Former Attribution Formerly attributed to Antonio Canova
early 19th century
Nude Study, Anonymous, Italian, early 19th century  Italian, Pen and brown ink on tracing paper
Anonymous, Italian, early 19th century
Former Attribution Formerly attributed to Antonio Canova
early 19th century
Nude Study, Anonymous, Italian, early 19th century  Italian, Pen and brown ink on tracing paper
Anonymous, Italian, early 19th century
Former Attribution Formerly attributed to Antonio Canova
early 19th century
Standing Male Nude, Anonymous, Italian, early 19th century  Italian, Pen and brown ink on tracing paper
Anonymous, Italian, early 19th century
Former Attribution Formerly attributed to Antonio Canova
early 19th century
Nude Study, Anonymous, Italian, early 19th century  Italian, Pen and brown ink on tracing paper
Anonymous, Italian, early 19th century
Former Attribution Formerly attributed to Antonio Canova
early 19th century
Nude Study, Anonymous, Italian, early 19th century  Italian, Pen and brown ink
Anonymous, Italian, early 19th century
Former Attribution Formerly attributed to Antonio Canova
early 19th century
Four Studies of Nude Men, Anonymous, Italian, early 19th century  Italian, Pen and brown ink
Anonymous, Italian, early 19th century
Former Attribution Formerly attributed to Antonio Canova
1757–1822
Statue of a recumbent lion, Anonymous, Lithograph; printed on both sides
Anonymous
After Antonio Canova
1825–1900
Antonio Canova, Paul Adolphe Rajon  French, Etching; proof
Etcher Paul Adolphe Rajon
After John Jackson
Sitter Antonio Canova
1873
Perseus Triumphant, Domenico Marchetti  Italian, Etching and engraving
Domenico Marchetti
Intermediary draughtsman Giovanni Tognolli
After Antonio Canova
1813
Sketch of two statues: Ballerinas by Canova, John Gibson  British, born Wales, Graphite, with inscriptions in pen and brown ink
Circle of John Gibson
After Antonio Canova
ca. 1850
Study for a Tomb, Antonio Canova  Italian, Graphite
Antonio Canova
ca. 1790/91–95
The tomb of Pope Clement XIII Rezzonico in the Vatican, Raphael Morghen  Italian, Engraving
Raphael Morghen
Intermediary draughtsman Stephano Tofanelli
After Antonio Canova
ca. 1790
Ajax, front view, from "Oeuvre de Canova: Recueil de Statues...", Pietro Fontana  Italian, Engraving and etching
Pietro Fontana
Intermediary draftsman Giovanni Tognolli
After Antonio Canova
1817
Perseus with the head of Medusa, from "Oeuvre de Canova: Recueil de Statues...", Domenico Marchetti  Italian, Engraving and etching
Domenico Marchetti
Intermediary draftsman Giovanni Tognolli
After Antonio Canova
1817
Paris leaning on tree stump, frontal view, from "Oeuvre de Canova: Recueil de Statues...", Giovanni Battista Balestra  Italian, Engraving and etching
Giovanni Battista Balestra
Intermediary draftsman Giovanni Tognolli
After Antonio Canova
1817
Paris leaning on tree stump, back view, from "Oeuvre de Canova: Recueil de Statues...", Angelo Testa  Italian, Engraving and etching
Angelo Testa
Intermediary draftsman Giovanni Tognolli
After Antonio Canova
1817
Venus, frontal view, from "Oeuvre de Canova: Recueil de Statues...", Domenico Marchetti  Italian, Engraving and etching
Domenico Marchetti
Intermediary draftsman Giovanni Tognolli
After Antonio Canova
1817
Venus, back view, from "Oeuvre de Canova: Recueil de Statues...", Domenico Marchetti  Italian, Engraving and etching
Domenico Marchetti
Intermediary draftsman Giovanni Tognolli
After Antonio Canova
1817
Back view of Venus reclining accompanied by Cupid with a harp, from "Oeuvre de Canova: Recueil de Statues...", Domenico Marchetti  Italian, Engraving and etching
Domenico Marchetti
Intermediary draftsman Giovanni Tognolli
After Antonio Canova
1817
Antonio del Pedro
After Antonio Canova
ca. 1780–1850
Engraver Angelo Bertini
Draftsman Drawn by Giovanni Tognolli
After Antonio Canova
19th century
Antonio del Pedro
After Antonio Canova
ca. 1780–1850