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Hunt of the Caledonian Boar, Auguste Bretoneau, Gold, painted enamel, French, Paris or Blois
Hunt of the Caledonian Boar
Auguste Bretoneau
After a print by Antonio Tempesta
ca. 1645–50
Plateau, Clérissy Manufactory, Faience (tin-glazed earthenware), French, Moustiers
Plateau
Manufactory Clérissy Manufactory
Painted by Gaspard Viry
After a print by Antonio Tempesta
ca. 1700
Lion Hunt ("America"), Leonardus Quesi, Silk on cardboard, Italian, Lecce
Lion Hunt ("America")
Probably by Leonardus Quesi
After an engraving by Antonio Tempesta
late 17th century
Atalanta and Meleager with Fountains of Versailles, Antonio Tempesta Italian, Wool and silk on canvas (Center: 484-576 tent stitches per sq. inch, 90 per sq. cm. Border: 169 cross-stitches per sq. inch, 25 per sq. cm.), French
Atalanta and Meleager with Fountains of Versailles
Related to prints by Antonio Tempesta
Related to engravings by Perelle
late 17th century
Plan of the City of Rome
Antonio Tempesta
1645
Theseus and the Minotaur (Minotaurum Theseus vincit), plate 74 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum), Antonio Tempesta Italian, Etching
Theseus and the Minotaur (Minotaurum Theseus vincit), plate 74 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum)
Antonio Tempesta
Publisher Willem Jansz.
Published after 1606
Plate 5: The Tomb of Mausolus, from "The Seven Wonders of the World", Antonio Tempesta Italian, Etching
Plate 5: The Tomb of Mausolus, from "The Seven Wonders of the World"
Antonio Tempesta
1608
The Pyramids in Egypt, plate 7 from "The Seven Wonders of The World", Antonio Tempesta Italian, Etching
The Pyramids in Egypt, plate 7 from "The Seven Wonders of The World"
Antonio Tempesta
1608
Mercury Turning Aglauros to Stone (Aglauros a Mercurio in lapidem transformatur), plate 20 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum), Antonio Tempesta Italian, Etching
Mercury Turning Aglauros to Stone (Aglauros a Mercurio in lapidem transformatur), plate 20 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum)
Antonio Tempesta
Publisher Willem Jansz.
Published after 1606
Frontispiece with Hunters, Dogs and Horses, from "Hunting Scenes VI", Antonio Tempesta Italian, Etching
Frontispiece with Hunters, Dogs and Horses, from "Hunting Scenes VI"
Antonio Tempesta
Publisher Nicolaus van Aelst
1609
Ostrich Hunt, from "Hunting Scenes VI", Antonio Tempesta Italian, Etching
Ostrich Hunt, from "Hunting Scenes VI"
Antonio Tempesta
Publisher Callisto Ferranti
1609
Bear Hunt, from "Hunting Scenes VI", Antonio Tempesta Italian, Etching
Bear Hunt, from "Hunting Scenes VI"
Antonio Tempesta
1609
Battle of Lapiths and Centaurs, Geronima Parasole Italian, Woodcut
Battle of Lapiths and Centaurs
Geronima Parasole
After Antonio Tempesta
1623
Monte Pincio Palace and Gardens, from "Speculum Romanae Magnificentiae", Antonio Tempesta Italian, Etching
Monte Pincio Palace and Gardens, from "Speculum Romanae Magnificentiae"
Attributed to Antonio Tempesta
mid to late 16th century
Plate 27: The Dutch During a Surprise Attack of the Roman Camp on the Moselle, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Antonio Tempesta Italian, Etching, first state of two, issue 1 (Bartsch)
Plate 27: The Dutch During a Surprise Attack of the Roman Camp on the Moselle, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas)
Antonio Tempesta
After Otto van Veen
1611
Plate 17: The Romans Misled by Civilis' Horse to Believe that He was Dead or Injured, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Antonio Tempesta Italian, Etching; first state of two, issue 1 (Bartsch)
Plate 17: The Romans Misled by Civilis' Horse to Believe that He was Dead or Injured, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas)
Antonio Tempesta
After Otto van Veen
1611
Medea Restoring Aeson's Youth (Aesoni decerptio iuventam restituit Medea), plate 64 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum), Antonio Tempesta Italian, Etching
Medea Restoring Aeson's Youth (Aesoni decerptio iuventam restituit Medea), plate 64 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum)
Antonio Tempesta
Publisher Willem Jansz.
