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Tullia Driving Her Chariot over the Body of Her Father, Ciro Ferri  Italian, Pen and brown ink, brown wash, over black pencil; squared in black chalk.
Ciro Ferri
ca. 1655–70
Landscape with Mountains in the Distance, Ciro Ferri  Italian, Brush and gray wash, over traces of black chalk
Ciro Ferri
1634–89
The Circumcision, Study for an Engraving, Ciro Ferri - workshop of Italian, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk
Ciro Ferri
1634–89
The Virgin Immaculate Appearing to Four Saints, Ciro Ferri  Italian, Black chalk; squared in black chalk
Ciro Ferri
1634–89
Head of a Bearded Man Looking to Upper Left, Ciro Ferri  Italian, Black chalk, highlighted with white, on blue paper
Ciro Ferri
1634–89
Head of a Bearded Man Looking to Upper Right, Ciro Ferri  Italian, Black chalk on blue paper
Ciro Ferri
1634–89
The Last Supper, Ciro Ferri  Italian, Brush and brown wash, highlighted with white, over black chalk, on brownish paper
Ciro Ferri
1634–89
Design for an Altar with Kneeling Angels Supporting a Crucifix, Ciro Ferri  Italian, Pen and brown ink, brush and brown wash, over black chalk
Ciro Ferri
1634–89
The Death of Saint Francis Xavier, Ciro Ferri  Italian, Black chalk
Ciro Ferri
1674–79
Flying Putto, Ciro Ferri  Italian, Red chalk
Ciro Ferri
1634–89
Head of a Woman (recto); Head of a Child, Study of Children's Forearms (verso), Ciro Ferri  Italian, Black chalk on blue paper
Ciro Ferri
1634–89
The Circumcision, Ciro Ferri  Italian, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on light brown paper
Ciro Ferri
1634–89
Design for a Half Frame Decorated with Angels, Volutes and Garlands, Ciro Ferri (?) Italian, Pen and brown ink, brush and brown wash over traces of graphite highlighted with white gouache on the upper side of the frame
attributed to Ciro Ferri
1634–89
Drawing for Ceiling Decoration Consisting of Three Panels Each Showing a Different Scene with Figures, Ciro Ferri (?) Italian, Pen and brown ink
Ciro Ferri
1634–89
The Last Supper, the interior of a classical building with Christ and his apostles seated at a table, Cornelis Bloemaert  Dutch, Engraving
Cornelis Bloemaert
After Ciro Ferri
1662
Saint Francis Xavier baptizing the Indians, Anonymous, Engraving
Anonymous
After Ciro Ferri
Publisher Pierre Jean Mariette
1714–74
The Crucifixion, Cornelis Bloemaert  Dutch, Engraving
Cornelis Bloemaert
After Ciro Ferri
1662
Saint Paul preaching in Athens, Cornelis Bloemaert  Dutch, Engraving
Cornelis Bloemaert
After Ciro Ferri
1679
The Last Supper, the interior of a classical building with Christ and his apostles seated at a table, François Spierre  French, Engraving
François Spierre
After Cornelis Bloemaert
After Ciro Ferri
1660–81
The Resurrection, Cornelis Bloemaert  Dutch, Engraving
Cornelis Bloemaert
After Ciro Ferri
1662
Saints Peter and Paul in prison, Etienne Picart  French, Engraving
Etienne Picart
After Ciro Ferri
1660–1721
Multiple artists/makers
1687
Multiple artists/makers
after 1691
Artist and publisher Giovanni Giacomo De Rossi
Frontispiece by Ciro Ferri
1713
Lorenzo Lorenzi
After Ciro Ferri
ca. 1750–74
Charles Delahaye
After Ciro Ferri
Publisher Giovanni Giacomo De Rossi
ca. 1660–91
Pietro Aquila
After Ciro Ferri
Publisher Giovanni Giacomo De Rossi
ca. 1670–90
Pietro Aquila
After Ciro Ferri
Publisher Giovanni Giacomo De Rossi
ca. 1670–90
Guillaume Chasteau
After Ciro Ferri
1665–83
Francois Philippe Charpentier
After Ciro Ferri
1754–1817
Anonymous
After Ciro Ferri
18th century
Anonymous
After Ciro Ferri
18th century
Andrea Scacciati
After Ciro Ferri
1745–71
Anonymous
After Ciro Ferri
18th century
After Ciro Ferri
Anonymous
18th century
Jean Louis Roullet
After Ciro Ferri
1754–1817
Anonymous
After Ciro Ferri
18th century
Pietro Aquila
After Ciro Ferri
1670–1700
Anonymous
After Ciro Ferri
Publisher François II de Poilly
18th century
Anonymous
After Ciro Ferri
18th century
Matthias Oesterreich
After Ciro Ferri
1752
Johann Tscherning
After Ciro Ferri
1684–1729

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.