ticketsMember | Make a donation

Search The Collection

Filter By

Object Type / Material
Geographic Location
Date / Era
Department
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    API

    Public domain data for this object can also be accessed using the Met's Open Access API

  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 70 results
Sort by:
Wilton album, folio 39a: The Virgin and Child with the Infant John the Baptist
Ludovico Carracci
1602–4
Impresa
Ludovico Carracci
n.d.
Holy Family under an Arch
Ludovico Carracci
ca. 1585–90
Venus Leading Aeneas out of the Flames, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII
Giuseppe Maria Mitelli
1663
The Trojans Sacrifice Bulls to Neptune, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII
Giuseppe Maria Mitelli
1663
Workmen trying to remove a stone upon which a demon lies, plate 6 from "The Life of Saint Benedict"
Giacomo-Maria Giovannini
1687–1717
The Virgin and Child, volume 3, plate 181 from "Monuments des Arts du Dessin"
Jean Baptiste Muret
1829
Adoration of the Magi
Francesco Brizio
ca. 1594–95
Head of a Woman Looking to Upper Left
Annibale Carracci
1590–1600
Wilton album, folio 43c: Alfonso Paleotti Worshipping Christ's Shroud
Francesco Brizio
ca. 1598
The Virgin Nursing the Christ Child
Ludovico Carracci
1592
A choir of angels among the clouds, after frescoes by Ludovico Carracci from the Cathedral at Piacenza
Antonio Bresciani
ca. 1760–1800
Virgin and Child with Angels
Ludovico Carracci
ca. 1595–1610
First interview between Jacob and Rachel, volume 3, plate 182 from "Monuments des Arts du Dessin"
Louis Hersent
1829
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Giovanni Battista Piranesi
1764–73
An angel holding a crown and a frond, after frescoes by Ludovico Carracci from the Cathedral at Piacenza
Antonio Bresciani
ca. 1760–1800
The Return from Egypt
Francesco Brizio
1595–1623
The Crowning of a Saint by the Virgin, volume 3, plate 184 from "Monuments des Arts du Dessin"
Jean-Baptiste Mauzaisse
1829
Saint Benedict exorcising a demon
Simone Cantarini
ca. 1637–39
Hercules in the Palazzo Grassi: Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Richard Dalton
1793–98
Providence, plate 27 from "Schola Italica Picturae"
Domenico Cunego
1772
Moses and Hur
Jean Honoré Fragonard
1764
Angels in the clouds, playing instruments, after frescoes by Ludovico Carracci from the Cathedral at Piacenza
Antonio Bresciani
ca. 1760–1800
The Virgin and Child Appearing to Saint Hyacinth
Jean Honoré Fragonard
1761
Virgin and Child
Pierre Brebiette
1555–1619
Adoration of the Magi
Francesco Brizio
ca. 1594–95
Aeneas Departs for the Battle, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII
Giuseppe Maria Mitelli
1663
Goths sacking Monte Cassino, plate 12 from "The Life of Saint Benedict"
Giacomo-Maria Giovannini
1687–1717
The Birth of St. John the Baptist, plate 28 from "Schola Italica Picturae"
Domenico Cunego
1769
Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Virtue vanquishing Envy and Fortune, painted by Giulio Cesare Parigino; 2. Apollo and the Muses at the tomb of Agostino Carracci, painted by Luigi Valesio; 3. Mercury pointing to a constellation with the personification of Painting and that of the city of Bologna, Felsina, painted by Aurelio Benelli; 4. Personification of Painting being comforted by Poetry, and the personification of a river at right, painted by Lodovico Carracci; 5. Allegory of Knowledge and Vigilance chasing Envy out of Heaven, painted by Lorenzo Garbieri.
Guido Reni
1603
Three Nude Male Figures
1781
Holy Family under an Arch
Ludovico Carracci
ca. 1585–90
Wilton album, folio 39c: The Virgin and Child with Angels
Ludovico Carracci
1590–1605
The Calling of Saint Matthew, plate 1 from "Bononiensium Pictorum Celebrioris..."
Giuseppe Maria Mitelli
1678
Holy Family Under an Arch
Ludovico Carracci
ca. 1585–90
A Religious Ceremony, volume 3, plate 183 from "Monuments des Arts du Dessin"
Jules Dagneau
1829
Virgin and Child and Saint John
Ludovico Carracci
ca. 1602–4
The Wooden Horse Entering Troy, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII
Giuseppe Maria Mitelli
1663
The Return from Egypt
Francesco Brizio
1595–1623
Saint Benedict exorcising a demon
Simone Cantarini
ca. 1637–39