Published after 1606
Plan of the City of Rome, Antonio Tempesta Italian, Etching with some engraving, undescribed state (printed from 12 plates)
Plan of the City of Rome
Antonio Tempesta
Publisher Giovanni Domenico de Rossi
Dedicatee Cardinal Camillo Pamphili
1645
Plate 12: Emperor Domitian on horseback facing right, from "The First Twelve Emperors of Ancient Rome", Antonio Tempesta Italian, Etching
Plate 12: Emperor Domitian on horseback facing right, from "The First Twelve Emperors of Ancient Rome"
Antonio Tempesta
1575–1630
Plate 11: Titus Vespasian on horseback facing right, from "The First Twelve Emperors of Ancient Rome", Antonio Tempesta Italian, Etching
Plate 11: Titus Vespasian on horseback facing right, from "The First Twelve Emperors of Ancient Rome"
Antonio Tempesta
1575–1630
Lion Hunt, from 'Hunting Scenes IV', Antonio Tempesta Italian, Etching
Lion Hunt, from 'Hunting Scenes IV'
Antonio Tempesta
late 16th century
Plate 11: Illustration to Canto XI, from Torquato Tasso's "Gerusalemme liberata III", Antonio Tempesta Italian, Etching
Plate 11: Illustration to Canto XI, from Torquato Tasso's "Gerusalemme liberata III"
Antonio Tempesta
ca. 1590–1630
Plate 12: Illustration to Canto XII, from Torquato Tasso's "Gerusalemme liberata III", Antonio Tempesta Italian, Etching
Plate 12: Illustration to Canto XII, from Torquato Tasso's "Gerusalemme liberata III"
Antonio Tempesta
ca. 1590–1630
Plate 17: Illustration to Canto XVII, from Torquato Tasso's "Gerusalemme liberata III", Antonio Tempesta Italian, Etching
Plate 17: Illustration to Canto XVII, from Torquato Tasso's "Gerusalemme liberata III"
Antonio Tempesta
ca. 1590–1630
Plate 18: Illustration to Canto XVIII, from Torquato Tasso's "Gerusalemme liberata III", Antonio Tempesta Italian, Etching
Plate 18: Illustration to Canto XVIII, from Torquato Tasso's "Gerusalemme liberata III"
Antonio Tempesta
ca. 1590–1630
Plate 5: Tomb of Mausolus, stone masons make a column at the right, from "The Seven Wonders of the World", Antonio Tempesta Italian, Etching
Plate 5: Tomb of Mausolus, stone masons make a column at the right, from "The Seven Wonders of the World"
Antonio Tempesta
1608
Hercules and the Mares of Diomedes: Hercules grasps the bridle of a rearing horse, a second horse tramples a figure in at right, from "The Labors of Hercules", Antonio Tempesta Italian, Etching
Hercules and the Mares of Diomedes: Hercules grasps the bridle of a rearing horse, a second horse tramples a figure in at right, from "The Labors of Hercules"
Antonio Tempesta
1608
Hercules and the Oxen of Geryones: with a club raised by his right hand, Hercules confronts a group of galloping oxen, from "The Labors of Hercules", Antonio Tempesta Italian, Etching
Hercules and the Oxen of Geryones: with a club raised by his right hand, Hercules confronts a group of galloping oxen, from "The Labors of Hercules"
Antonio Tempesta
1608
Hercules and Cerberus: Hercules grasps the collar of Cerberus, two demons appear at left, from "The Labors of Hercules", Antonio Tempesta Italian, Etching
Hercules and Cerberus: Hercules grasps the collar of Cerberus, two demons appear at left, from "The Labors of Hercules"
Antonio Tempesta
1608
Nessus attempting to take Dejanira from Hercules, from "The Labors of Hercules", Antonio Tempesta Italian, Etching
Nessus attempting to take Dejanira from Hercules, from "The Labors of Hercules"
Antonio Tempesta
1608
Hercules and the Boar of Erymanthus, from "The Labors of Hercules", Antonio Tempesta Italian, Etching
Hercules and the Boar of Erymanthus, from "The Labors of Hercules"
Antonio Tempesta
1608
Hercules and the Centaurs, from "The Labors of Hercules", Antonio Tempesta Italian, Etching
Hercules and the Centaurs, from "The Labors of Hercules"
Antonio Tempesta
1608
Hercules and the Serpent Ladon, from "The Labors of Hercules", Antonio Tempesta Italian, Etching
Hercules and the Serpent Ladon, from "The Labors of Hercules"
Antonio Tempesta
1608
Hercules and Achelous, from "The Labors of Hercules", Antonio Tempesta Italian, Etching
Hercules and Achelous, from "The Labors of Hercules"
Antonio Tempesta
1608
Hercules strangling the serpents, from "The Labors of Hercules", Antonio Tempesta Italian, Etching
Hercules strangling the serpents, from "The Labors of Hercules"
Antonio Tempesta
1608
Hercules and the Nemean Lion, from "The Labors of Hercules", Antonio Tempesta Italian, Etching
Hercules and the Nemean Lion, from "The Labors of Hercules"
Antonio Tempesta
1608
Hercules and the Hydra of Lerna, from "The Labors of Hercules", Antonio Tempesta Italian, Etching
Hercules and the Hydra of Lerna, from "The Labors of Hercules"
Antonio Tempesta
1608
Hercules and the Hind of Mount Cerynea, from "The Labors of Hercules", Antonio Tempesta Italian, Etching
Hercules and the Hind of Mount Cerynea, from "The Labors of Hercules"
Antonio Tempesta
1608
Title plate with the arms of Cardinal Francesco Maria de Monte, for "The Labors of Hercules", Antonio Tempesta Italian, Etching
Title plate with the arms of Cardinal Francesco Maria de Monte, for "The Labors of Hercules"
Antonio Tempesta
Publisher Nicolaus van Aelst
1608
Titlepage to Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Titlepage to Ovid's 'Metamorphoses'
Antonio Tempesta
Publisher Pieter de Jode I
1606
Plate 10: Mercury Killing Argos (Argus a Mercurio iugulatur), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 10: Mercury Killing Argos (Argus a Mercurio iugulatur), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 11: Phaeton before Apollo (Funestas ad Phoebum fundit preces.), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 11: Phaeton before Apollo (Funestas ad Phoebum fundit preces.), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606