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Piazza San Marco, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas
Piazza San Marco
Canaletto (Giovanni Antonio Canal)
late 1720s
Warwick Castle: The East Front, Canaletto (Giovanni Antonio Canal) Italian, Pen and brown ink, gray wash
Warwick Castle: The East Front
Canaletto (Giovanni Antonio Canal)
1752
The Grand Canal, Venice, Looking South toward the Rialto Bridge, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas
The Grand Canal, Venice, Looking South toward the Rialto Bridge
Canaletto (Giovanni Antonio Canal)
1730s
Campo Santa Maria Zobenigo, Venice, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas
Campo Santa Maria Zobenigo, Venice
Canaletto (Giovanni Antonio Canal)
1730s
The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas
The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right
Canaletto (Giovanni Antonio Canal)
1730s
Campo Sant'Angelo, Venice, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas
Campo Sant'Angelo, Venice
Canaletto (Giovanni Antonio Canal)
1730s
A Lock, a Column, and a Church beside a Lagoon, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas
A Lock, a Column, and a Church beside a Lagoon
Canaletto (Giovanni Antonio Canal)
Warwick Castle, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas
Warwick Castle
Canaletto (Giovanni Antonio Canal)
1748
Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal) Italian, Etching; undivided plate, only state
Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
Dedicatee Joseph Smith
1741
A Magnificent Pavilion by the Lagoon (recto); The Grand Canal, with the Rialto Bridge from the South (verso), Canaletto (Giovanni Antonio Canal) Italian, Pen and brown ink, over traces of graphite
A Magnificent Pavilion by the Lagoon (recto); The Grand Canal, with the Rialto Bridge from the South (verso)
Canaletto (Giovanni Antonio Canal)
ca. 1727–29
Padua: The River Bacchiglione and the Porta Portello, Canaletto (Giovanni Antonio Canal) Italian, Pen and brown ink, gray wash
Padua: The River Bacchiglione and the Porta Portello
Canaletto (Giovanni Antonio Canal)
ca. 1750–60
Piazza San Marco from the Southwest Corner, with the Procuratie Nuove on the Right, Canaletto (Giovanni Antonio Canal) Italian, Pen and brown ink, brown and gray wash
Piazza San Marco from the Southwest Corner, with the Procuratie Nuove on the Right
Canaletto (Giovanni Antonio Canal)
ca. 1724–80
Interior of the Basilica of San Marco, Showing the Crossing and the Choir, Canaletto (Giovanni Antonio Canal) Italian, Pen and brown ink over black chalk
Interior of the Basilica of San Marco, Showing the Crossing and the Choir
Canaletto (Giovanni Antonio Canal)
ca. 1763–68
A Venetian Interior, with a Young Man Seated by the Fire, Canaletto (Giovanni Antonio Canal) Italian, Pen and black ink, gray wash
A Venetian Interior, with a Young Man Seated by the Fire
Canaletto (Giovanni Antonio Canal)
after 1717
Imaginary View with a Tomb by the Lagoon, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas
Imaginary View with a Tomb by the Lagoon
Canaletto (Giovanni Antonio Canal)
early 1740s
Plate 5: The Doge in the Bucintoro Departing for the Porto di Lido on Ascension Day, from 'Ducal Ceremonies and Festivals' (Le Feste Ducali), Giovanni Battista Brustolon Italian, Etching and engraving; second state of four
Plate 5: The Doge in the Bucintoro Departing for the Porto di Lido on Ascension Day, from 'Ducal Ceremonies and Festivals' (Le Feste Ducali)
Giovanni Battista Brustolon
After Canaletto (Giovanni Antonio Canal)
Publisher Lodovico Furlanetto
ca. 1766
Plate 9: Procession on Corpus Christi Day in the Piazza San Marco, from 'Ducal Ceremonies and Festivals' (Le Feste Ducali), Giovanni Battista Brustolon Italian, Etching and engraving
Plate 9: Procession on Corpus Christi Day in the Piazza San Marco, from 'Ducal Ceremonies and Festivals' (Le Feste Ducali)
