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Epistole eroiche di P. Ovidio Nasone, Ovid Roman
Epistole eroiche di P. Ovidio Nasone
Multiple artists/makers
1762
Scelta di architetture antiche e moderne della citta di Firenze opera gia data in luce, misurata, disegnata, ed intagliata dal celebre Ferdinando Ruggieri architetto fiorentino, Ferdinando Ruggieri Italian, Printed book with engraved and etched illustrations
Scelta di architetture antiche e moderne della citta di Firenze opera gia data in luce, misurata, disegnata, ed intagliata dal celebre Ferdinando Ruggieri architetto fiorentino
Multiple artists/makers
1755
Self-portrait in a Turkish Outfit, Carlo Gregori Italian, Engraving; first state of two
Self-portrait in a Turkish Outfit
Carlo Gregori
After Giovanni Domenico Campiglia
After Jean Etienne Liotard
18th century
Self-portrait in a Turkish Outfit, Johann Caspar Füssli the Elder Swiss, Etching
Self-portrait in a Turkish Outfit
Johann Caspar Füssli the Elder
After Jean Etienne Liotard
After Carlo Gregori
18th century
Self-portrait in a Turkish Outfit, Johann Caspar Füssli the Elder Swiss, Etching
Self-portrait in a Turkish Outfit
Johann Caspar Füssli the Elder
After Carlo Gregori
After Jean Etienne Liotard
18th century
Self-portrait in a Turkish Outfit, Carlo Gregori Italian, Engraving
Self-portrait in a Turkish Outfit
Carlo Gregori
After Giovanni Domenico Campiglia
After Jean Etienne Liotard
18th century
Scelta di architetture antiche e moderne della citta di Firenze opera gia data in luce, misurata, disegnata, ed intagliata dal celebre Ferdinando Ruggieri architetto fiorentino, Tomo Secondo, Ferdinando Ruggieri Italian, Printed book with engraved and etched illustrations
Scelta di architetture antiche e moderne della citta di Firenze opera gia data in luce, misurata, disegnata, ed intagliata dal celebre Ferdinando Ruggieri architetto fiorentino, Tomo Secondo
Multiple artists/makers
1755
Scelta di architetture antiche e moderne della citta di Firenze opera gia data in luce, misurata, disegnata, ed intagliata dal celebre Ferdinando Ruggieri architetto fiorentino, Tomo Terzo, Ferdinando Ruggieri Italian, Printed book with engraved and etched illustrations
Scelta di architetture antiche e moderne della citta di Firenze opera gia data in luce, misurata, disegnata, ed intagliata dal celebre Ferdinando Ruggieri architetto fiorentino, Tomo Terzo
Multiple artists/makers
1755
Scelta di architetture antiche e moderne della citta di Firenze opera gia data in luce, misurata, disegnata, ed intagliata dal celebre Ferdinando Ruggieri architetto fiorentino, Ferdinando Ruggieri Italian, Printed book with engraved and etched illustrations
Scelta di architetture antiche e moderne della citta di Firenze opera gia data in luce, misurata, disegnata, ed intagliata dal celebre Ferdinando Ruggieri architetto fiorentino
Multiple artists/makers
1755
She gathers the fairest flower (Il più bel fior ne coglie), a group of six putti working together in an arched workshop, Carlo Gregori Italian, Etching
She gathers the fairest flower (Il più bel fior ne coglie), a group of six putti working together in an arched workshop
Carlo Gregori
After Giovanni Domenico Campiglia
1740–59
Plate XXXVIII (38): Mercury, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Carlo Gregori Italian, Engraving and etching
Plate XXXVIII (38): Mercury, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Carlo Gregori
Intermediary draftsman Giovanni Domenico Campiglia
1734
Plate LXXV (75): Male Athlete, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Carlo Gregori Italian, Engraving and etching
Plate LXXV (75): Male Athlete, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Carlo Gregori
Intermediary draftsman Giovanni Domenico Campiglia
1734
Plate XXXVII (37): Mars, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Carlo Gregori Italian, Etching and engraving
