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Hagar and Ishmael, Benjamin West American, Oil on canvas, American
Hagar and Ishmael
Benjamin West
1776, reworked 1803
Moses Shown the Promised Land, Benjamin West American, Oil on wood, American
Moses Shown the Promised Land
Benjamin West
1801
The Finding of the Body of Clytemnestra, Benjamin West American, Pen and black ink, watercolor washes, and black chalk on off-white laid paper, American
The Finding of the Body of Clytemnestra
After Benjamin West
Panthea Stabs Herself beside the Corpse of Abradatas, Benjamin West American, Brown ink, ink washes, and black chalk on white laid paper, American
Panthea Stabs Herself beside the Corpse of Abradatas
After Benjamin West
The Damsel and Orlando, Benjamin West American, Oil on canvas, American
The Damsel and Orlando
Benjamin West
ca. 1793
Omnia Vincit Amor, or The Power of Love in the Three Elements, Benjamin West American, Oil on canvas, American
Omnia Vincit Amor, or The Power of Love in the Three Elements
Benjamin West
1809
Sarah Ursula Rose, Benjamin West American, Oil on canvas, American
Sarah Ursula Rose
Benjamin West
1756
Scene at Margate, Benjamin West American, Pen, brown ink, and white chalk on blue laid paper, American
Scene at Margate
Benjamin West
The Angel at the Tomb of Christ, Benjamin West American, Pen and iron-gall ink on white laid paper, American
The Angel at the Tomb of Christ
Benjamin West
ca. 1812
Benjamin West (fragment from a portrait), James Green British, Oil on canvas, American
Benjamin West (fragment from a portrait)
James Green
Former Attribution Formerly attributed to Benjamin West
1818
Benjamin West, James Green British, Oil on canvas, American
Benjamin West
James Green
Former Attribution Formerly attributed to Benjamin West
1818
Study for "Alexander III, King of Scotland, Saved from a Stag by Colin Fitzgerald", Benjamin West American, Pen and brown ink, brown ink washes, black chalk, and graphite on off-white (now oxidized) laid paper., American
Study for "Alexander III, King of Scotland, Saved from a Stag by Colin Fitzgerald"
Benjamin West
1784
Study for the Crucifixion, Benjamin West American, Brown ink applied by brush and pen, black chalk underdrawing; laid paper prepared with a light golden brown wash, American
Study for the Crucifixion
Benjamin West
1788
Anotomaical Description of the Hand and the Wrist, Benjamin West American, Black ink, watercolor washes, and black chalk on off-white laid paper, American
Anotomaical Description of the Hand and the Wrist
After Benjamin West
Turkey, Benjamin West American, Pen and brown ink on wove paper, American
Turkey
Benjamin West
Panthea Stabs Herself beside the Corpse of Abradatas, Benjamin West American, Brown ink, washes, and black chalk on white laid paper, American
Panthea Stabs Herself beside the Corpse of Abradatas
After Benjamin West
Maternity, Benjamin West American, Red chalk on thin off-white laid paper, mounted on off-white laid paper, American
Maternity
Benjamin West
1784
Hector taking leave of Andromache: the Fright of Astyanax, Benjamin West American, Pen and brown ink, brush and brown wash and blue watercolor, touches of gouache (bodycolor), over traces of black chalk
Hector taking leave of Andromache: the Fright of Astyanax
Benjamin West
1766
"Off, off, you lendings–Come unbutton here" (Shakespeare, King Lear, Act 3, Scene 4), William Sharp British, Etching and engraving
"Off, off, you lendings–Come unbutton here" (Shakespeare, King Lear, Act 3, Scene 4)
Multiple artists/makers
1793
The Death of General Wolfe (September 13, 1759), P. Somebody British, Engraving
The Death of General Wolfe (September 13, 1759)
P. Somebody
After Benjamin West
Subject James Wolfe
after 1776
General Wolff, Jacques Barbié French, Etching and engraving
General Wolff
Multiple artists/makers
1781
Benjamin West's First Effort in Art, from "Illustrated London News", Edward Matthew Ward British, Wood engraving
Benjamin West's First Effort in Art, from "Illustrated London News"
After Edward Matthew Ward
Subject Benjamin West
May 12, 1849
Rinaldo rescued from Armida, Benjamin West American, Graphite
Rinaldo rescued from Armida
Benjamin West
1766–1800
King Lear and Cordelia (Shakespeare, King Lear, Act 4, Scene 7), Francesco Bartolozzi Italian, Stipple engraving, printed in brown ink
King Lear and Cordelia (Shakespeare, King Lear, Act 4, Scene 7)
Multiple artists/makers
ca. 1783
R.A.'s of Genius Reflecting on the True Line of Beauty, at the Life Academy Somerset House, Thomas Rowlandson British, Hand-colored etching and aquatint
R.A.'s of Genius Reflecting on the True Line of Beauty, at the Life Academy Somerset House
Multiple artists/makers
June 1, 1824
The Golden Age, Valentine Green British, Mezzotint
The Golden Age
Engraver Valentine Green
After Benjamin West
Publisher John Boydell
June 4, 1777
Sketches Drawn from the Life, vol. 1
Multiple artists/makers
1814
Apotheosis of Princes Octavius and Alfred
Robert Strange
After Benjamin West
1786
This Is My Beloved Son
Benjamin West
1802
Specimens of Polyautography, Consisting of Impressions taken from Original Drawings, Made on Stone purposely for this Work
Multiple artists/makers
1806–7
The Young Painter's Maulstick : being a practical treatise on perspective, containing rules and principles for delineation on planes ... : founded on the clear mechanical process of Vignola and Sirigatti, united with the theoretic principles of the celebrated Dr. Brook Taylor : addressed to students in drawing
Multiple artists/makers
1800
Elements of Drawing, In a Series of Examples Extracted from Pictures Painted by, and in the Gallery of Benjamin West, Esq., Historical Painter to the King, President of the Royal Academy, &c. &c.
Engraver Edward Scriven
After Benjamin West
Publisher Thomas Clay
1813
The Fine Arts of the English School
Multiple artists/makers
1812
Angel of the Resurrection
Benjamin West
Publisher Georg Jacob Vollweiler
1801–6
Portraits of Their Majesty's and the Royal Family Viewing the Exhibition of the Royal Academy, 1788
Multiple artists/makers
March 6, 1789
Horse's Head
Benjamin West
Printer Henry Bankes
October 10, 1810
His Royal Highness Prince William Serving as Midshipman on Board His Majesty's Ship Prince George
Multiple artists/makers
January 15, 1782
A Vestal Virgin
Engraver Francesco Bartolozzi
After Benjamin West
Publisher Victor Marie Picot
October 10, 1774
Ornamental Title Page from "Jonah, an Oratorio"
Multiple artists/makers
1775
Vignette with the Origin of Painting
Engraver Francesco Bartolozzi
After Benjamin West
Publisher Thomas Sandby
May 1791
Vignette with the Origin of Painting
Engraver Francesco Bartolozzi
After Benjamin West
1791
Benjamin West, Esq-r., Historical Painter to His Majesty
Multiple artists/makers
1786