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A Triton Carrying off a Nymph, from "Speculum Romanae Magnificentiae", Marco Dente Italian, Engraving
A Triton Carrying off a Nymph, from "Speculum Romanae Magnificentiae"
Marco Dente
After Raphael (Raffaello Sanzio or Santi)
Publisher Antonio Salamanca
16th century
Roman Horsemen, from Trajan's Column, from "Speculum Romanae Magnificentiae", Marco Dente Italian, Engraving
Roman Horsemen, from Trajan's Column, from "Speculum Romanae Magnificentiae"
Marco Dente
Publisher Antonio Salamanca
16th century
Roman Soldiers Fortifying their Camp, from Trajan's Column, from "Speculum Romanae Magnificentiae", Marco Dente Italian, Engraving
Roman Soldiers Fortifying their Camp, from Trajan's Column, from "Speculum Romanae Magnificentiae"
Marco Dente
Publisher Antonio Salamanca
16th century
Roman Horsemen Crossing a Bridge (from Trajan's Column), from "Speculum Romanae Magnificentiae", Marco Dente Italian, Engraving
Roman Horsemen Crossing a Bridge (from Trajan's Column), from "Speculum Romanae Magnificentiae"
Marco Dente
Publisher Antonio Salamanca
16th century
A Roman Legion (from Trajan's Column), from "Speculum Romanae Magnificentiae", Marco Dente Italian, Engraving
A Roman Legion (from Trajan's Column), from "Speculum Romanae Magnificentiae"
Marco Dente
Publisher Antonio Salamanca
16th century
Apollo in his horse-drawn chariot at the left, above him above Jupiter hurls a thunderbolt, Venus at right in her chariot drawn by animals, from "Story of Apollo and Daphne", Master of the Die Italian, Engraving
Apollo in his horse-drawn chariot at the left, above him above Jupiter hurls a thunderbolt, Venus at right in her chariot drawn by animals, from "Story of Apollo and Daphne"
Master of the Die
After Raphael (Raffaello Sanzio or Santi)
Publisher Antonio Salamanca
1530–60
Cybele in her chariot drawn by two lions, Master of the Die Italian, Engraving
Cybele in her chariot drawn by two lions
Master of the Die
After Baldassarre Tommaso Peruzzi
Publisher Antonio Salamanca
1530–60
Bacchus surrounded by Putti, a statue of Priapus at right, Master of the Die Italian, Engraving
Bacchus surrounded by Putti, a statue of Priapus at right
Master of the Die
Publisher Antonio Salamanca
1530–60
Venus in her dove-drawn chariot complaining to Jupiter who is accompanied by Mercury, from 'The Fable of Psyche', Master of the Die Italian, Engraving
Venus in her dove-drawn chariot complaining to Jupiter who is accompanied by Mercury, from 'The Fable of Psyche'
Master of the Die
After Michiel Coxie (I)
Publisher Antonio Salamanca
1530–60
Plate 5: Psyche carried on a litter to a mountain, from "The Fable of Psyche", Master of the Die Italian, Engraving
Plate 5: Psyche carried on a litter to a mountain, from "The Fable of Psyche"
Master of the Die
After Michiel Coxie (I)
Publisher Antonio Salamanca
1530–60
Plate 1: Apuleius changed into a donkey listening to the story told by the old woman spinning, Master of the Die Italian, Engraving
Plate 1: Apuleius changed into a donkey listening to the story told by the old woman spinning
Master of the Die
After Michiel Coxie (I)
Publisher Antonio Salamanca
1520–70
Plate 2: the people rendering divine honors to Psyche, from "The Fable of Psyche", Master of the Die Italian, Engraving
Plate 2: the people rendering divine honors to Psyche, from "The Fable of Psyche"
Master of the Die
After Michiel Coxie (I)
Publisher Antonio Salamanca
1530–60
Plate 3: Psyche's two sisters are married to kings, from "The Fable of Psyche", Master of the Die Italian, Engraving
Plate 3: Psyche's two sisters are married to kings, from "The Fable of Psyche"
Master of the Die
After Michiel Coxie (I)
Publisher Antonio Salamanca
1530–60
Plate 3: Psyche's two sisters are married to kings, from "The Fable of Psyche", Master of the Die Italian, Engraving
Plate 3: Psyche's two sisters are married to kings, from "The Fable of Psyche"
Master of the Die
After Michiel Coxie (I)
Publisher Antonio Salamanca
1530–60
Plate 4: Psyche's father consulting the oracle, from "The Fable of Psyche", Master of the Die Italian, Engraving
Plate 4: Psyche's father consulting the oracle, from "The Fable of Psyche"