Plate XXXVII (37): Mars, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Carlo Gregori
Intermediary draftsman Giovanni Domenico Campiglia
1734
Plate LI (51): Bacchus, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Carlo Gregori Italian, Engraving and etching
Plate LI (51): Bacchus, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Carlo Gregori
Intermediary draftsman Giovanni Domenico Campiglia
1734
Plate LXXI (71): Narcissus, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Carlo Gregori Italian, Engraving and etching
Plate LXXI (71): Narcissus, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Carlo Gregori
Intermediary draftsman Giovanni Domenico Campiglia
1734
Scelta di XXIV vedute delle principali contrade, piazze, chiese, e palazzi della citta di Firenze
Multiple artists/makers
1744
(I) Vita di Anton Domenico Gabbiani, PItto Fiorentino; (II) Raccolta di Cento Pensieri Diversi di Anton Domenico Gabbiani, Pittor Fiorentino
Multiple artists/makers
1762
Narrazione delle Solenni Reali Feste Fatte Celebrare In Napoli da sua Maesta Il Re Delle Due Sicilie Carlo Infante di Spagna...Per Nascita del suo Primogenito Filippo
Multiple artists/makers
1749
Nouvelle Traduction des Heroides d'Ovide
Author Written by Ovid
Illustrator Carlo Gregori
Publisher Published by Durand
1763
Scelta di XXIV vedute delle principali contrade, piazze, chiese, e palazzi della citta di Firenze
Multiple artists/makers
1744
Scelta di architetture antiche e moderne della citta di Firenze opera gia data in luce, misurata, disegnata, ed intagliata dal celebre Ferdinando Ruggieri architetto fiorentino, Tomo Primo
Multiple artists/makers
1755
Christ appearing to Mary Magdalene, two angels at the right
Engraved by Carlo Gregori
Intermediary draughtsman Giuseppe Magni
After Francesco Albani
1741–43
Scene from the life of Saint Philip Neri, set inside an architectural frame
Carlo Gregori
After Bernardino Poccetti
ca. 1722–59
Syphax's banquet at Scipion
Carlo Gregori
After Alessandro Allori
ca. 1740–50
A young Julius Caesar sitting beneath an arch in Egypt as people bring him gifts of rare animals
Carlo Gregori
After Alessandro Allori
Intermediary draughtsman Giovanni Elia Morghen
ca. 1740–50
Cicero returning from exile
Carlo Gregori
After Franciabigio (Francesco di Cristofano)
Intermediary draughtsman Giovanni Elia Morghen
ca. 1740–59
Saint Matthew, seated on a cloud and writing in a book, an angel at left
Carlo Gregori
Intermediary draftsman Niccolo Vanni
After Domenichino (Domenico Zampieri)
ca. 1750–59
Saint John, seated on a cloud and holding a scroll in his left hand, an eagle at right
Carlo Gregori
Intermediary draftsman Niccolo Vanni
After Domenichino (Domenico Zampieri)
ca. 1750–59
Saint Luke, seated on a cloud and holding a book in his left hand, an ox at right
Carlo Gregori
Intermediary draftsman Niccolo Vanni
After Domenichino (Domenico Zampieri)
ca. 1750–59
Saint Mark, seated on a cloud and holding a book in his right hand, a lion at left
Carlo Gregori
Intermediary draftsman Niccolo Vanni
After Domenichino (Domenico Zampieri)
ca. 1750–59
Plate 9: Lorenzo de' Medici founding the Platonic Academy, beneath a coffered arch, standing to the right of a statue of Plato, with contemporary philosophers, Marsilio Ficino, Giovanni Pico della Mirandola, Angelo Ambrogini (Il Poliziano), and Cristoforo Landino
Carlo Gregori
Intermediary draftsman Giovanni Elia Morghen
After Francesco Furini
1746
Saint Natalia in a medallion held by two angels
Carlo Gregori
After Domenichino (Domenico Zampieri)
ca. 1608
Saint Adrian in a medallion held by two angels
Carlo Gregori
After Domenichino (Domenico Zampieri)
ca. 1608
Saint Francis of Rome
Carlo Gregori
After Domenichino (Domenico Zampieri)
ca. 1608
God the Father and Saint Francis of Rome
Carlo Gregori
After Domenichino (Domenico Zampieri)
ca. 1750

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.