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Hunt of the Caledonian Boar, Auguste Bretoneau, Gold, painted enamel, French, Paris or Blois
Hunt of the Caledonian Boar
Auguste Bretoneau
After a print by Antonio Tempesta
ca. 1645–50
Plateau, Clérissy Manufactory, Faience (tin-glazed earthenware), French, Moustiers
Plateau
Manufactory Clérissy Manufactory
Painted by Gaspard Viry
After a print by Antonio Tempesta
ca. 1700
Atalanta and Meleager with Fountains of Versailles, Antonio Tempesta Italian, Wool and silk on canvas (Center: 484-576 tent stitches per sq. inch, 90 per sq. cm. Border: 169 cross-stitches per sq. inch, 25 per sq. cm.), French
Atalanta and Meleager with Fountains of Versailles
Related to prints by Antonio Tempesta
Related to engravings by Perelle
late 17th century
Lion Hunt ("America"), Leonardus Quesi, Silk on cardboard, Italian, Lecce
Lion Hunt ("America")
Probably by Leonardus Quesi
After an engraving by Antonio Tempesta
late 17th century
Plan of the City of Rome
Antonio Tempesta
1645
Plate 5: Tomb of Mausolus, stone masons make a column at the right, from "The Seven Wonders of the World", Antonio Tempesta Italian, Etching
Plate 5: Tomb of Mausolus, stone masons make a column at the right, from "The Seven Wonders of the World"
Antonio Tempesta
1608
Hercules and the Mares of Diomedes: Hercules grasps the bridle of a rearing horse, a second horse tramples a figure in at right, from "The Labors of Hercules", Antonio Tempesta Italian, Etching
Hercules and the Mares of Diomedes: Hercules grasps the bridle of a rearing horse, a second horse tramples a figure in at right, from "The Labors of Hercules"
Antonio Tempesta
1608
Nessus attempting to take Dejanira from Hercules, from "The Labors of Hercules", Antonio Tempesta Italian, Etching
Nessus attempting to take Dejanira from Hercules, from "The Labors of Hercules"
Antonio Tempesta
1608
Hercules and the Serpent Ladon, from "The Labors of Hercules", Antonio Tempesta Italian, Etching
Hercules and the Serpent Ladon, from "The Labors of Hercules"
Antonio Tempesta
1608
Hercules and Achelous, from "The Labors of Hercules", Antonio Tempesta Italian, Etching
Hercules and Achelous, from "The Labors of Hercules"
Antonio Tempesta
1608
Plate 30: The Death of Pentheus (Pentheus a matre, sororibusq discerpitur), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 30: The Death of Pentheus (Pentheus a matre, sororibusq discerpitur), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 19: Minerva at Envy's Cave (Pallas Invidiam in Aglaurum incitat), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 19: Minerva at Envy's Cave (Pallas Invidiam in Aglaurum incitat), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 20: Mercury Turning Aglauros to Stone (Aglauros a Mercurio in lapidem transformatur), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 20: Mercury Turning Aglauros to Stone (Aglauros a Mercurio in lapidem transformatur), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 23: Cadmus Killing the Serpent (Draco a Cadmo interficitur), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 23: Cadmus Killing the Serpent (Draco a Cadmo interficitur), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 10: Mercury Killing Argos (Argus a Mercurio iugulatur), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 10: Mercury Killing Argos (Argus a Mercurio iugulatur), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 11: Phaeton before Apollo (Funestas ad Phoebum fundit preces.), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 11: Phaeton before Apollo (Funestas ad Phoebum fundit preces.), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 10: Emperor Titus on Horseback, from "The First Twelve Roman Caesars", Matthäus Merian the Elder Swiss, Etching
Plate 10: Emperor Titus on Horseback, from "The First Twelve Roman Caesars"
Matthäus Merian the Elder
After Antonio Tempesta
1610–50
Plate 143: Anaxarete Seeing the Dead Iphis (Iphidis suspendium animaduertens Anaxarete in lapidem mutatur), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 143: Anaxarete Seeing the Dead Iphis (Iphidis suspendium animaduertens Anaxarete in lapidem mutatur), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 144: The Immortalization of Romulus (Romulus Martis interceßione deitate a Ioue domatur), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 144: The Immortalization of Romulus (Romulus Martis interceßione deitate a Ioue domatur), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 138: Acmon and his Friends Changed into Birds (Comites Diomedis indignatione veneris in aves Diomedeas), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 138: Acmon and his Friends Changed into Birds (Comites Diomedis indignatione veneris in aves Diomedeas), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 1: Emperor Julius Caesar on Horseback, from "The First Twelve Roman Caesars", Antonio Tempesta Italian, Etching; first state of two (Bartsch)
Plate 1: Emperor Julius Caesar on Horseback, from "The First Twelve Roman Caesars"
Antonio Tempesta
Publisher Giovanni Battista di Lazzaro Panzera da Parma
1596
Plate 1: Emperor Julius Caesar on Horseback, from "The First Twelve Roman Caesars", Matthäus Merian the Elder Swiss, Etching
Plate 1: Emperor Julius Caesar on Horseback, from "The First Twelve Roman Caesars"
Matthäus Merian the Elder
After Antonio Tempesta
1610–50
