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The Sacrifice of Polyxena, Giovanni Francesco Romanelli  Italian, Oil on canvas
Giovanni Francesco Romanelli
A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c,, Arthur Pond  British, Engraving, etching, woodcut
Multiple artists/makers
1732–69
Death of Dido, Giovanni Francesco Romanelli  Italian, Pen and brown ink, brush with gray wash, over charcoal (?) (recto); ruled framing outlines in red chalk, black chalk scribbles (verso), framing outlines in pen and brown ink
After Giovanni Francesco Romanelli
1620–40
One Half of a Design for a Frame of a Stage Proscenium, with a Figure of Justice at the Right, and the Barberini Arms in a Cartouche at the Top, Giovanni Francesco Romanelli  Italian, Graphite or black chalk on cream laid paper
Giovanni Francesco Romanelli
18th century
Five Music-Making Figures, Giovanni Francesco Romanelli  Italian, Pen and brown ink, brush and blue wash
Giovanni Francesco Romanelli
1610–62
Six Music-Making Figures, Giovanni Francesco Romanelli  Italian, Pen and brown ink, brush and blue wash
Giovanni Francesco Romanelli
1610–62
Aeneas and the Cumaean Sibyl Entering the Infernal Regions, Giovanni Francesco Romanelli  Italian, Pen and brown ink, brush and blue wash, highlighted with white, over black chalk, on blue-gray paper
Giovanni Francesco Romanelli
1610–62
Hesperides sive de Malorum Aureorum cultura et usu. Libri Quatuor, Giovanni Battista Ferrari  Italian, plates: etching, engraving
Multiple artists/makers
1646
Allegory with Time, Pallas Athene, and various muses, after frescoes in the Barberini Palace (?), Guillaume Vallet  French, Engraving
Guillaume Vallet
After Giovanni Francesco Romanelli
ca. 1650–1704
The Harmony between History and Poetry, John Dean  British, Mezzotint
Artist and publisher John Dean
After Giovanni Francesco Romanelli
1786
A bust portrait of Cardinal Jules Mazarin, Francois de Poilly  French, Engraving
Francois de Poilly
After Giovanni Francesco Romanelli
Subject Cardinal Jules Mazarin
ca. 1640–93
The Israelites holding out their cloaks to collect the manna raining from heaven, Moses standing in the background, Jean Raymond  French, Engraving
Jean Raymond
After Giovanni Francesco Romanelli
ca. 1715–86
Three women pulling in the basket with the infant Moses from the water, Simon de la Vallée  French, Etching and engraving
Simon de la Vallée
After Giovanni Francesco Romanelli
ca. 1729
Moses striking the rock with a stick to bring forth water, Jean-Baptiste Haussard  French, Etching and engraving
Jean-Baptiste Haussard
After Giovanni Francesco Romanelli
ca. 1729
Jason carrying off the golden fleece, Jean-Baptiste Nolin  French, Etching and engraving; first state
Jean-Baptiste Nolin
After Giovanni Francesco Romanelli
1690–1725
Jason carrying off the golden fleece, Jean-Baptiste Nolin  French, Etching and engraving; second state
Jean-Baptiste Nolin
After Giovanni Francesco Romanelli
1690–1725
Tancrede and Herminia, Jean Charles Le Vasseur  French, Etching and engraving
Jean Charles Le Vasseur
After Giovanni Francesco Romanelli
1690–1725
The presentation of the Virgin in the Temple, Christoph Lederwasch  German, Etching
Christoph Lederwasch
After Giovanni Francesco Romanelli
1670–80
Design for the Coat of Arms of a Cardinal with three Angels, Pietro da Cortona (Pietro Berrettini)  Italian, Red chalk
Attributed to Pietro da Cortona (Pietro Berrettini)
Possibly by Giovanni Francesco Romanelli
Purchased as Anonymous, Italian, 17th century
ca. 1640–60
Cornelis Bloemaert
After Giovanni Francesco Romanelli
17th century
Captain William E. Baillie
After Giovanni Francesco Romanelli
n.d.
Jean Raymond
After Giovanni Francesco Romanelli
ca. 1729

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.