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The Virgin Immaculate Appearing to Four Saints

Ciro Ferri Italian
1634–89
Not on view
The monastic saints kneeling at the right of this composition may be Carmelites (possibly Saint Angelus of Jerusalem and Saint Mary Magdalen de' Pazzi), and the drawing could be a study for an oval relief. Ciro Ferri was responsible for the design of the choir of the church of Santa Maria Maddalena de' Pazzi in Florence, which he executed 1675–1701; however, no such composition occurs among the reliefs here. A black chalk drawing by Ferri in the Kunstmuseum, Düsseldorf (inv. vol. 2, g 2), is a study for the same oval relief: the figures are posed in the same way, but there is a greater expanse of landscape background seen beyond the balustrade. On a visit to the Museum, Jörg Merz (December 2004) tentatively proposed the attribution of the drawing to Pietro Lucatelli (ca. 1630- after 1690), a close pupil of Ciro Ferri.

Artwork Details

Object Information
  • Title: The Virgin Immaculate Appearing to Four Saints
  • Artist: Ciro Ferri (Italian, Rome 1634?–1689 Rome)
  • Date: 1634–89
  • Medium: Black chalk; squared in black chalk
  • Dimensions: 10 3/4 x 8 9/16in. (27.3 x 21.8cm)
  • Classification: Drawings
  • Credit Line: Rogers Fund, 1962
  • Object Number: 62.129.4
  • Curatorial Department: Drawings and Prints
More Artwork
Head of a Woman (recto); Head of a Child, Study of Children's Forearms (verso), Ciro Ferri  Italian, Black chalk
Ciro Ferri
1654–89
Lobster-Tail Burgonet, Steel, leather, gold, North Italian
North Italian
ca. 1610
Study of a Seated Woman Seen from Behind (Marie-Gabrielle Capet), Adélaïde Labille-Guiard  French, Red, black, and white chalk on toned laid paper
Adélaïde Labille-Guiard
Sitter Marie Gabrielle Capet
1789
The Circumcision, Study for an Engraving, Ciro Ferri - workshop of Italian, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk
Ciro Ferri
1634–89
Armor, Steel, copper alloy, textile, leather, Italian
Italian
ca. 1400–1450 and later

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