Giovanni Battista Brustolon
After Canaletto (Giovanni Antonio Canal)
Publisher Lodovico Furlanetto
ca. 1766
View of Mestre, an inn at left and other various buildings lining the canal, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal) Italian, Etching; first state of two
View of Mestre, an inn at left and other various buildings lining the canal, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
Dedicatee Joseph Smith
1735–46
The Locks at Dolo, an oval-shaped basin with boats at center, buildings on either side, a fruit vendor and groups of figures in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal) Italian, Etching; second state of three
The Locks at Dolo, an oval-shaped basin with boats at center, buildings on either side, a fruit vendor and groups of figures in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
Dedicatee Joseph Smith
1735–46
A three-arched portico with an open lantern hanging at center, a triumphal arch and ruins of a classical temple in the background, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal) Italian, Etching; second state of three
A three-arched portico with an open lantern hanging at center, a triumphal arch and ruins of a classical temple in the background, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
Dedicatee Joseph Smith
1735–46
Imaginary View of Padua, with a campanile and domed church at left, a column surmounted by a statue of a saint at center, and a cottage and water-mill at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal) Italian, Etching; second state of three
Imaginary View of Padua, with a campanile and domed church at left, a column surmounted by a statue of a saint at center, and a cottage and water-mill at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
Dedicatee Joseph Smith
1735–46
Title page with a large wall of a classical ruin, with a figure seated at right pointing to the dedication, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal) Italian, Etching; second state of two
Title page with a large wall of a classical ruin, with a figure seated at right pointing to the dedication, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
Dedicatee Joseph Smith
1735–46
Portraits of Canaletto and Visentini, Antonio Maria Visentini Italian, Etching; first state of three
Portraits of Canaletto and Visentini
Multiple artists/makers
1735
Capriccio with a Roman Triumphal Arch, Canaletto (Giovanni Antonio Canal) Italian, Pen and brown ink, brush and gray wash, over traces of leadpoint or graphite
Capriccio with a Roman Triumphal Arch
Canaletto (Giovanni Antonio Canal)
1720–30
Lagoon Capriccio (recto); Architectural Scene (verso), Canaletto (Giovanni Antonio Canal) Italian, Pen and brown ink, brush and gray wash, over traces of lead or graphite (recto). Squared in lead or graphite. Faint traces of a constructed outline drawing of an architectural scene, in lead or graphite; faint traces of a constructed outline drawing of buildings along a Venetian canal in lead or graphite (verso)
Lagoon Capriccio (recto); Architectural Scene (verso)
Canaletto (Giovanni Antonio Canal)
1697–1768
Man Smoking a Pipe (recto); Standing Man and Two Studies of His Head (verso), Canaletto (Giovanni Antonio Canal) Italian, Pen and brown ink, over traces of lead or graphite (recto); vertical ruled line in lead or graphite at center, standing men and study of profile head in pen and brown ink, over traces of graphite or lead; study of head in graphite (verso)
Man Smoking a Pipe (recto); Standing Man and Two Studies of His Head (verso)
Canaletto (Giovanni Antonio Canal)
1697–1768
Fanciful Landscape (Landscape with Villa Building and Equestrian Monument), Canaletto (Giovanni Antonio Canal) Italian, Pen and brown ink
Fanciful Landscape (Landscape with Villa Building and Equestrian Monument)
After Canaletto (Giovanni Antonio Canal)
1697–1768
Vedute altre prese da i luoghi altre ideate, Canaletto (Giovanni Antonio Canal) Italian