Master of the Die
After Michiel Coxie (I)
Publisher Antonio Salamanca
1530–60
Plate 6: Zephir carrying off Psyche to an enchanted palace, from "The Fable of Psyche", Master of the Die Italian, Engraving
Plate 6: Zephir carrying off Psyche to an enchanted palace, from "The Fable of Psyche"
Master of the Die
After Michiel Coxie (I)
Publisher Antonio Salamanca
1530–60
Plate 7: Psyche attended in her bath by nymphs, in the background right Psyche represented again laying in bed, from "The Fable of Cupid and Psyche" , Agostino Veneziano (Agostino dei Musi) Italian, Engraving

Plate 7: Psyche attended in her bath by nymphs, in the background right Psyche represented again laying in bed, from "The Fable of Cupid and Psyche"

Agostino Veneziano (Agostino dei Musi)
After Michiel Coxie (I)
Publisher Antonio Salamanca
ca. 1520–36
Plate 8: Psyche seated at a table and attended by invisible servants, Eros beside the goddess, from "The Fable of Cupid and Psyche", Master of the Die Italian, Engraving
Plate 8: Psyche seated at a table and attended by invisible servants, Eros beside the goddess, from "The Fable of Cupid and Psyche"
Master of the Die
After Michiel Coxie (I)
Publisher Antonio Salamanca
1530–60
Plate 10: nymphs assisting Psyche to dress her hair, from "The Fable of Psyche", Master of the Die Italian, Engraving
Plate 10: nymphs assisting Psyche to dress her hair, from "The Fable of Psyche"
Master of the Die
After Michiel Coxie (I)
Publisher Antonio Salamanca
1530–60
Plate 11: Psyche gives presents to her sisters, from "The Fable of Cupid and Psyche", Master of the Die Italian, Engraving
Plate 11: Psyche gives presents to her sisters, from "The Fable of Cupid and Psyche"
Master of the Die
After Michiel Coxie (I)
Publisher Antonio Salamanca
1530–60
Plate 12: Psyche's sisters persuade her a serpent is sleeping with her, from "The Fable of Cupid and Psyche", Master of the Die Italian, Engraving
Plate 12: Psyche's sisters persuade her a serpent is sleeping with her, from "The Fable of Cupid and Psyche"
Master of the Die
After Michiel Coxie (I)
Publisher Antonio Salamanca
1530–60
Plate 14: Cupid airborne gleeing from Psyche, from "The Fable of Cupid and Psyche", Master of the Die Italian, Engraving
Plate 14: Cupid airborne gleeing from Psyche, from "The Fable of Cupid and Psyche"
Master of the Die
After Michiel Coxie (I)
Publisher Antonio Salamanca
1530–60
Plate 15: Psyche relating her misfortunes to her sisters, from "The Fable of Cupid and Psyche", Master of the Die Italian, Engraving
Plate 15: Psyche relating her misfortunes to her sisters, from "The Fable of Cupid and Psyche"
Master of the Die
After Michiel Coxie (I)
Publisher Antonio Salamanca
1530–60
Plate 30: Venus and Cupid pleading their case in the presence of Jupiter and other Gods, from "The Fable of Cupid and Psyche", Master of the Die Italian, Engraving
Plate 30: Venus and Cupid pleading their case in the presence of Jupiter and other Gods, from "The Fable of Cupid and Psyche"
Master of the Die
After Michiel Coxie (I)
Publisher Antonio Salamanca
1530–60
A panel of ornament with putti and other figures, Master of the Die Italian, Engraving
A panel of ornament with putti and other figures
Master of the Die
After Perino del Vaga (Pietro Buonaccorsi)
Publisher Antonio Salamanca
1530–60
A panel of ornament with putti, goat and other figures, Master of the Die Italian, Engraving
A panel of ornament with putti, goat and other figures
Master of the Die
After Perino del Vaga (Pietro Buonaccorsi)
Publisher Antonio Salamanca
1530–60
A panel of ornament with a large jar in centre, putti and other figures, Master of the Die Italian, Engraving
A panel of ornament with a large jar in centre, putti and other figures
Master of the Die
After Perino del Vaga (Pietro Buonaccorsi)
Publisher Antonio Salamanca
1530–60
Plate 22: Venus ordering Psyche to Sosort a heap of grain, from the 'Fable of Psyche', Master of the Die Italian, Engraving
Plate 22: Venus ordering Psyche to Sosort a heap of grain, from the 'Fable of Psyche'
Master of the Die
Publisher Antonio Salamanca
1530–60
