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Figure 6: The grimice produced is similar to a tic of the face
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 18: Aggression, wickedness
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 70: Head of the Laocoön of Rome
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 22: No painful expression
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 75: Nun saying her prayers
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 60: Fright
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 73: Head of Niobe
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 55: Astonishment badly rendered by the subject: a ridiculous and inane expression.
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 25: Not an expression of pain
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 45: Pain and despair.
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 50: Affected weeping and face in repose
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 71: Same head as in Plate 70
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 34: Grimace
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 53: Whimpering and false laughter
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze.
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Mécanisme de la physionomie humaine ou Analyse électro-physiologique de l’expression des passions applicable à la pratique des arts plastiques
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 81: Lady Macbeth, moderate expression of cruelty
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 57: Astonishment, stupefaction, amazement
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention.
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 52: Voluntary retraction of the lower lip
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 54: Voluntary lowering of the lower jaw
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 49: Painful weeping and forward looking.
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 56: Surprise
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 10: Showing the expressive lines of m. frontalis in a young girl
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 16: Expression of severity
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
On the Expression of the Emotions in Man and Animals
Charles Robert Darwin
1872
Figure 78: Scene of coquetry
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 27: Expression proportionally more pained
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and lewdness.
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 21: Painful recollection and recollection or calling something to mind
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Icono-photographique. Mécanisme de la Physionomie Humaine. Fig. 65
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 83: Lady Macbeth, ferocious cruelty
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 63: Expression of terror
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 47: A suggestion of this same weeping
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 39: The attention attracted by an object that provokes lascivious ideas and desires.
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 19: Suffering
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 26: Expression of painful attention and attention, attentive gaze.
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 62: Terror, semiprofile
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 9: A study of m. frontalis in maximum contraction
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862
Figure 36: Scornful laughter and scornful disgust
Guillaume-Benjamin-Amand Duchenne de Boulogne
1854–56, printed 1862