Vedute altre prese da i luoghi altre ideate
After Canaletto (Giovanni Antonio Canal)
18th century
Title plate of "Vedute altre prese da i luoghi altre ideate", Canaletto (Giovanni Antonio Canal) Italian, Etching; second state of two
Title plate of "Vedute altre prese da i luoghi altre ideate"
Canaletto (Giovanni Antonio Canal)
1735–46
A coastal scene with a classical ruin at right, George Hawkins, the elder British, Etching and aquatint in dark blue
A coastal scene with a classical ruin at right
Multiple artists/makers
1811
Woman drawing water from a well beneath an arcade at left, with a landscape at right, Canaletto (Giovanni Antonio Canal) Italian, Etching
Woman drawing water from a well beneath an arcade at left, with a landscape at right
Canaletto (Giovanni Antonio Canal)
1717–68
The market on the Molo in Venice, Canaletto (Giovanni Antonio Canal) Italian, Etching
The market on the Molo in Venice
Canaletto (Giovanni Antonio Canal)
1735–46
The façade of the Palazzo Ducale, Canaletto (Giovanni Antonio Canal) Italian, Etching
The façade of the Palazzo Ducale
Canaletto (Giovanni Antonio Canal)
1735–46
Piazza San Marco with the Procuratie Nuove on the left and the church of San Geminiano in the background, Canaletto (Giovanni Antonio Canal) Italian, Etching
Piazza San Marco with the Procuratie Nuove on the left and the church of San Geminiano in the background
Canaletto (Giovanni Antonio Canal)
1735–46
View of Piazza San Marco, with the church of San Geminiano at the far end, and figures and market stalls in the foreground, Giovanni Battista Brustolon Italian, Etching
View of Piazza San Marco, with the church of San Geminiano at the far end, and figures and market stalls in the foreground
Giovanni Battista Brustolon
After Canaletto (Giovanni Antonio Canal)
Publisher Lodovico Furlanetto
1763
The Rialto Bridge, Venice, with boats and gondolas in the water, Giovanni Battista Brustolon Italian, Etching
The Rialto Bridge, Venice, with boats and gondolas in the water
Giovanni Battista Brustolon
After Canaletto (Giovanni Antonio Canal)
Publisher Lodovico Furlanetto
1763
View of Santi Giovanni e Paolo (San Zanipolo), Venice, Giovanni Battista Brustolon Italian, Etching
View of Santi Giovanni e Paolo (San Zanipolo), Venice
Giovanni Battista Brustolon
After Canaletto (Giovanni Antonio Canal)
Publisher Lodovico Furlanetto
1763
Prà della Valle: the right half of the square of Prà della Valle in Padua, with the Colleggio Universitario at right, Canaletto (Giovanni Antonio Canal) Italian, Etching; first state of two (Bromberg)
Prà della Valle: the right half of the square of Prà della Valle in Padua, with the Colleggio Universitario at right
Canaletto (Giovanni Antonio Canal)
1735–46
Al Dolo: the church of Dolo, dedicated to San Rocco, on the bank of the Brenta, facing the villa Zanon-Bon, Canaletto (Giovanni Antonio Canal) Italian, Etching; third state of three (Bromberg)
Al Dolo: the church of Dolo, dedicated to San Rocco, on the bank of the Brenta, facing the villa Zanon-Bon
Canaletto (Giovanni Antonio Canal)
1735–46
Le porte del Dolo: the oval basin of the locks at Dolo, with a barge moored to the quay, Canaletto (Giovanni Antonio Canal) Italian, Etching; third state of three (Bromberg)
Le porte del Dolo: the oval basin of the locks at Dolo, with a barge moored to the quay
Canaletto (Giovanni Antonio Canal)
1735–46
Plate 1: The Newly Elected Doge Presented to the People in San Marco, from 'Ducal Ceremonies and Festivals' (Le Feste Ducali)
Giovanni Battista Brustolon
After Canaletto (Giovanni Antonio Canal)
Publisher Lodovico Furlanetto
ca. 1766
Plate 2: The Doge Carried around the Piazza San Marco, from 'Ducal Ceremonies and Festivals' (Le Feste Ducali)
Giovanni Battista Brustolon
After Canaletto (Giovanni Antonio Canal)
Publisher Lodovico Furlanetto
ca. 1766

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