A panel of ornament, putti standing on cornucopia in lower section, Master of the Die Italian, Engraving
A panel of ornament, putti standing on cornucopia in lower section
Master of the Die
After Perino del Vaga (Pietro Buonaccorsi)
Publisher Antonio Salamanca
1530–60
Candlestick with Two Ignudi on Top of a Vase with Lion Heads, Anonymous, Italian, 16th century Italian, Engraving; first state
Candlestick with Two Ignudi on Top of a Vase with Lion Heads
Anonymous, Italian, 16th century
Possibly after Enea Vico
Publisher Antonio Salamanca
1552
Lucretia naked and seated before a window, a dagger in her right hand and holding drapery in her left, Enea Vico Italian, Engraving
Lucretia naked and seated before a window, a dagger in her right hand and holding drapery in her left
Enea Vico
After Parmigianino (Girolamo Francesco Maria Mazzola)
Publisher Antonio Salamanca
ca. 1535–67
Entombment of Christ, whose chest is grasped by Joseph of Arimathea, with two kneeling and two standing female mourners at left and crown of thorns at bottom right, Enea Vico Italian, Engraving
Entombment of Christ, whose chest is grasped by Joseph of Arimathea, with two kneeling and two standing female mourners at left and crown of thorns at bottom right
Enea Vico
After Raphael (Raffaello Sanzio or Santi)
Publisher Antonio Salamanca
1543
St. Matthew, seated on a cloud and dipping a quill into an inkwell held by an angel, who is also holding a scroll, from a series of the four evangelists after Giulio Romano, Agostino Veneziano (Agostino dei Musi) Italian, Engraving
St. Matthew, seated on a cloud and dipping a quill into an inkwell held by an angel, who is also holding a scroll, from a series of the four evangelists after Giulio Romano
Agostino Veneziano (Agostino dei Musi)
After Giulio Romano
Publisher Antonio Salamanca
ca. 1518–20
Plate 30: Cupid and Psyche plead their cases before the Gods, from "The Fable of Cupid and Psyche", Master of the Die Italian, Engraving
Plate 30: Cupid and Psyche plead their cases before the Gods, from "The Fable of Cupid and Psyche"
Master of the Die
After Raphael (Raffaello Sanzio or Santi)
Publisher Antonio Salamanca
1530–60
Temple-Altar of Jove, as a Youth, from "Speculum Romanae Magnificentiae", Marcantonio Raimondi Italian, Engraving
Temple-Altar of Jove, as a Youth, from "Speculum Romanae Magnificentiae"
School of Marcantonio Raimondi
Publisher Antonio Salamanca
16th century
King Pyrrhus, from "Speculum Romanae Magnificentiae", Jacob Bos Netherlandish, Engraving
King Pyrrhus, from "Speculum Romanae Magnificentiae"
Jacob Bos
Publisher Antonio Salamanca
1562
The Pantheon with cutaway showing the interior, from the "Speculum Romanae Magnificentiae", Anonymous, Engraving
The Pantheon with cutaway showing the interior, from the "Speculum Romanae Magnificentiae"
Anonymous
Publisher Antonio Salamanca
16th century
Antonio da Sangallo's project for St. Peters, plan of the façade extended to the left with a tower, Antonio da Labacco Italian, Engraving
Antonio da Sangallo's project for St. Peters, plan of the façade extended to the left with a tower
After Antonio da Labacco
Publisher Antonio Salamanca
1540–49
Temple near the Appian Way, from "Speculum Romanae Magnificentiae", Anonymous, Engraving
Temple near the Appian Way, from "Speculum Romanae Magnificentiae"
Anonymous
Publisher Antonio Salamanca
Publisher Antonio Lafreri
16th century
The Base of the Column of Theodosius, from "Speculum Romanae Magnificentiae", Marcantonio Raimondi Italian, Engraving
The Base of the Column of Theodosius, from "Speculum Romanae Magnificentiae"
School of Marcantonio Raimondi
Publisher Antonio Salamanca
16th century
Temple of Antoninus and Faustina, from "Speculum Romanae Magnificentiae", Agostino Veneziano (Agostino dei Musi) Italian, Engraving
Temple of Antoninus and Faustina, from "Speculum Romanae Magnificentiae"
Attributed to Agostino Veneziano (Agostino dei Musi)
Publisher Antonio Salamanca
16th century
Corinthian entablature, from "Speculum Romanae Magnificentiae", Monogrammist G.A. with the Caltrop Italian, Engraving
Corinthian entablature, from "Speculum Romanae Magnificentiae"
Monogrammist G.A. with the Caltrop
Publisher Antonio Salamanca
ca. 1535