Plate 9: Emperor Vitellus on Horseback, from "The First Twelve Roman Caesars", Antonio Tempesta Italian, Etching; first state of two (Bartsch)
Plate 9: Emperor Vitellus on Horseback, from "The First Twelve Roman Caesars"
Antonio Tempesta
Publisher Giovanni Battista di Lazzaro Panzera da Parma
1596
Plate 7: Emperor Galba on Horseback, from "The First Twelve Roman Caesars", Antonio Tempesta Italian, Etching; first state of two (Bartsch)
Plate 7: Emperor Galba on Horseback, from "The First Twelve Roman Caesars"
Antonio Tempesta
Publisher Giovanni Battista di Lazzaro Panzera da Parma
1596
Standing Christ, Blessing from "Christ, Mary and the Apostles", Antonio Tempesta Italian, Etching; third state of four (Bartsch)
Standing Christ, Blessing from "Christ, Mary and the Apostles"
Antonio Tempesta
Publisher Nicolaus van Aelst
Publisher Michael Haye
ca. 1590–1610
St. Matthias, from "Christ, Mary, and the Apostles", Antonio Tempesta Italian, Etching
St. Matthias, from "Christ, Mary, and the Apostles"
Antonio Tempesta
Publisher Nicolaus van Aelst
ca. 1590–ca. 1610
St. John the Evangelist, from "Christ, Mary and the Apostles", Antonio Tempesta Italian, Etching
St. John the Evangelist, from "Christ, Mary and the Apostles"
Antonio Tempesta
Publisher Nicolaus van Aelst
ca. 1590–ca. 1610
St. James Minor, from "Christ, Mary and the Apostles", Antonio Tempesta Italian, Etching
St. James Minor, from "Christ, Mary and the Apostles"
Antonio Tempesta
Publisher Nicolaus van Aelst
ca. 1590–ca. 1610
Plate 127: Anius's Daugthers Changing into Birds (Maeonides Pyrenei vim effugientes in aves), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 127: Anius's Daugthers Changing into Birds (Maeonides Pyrenei vim effugientes in aves), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 131: Scylla Changed by Circe's Spell (Scylla Circes veneficÿs in monstrum marinum), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 131: Scylla Changed by Circe's Spell (Scylla Circes veneficÿs in monstrum marinum), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 132: Jupiter Changing the Cercopians into Monkeys (Cercopes bonorum insidiatores in Simias Iupiter transformat), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 132: Jupiter Changing the Cercopians into Monkeys (Cercopes bonorum insidiatores in Simias Iupiter transformat), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate119: The Death of Ajax (Aiax moretm Sibi consciscens, in florem abit), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate119: The Death of Ajax (Aiax moretm Sibi consciscens, in florem abit), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 109: Iris Giving Sleep Juno's Command (Iris Somno Iunonis mandata exponit), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 109: Iris Giving Sleep Juno's Command (Iris Somno Iunonis mandata exponit), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 110: Morpheus, as Ceyx, Appearing to Alcyone (Morpheus Ceycis corpus Halcyoni representat), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 110: Morpheus, as Ceyx, Appearing to Alcyone (Morpheus Ceycis corpus Halcyoni representat), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 113: The Greeks Battling the Trojans (Graecorum Troianorumque concursus), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 113: The Greeks Battling the Trojans (Graecorum Troianorumque concursus), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 115: The Rape of Caenis (Caenis in virginitatis amißae solatium in virum fortiß.m a Neptuno transformatur), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 115: The Rape of Caenis (Caenis in virginitatis amißae solatium in virum fortiß.m a Neptuno transformatur), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 97: Hippomenes Winning the Race with Atalanta (Atalantam Veneris ope vincit Hippomenes), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 97: Hippomenes Winning the Race with Atalanta (Atalantam Veneris ope vincit Hippomenes), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 100: Apollo Killing the Serpent Attacking Opheus's Head (Serpens Orphei caput dilaniaturus in saxum ab Apolline convertitur), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 100: Apollo Killing the Serpent Attacking Opheus's Head (Serpens Orphei caput dilaniaturus in saxum ab Apolline convertitur), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 102: Midas with the Ears of an Ass (Midae ob iudicij craßustiem aures asininae), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 102: Midas with the Ears of an Ass (Midae ob iudicij craßustiem aures asininae), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 79: Ceres Ordering Erysichthon's Punishment (Ceres ad Famem Mypham in Erisichtonis paenam amandat), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 79: Ceres Ordering Erysichthon's Punishment (Ceres ad Famem Mypham in Erisichtonis paenam amandat), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 80: Ceres' Nymph Telling Famine to Strike Erysichthon (Insatiabili fame Erisichtonem torquet Fames), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 80: Ceres' Nymph Telling Famine to Strike Erysichthon (Insatiabili fame Erisichtonem torquet Fames), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 82: Hercules and Acheloüs (Luctatur, et vincit Acheolum Hercules), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 82: Hercules and Acheloüs (Luctatur, et vincit Acheolum Hercules), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606