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Mercury Changes Aglauros to Stone, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona Italian, Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.), Netherlandish, Brussels
Mercury Changes Aglauros to Stone, from the Story of Mercury and Herse
Designer Design attributed to Giovanni Battista Lodi da Cremona
Designer Border design attributed to Giovanni Francesco Penni
Workshop director Weaving workshop directed by Willem de Pannemaker
designed ca. 1540, woven ca. 1570
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona Italian, Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.), Netherlandish, Brussels
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse
Multiple artists/makers
designed ca. 1540, woven ca. 1570
The Vintage; a man pouring grapes from a basket into a vat, above Bacchus sitting, other figures at left, Marcantonio Raimondi Italian, Engraving
The Vintage; a man pouring grapes from a basket into a vat, above Bacchus sitting, other figures at left
Marcantonio Raimondi
After Raphael (Raffaello Sanzio or Santi)
or Giovanni Francesco Penni
ca. 1517–20
Design for a Wall Tomb or Monument (Recto); Smaller Variant Version with Half Length Madonna & Child on Crescent Moon (Verso), Giovanni Francesco Penni Italian, Pen and brown ink
Design for a Wall Tomb or Monument (Recto); Smaller Variant Version with Half Length Madonna & Child on Crescent Moon (Verso)
Attributed to Giovanni Francesco Penni
1496–1528
Design for an Urn with Garland of Vegetables and Fruit and Medallion with Profile of a Caesar, Giovanni Francesco Penni Italian, Pen and brown ink
Design for an Urn with Garland of Vegetables and Fruit and Medallion with Profile of a Caesar
Giovanni Francesco Penni
1496–1528
Assembly of the Gods after the ceiling composition in the Loggia di Psiche, Villa Farnesina, Rome, Giovanni Jacopo Caraglio Italian, Engraving; first state of two
Assembly of the Gods after the ceiling composition in the Loggia di Psiche, Villa Farnesina, Rome
Giovanni Jacopo Caraglio
After Giovanni Francesco Penni
After Raphael (Raffaello Sanzio or Santi)
1527
Pharaoh's army engulfed by the Red Sea; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after Giovanni Francesco Penni, Anne Claude Philippe de Tubières, comte de Caylus French, Aquatint imitating a chiaroscuro woodcut printed in green and brown over etching
Pharaoh's army engulfed by the Red Sea; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after Giovanni Francesco Penni
Anne Claude Philippe de Tubières, comte de Caylus
Nicolas Le Sueur
After Giovanni Francesco Penni
ca. 1729–40
Assembly of the Gods, after the ceiling composition in the Loggia di Psiche, Villa Farnesina, Rome
Multiple artists/makers
16th century
Jesus carrying his Cross, volume 2, plate 130 from "Monuments des Arts du Dessin"
Multiple artists/makers
1829
Pentecost, with the Holy Spirit, represented by a dove, above the Virgin surrounded by the Apostles (copy in reverse)
Multiple artists/makers
ca. 1520–39
Pentecost, depicting the Holy Dove above the Virgin, surrounded by the Apostles
Giovanni Jacopo Caraglio
After Giovanni Francesco Penni
After Raphael (Raffaello Sanzio or Santi)
1520–39
Modello Drawing for the Battle of the Milvian Bridge, Sala di Costantino; An Eagle and the Drapery of a Caryatid; An Arm holding a Tablet and a Leg (for the Figure of Virtue?), Raphael (Raffaello Sanzio or Santi) Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, ver extensive black-chalk underdrawing, squared in black chalk, on many glued sheets of paper washed beige; lined with a secondary support; with early restorations
On loan to The Met
Modello Drawing for the Battle of the Milvian Bridge, Sala di Costantino; An Eagle and the Drapery of a Caryatid; An Arm holding a Tablet and a Leg (for the Figure of Virtue?)
Raphael (Raffaello Sanzio or Santi)
Giovanni Francesco Penni
ca. 1519-20
Modello Drawing with an Early Idea for the Enthroned Pope Urban I in a Niche with Virtues, Angels, and Other Figures, Sala di Costantino, Giovanni Francesco Penni Italian, Pen and brown ink, brush and brown wash, over leadpoint underdrawing, with leadpoint and pen-and-ink ruling, compass work (arcs, points), and a lightly stylus-incised vertical axis line (running through the figure of the pope); extensively highlighted with white gouache; on paper washed pale brown
On loan to The Met
Modello Drawing with an Early Idea for the Enthroned Pope Urban I in a Niche with Virtues, Angels, and Other Figures, Sala di Costantino
Giovanni Francesco Penni
ca. 1519-20
Modello Drawing for the Coronation of Charlemagne, Stanza dell’Incendio, Giovanni Francesco Penni Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, traces of red-chalk corrections, over stylus-incised ruled and compass construction, and black chalk underdrawing, on several glued sheets of paper
On loan to The Met
Modello Drawing for the Coronation of Charlemagne, Stanza dell’Incendio
Giovanni Francesco Penni
Giulio Romano
ca. 1515-16