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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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An angel, seen from below, in the clouds holding a crown in his left hand, other angels holding vases, after frescoes by Ludovico Carracci from the Cathedral at Piacenza
Antonio Bresciani
ca. 1760–1800
First interview between Jacob and Rachel, volume 3, plate 182 from "Monuments des Arts du Dessin"
Louis Hersent
1829
Christ in the sepulcher supported by angels
Nicolas Pitau
1668
The Trojans Taking Sinon Prisoner, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII
Giuseppe Maria Mitelli
1663
Wilton album, folio 39b: The Virgin Nursing the Christ Child
Ludovico Carracci
1592
A Religious Ceremony, volume 3, plate 183 from "Monuments des Arts du Dessin"
Jules Dagneau
1829
Madonna and Child with Saint John
Ludovico Carracci
ca. 1602–4
Saint Benedict exorcising a demon
Simone Cantarini
ca. 1637–39
Holy Family under an Arch
Ludovico Carracci
ca. 1585–90
Holy Family Under an Arch
Ludovico Carracci
ca. 1585–90
Abraham leaving his wife Sarah with her family
Francesco Rosaspina
ca. 1785–1840
Moses holding a tablet at center, surrounded by figures and angels, after frescoes by Ludovico Carracci from the Cathedral at Piacenza
Antonio Bresciani
ca. 1760–1800
The Last Communion of Saint Jerome
Ludovico Carracci
1555–1619
Wilton album, folio 39a: The Virgin and Child with the Infant John the Baptist
Ludovico Carracci
1602–4
The Virgin and Child Appearing to Saint Hyacinth
Jean Honoré Fragonard
1761
Venus Leading Aeneas out of the Flames, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII
Giuseppe Maria Mitelli
1663
An angel, seen from below, in the clouds holding a crown in both hands, other angels holding books, after frescoes by Ludovico Carracci from the Cathedral at Piacenza
Antonio Bresciani
ca. 1760–1800
The Return from Egypt
Francesco Brizio
1595–1623
Adoration of the Magi
Francesco Brizio
ca. 1594–95
The Lamentation
Ludovico Carracci
ca. 1582
Madonna and Child with Angels
Ludovico Carracci
ca. 1595–1610
Virgin and Child and Saint John
Ludovico Carracci
ca. 1602–4
Title page to IL FUNERALE D'AGOSTIN CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno; title inside a cartouche with a globe and stars at top and a grotesque mask at bottom
Francesco Brizio
1603
The Wooden Horse Entering Troy, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII
Giuseppe Maria Mitelli
1663
St. Benedict Exorcising a Demon
Simone Cantarini
ca. 1637–39
Saint Benedict exorcising a demon
Simone Cantarini
ca. 1637–39
Totila visits St. Benedict, plate 9 from "The Life of Saint Benedict"
Giacomo-Maria Giovannini
1687–1717
Christ calling St. Matthew, who bows before him
Giuliano Traballesi
1760–80
Birth of the Virgin, after frescoes by Ludovico Carracci from the Cathedral at Piacenza
Antonio Bresciani
ca. 1760–1800
Head of a Woman Looking to Upper Left
Annibale Carracci
1590–1600
Wilton album, folio 43c: Alfonso Paleotti Worshipping Christ's Shroud
Francesco Brizio
ca. 1598
The Birth of St. John the Baptist, plate 28 from "Schola Italica Picturae"
Domenico Cunego
1769
Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Virtue vanquishing Envy and Fortune, painted by Giulio Cesare Parigino; 2. Apollo and the Muses at the tomb of Agostino Carracci, painted by Luigi Valesio; 3. Mercury pointing to a constellation with the personification of Painting and that of the city of Bologna, Felsina, painted by Aurelio Benelli; 4. Personification of Painting being comforted by Poetry, and the personification of a river at right, painted by Lodovico Carracci; 5. Allegory of Knowledge and Vigilance chasing Envy out of Heaven, painted by Lorenzo Garbieri.
Guido Reni
1603
A choir of angels among the clouds, after frescoes by Ludovico Carracci from the Cathedral at Piacenza
Antonio Bresciani
ca. 1760–1800
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Giovanni Battista Piranesi
1764–73
The Conversion of Saint Paul
Ludovico Carracci
ca. 1587–89
Workmen trying to remove a stone upon which a demon lies, plate 6 from "The Life of Saint Benedict"
Giacomo-Maria Giovannini
1687–1717
Frontispiece, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII
Giuseppe Maria Mitelli
1663
The Calling of Saint Matthew, plate 1 from "Bononiensium Pictorum Celebrioris..."
Giuseppe Maria Mitelli
1678
Seven Women Seated Behind a Low Wall
Anne Claude Philippe de Tubières, comte de Caylus
18th century