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Male Figure Running, Giovanni Lanfranco Italian, Pen and brown ink
Male Figure Running
Giovanni Lanfranco
1582–1647
The Martyrdom of the Apostle Thomas, Giovanni Lanfranco Italian, Pen and brown ink, brush and brown wash, spots of red wash at upper right and left
The Martyrdom of the Apostle Thomas
Giovanni Lanfranco
1638–46
Seated Apostles and Putti, Giovanni Lanfranco Italian, Red chalk
Seated Apostles and Putti
Giovanni Lanfranco
1637–38
Design for a Wall Decoration with the Sacrifice of Abraham and the Flight into Egypt, Giovanni Lanfranco Italian, Pen and brown ink, brush and brown wash, over traces of red chalk, highlighted with white gouache, on blue paper; architectural moldings above and below indicated in ruled black chalk lines
Design for a Wall Decoration with the Sacrifice of Abraham and the Flight into Egypt
Giovanni Lanfranco
1582–1647
Putti and a Young Satyr at Play, Giovanni Lanfranco Italian, Red chalk
Putti and a Young Satyr at Play
Giovanni Lanfranco
1582–1647
The Miraculous Mass of Saint Martin of Tours with the Apparition of a Ball of Fire above His Head, Giovanni Lanfranco Italian, Pen and brown ink
The Miraculous Mass of Saint Martin of Tours with the Apparition of a Ball of Fire above His Head
Giovanni Lanfranco
1602–47
Seated Draped Male Figure (recto); Rough Studies of Putti (verso), Giovanni Lanfranco Italian, Black chalk, faint traces of white on gray-blue paper (recto); black chalk (verso)
Seated Draped Male Figure (recto); Rough Studies of Putti (verso)
attributed to Giovanni Lanfranco
1582–1647
Hesperides sive de Malorum Aureorum cultura et usu. Libri Quatuor, Giovanni Battista Ferrari Italian, plates: etching, engraving
Hesperides sive de Malorum Aureorum cultura et usu. Libri Quatuor
Multiple artists/makers
1646
A Bearded Prophet in Glory Attended by a Bishop, Two Other Male Saints, and Angels (Design for a Section of a Dome), Giovanni Lanfranco Italian, Black chalk, partly reworked by the artist in pen and brown ink
A Bearded Prophet in Glory Attended by a Bishop, Two Other Male Saints, and Angels (Design for a Section of a Dome)
Giovanni Lanfranco
1634–35
Saint Luke, Jean Honoré Fragonard French, Etching, first state of two
Saint Luke
Jean Honoré Fragonard
After Giovanni Lanfranco
ca. 1764
The Consecration of the Site of a Church in Rome by a Pope ("The Miracle of Saint Mary of the Snows"?), Giovanni Lanfranco Italian, Pen and brown ink, over red chalk, some black chalk, and ruled construction; patches of paper with corrections pasted by the artist
The Consecration of the Site of a Church in Rome by a Pope ("The Miracle of Saint Mary of the Snows"?)
Attributed to Giovanni Lanfranco
n.d.
Saint Mark, Jean Honoré Fragonard French, Etching
Saint Mark
Jean Honoré Fragonard
After Giovanni Lanfranco
ca. 1761–65
Allegory with Minerva at right, leading a young man towards Mount Parnassus, where the Muses sit, Johann Friedrich Greuter German, Engraving
Allegory with Minerva at right, leading a young man towards Mount Parnassus, where the Muses sit
Johann Friedrich Greuter
After Giovanni Lanfranco
1620–47
The Forge of Vulcan, Johann Friedrich Greuter German, Engraving; counterproof
The Forge of Vulcan
Johann Friedrich Greuter
After Giovanni Lanfranco
1620–47
The Forge of Vulcan, Johann Friedrich Greuter German, Engraving
The Forge of Vulcan
Johann Friedrich Greuter
After Giovanni Lanfranco
1620–47
The Forge of Vulcan, Anonymous, Etching
The Forge of Vulcan
Anonymous
After Giovanni Lanfranco
Publisher Francesco Palmiero
1658–78
Saint Bruno and his companions in the wilderness
Francesco Villamena
After Giovanni Lanfranco
1620
Breve Racconto Della Trasportatione Del Corpo Di Papa Paolo V Dalla Basilica di S. Pietro a quella di S. Maria Maggiore
Multiple artists/makers
1623
Portraits of Celebrated Painters with Medallions from Their Best Performances
Multiple artists/makers
1825
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Multiple artists/makers
1764–73
Seventy-Five Portraits of Celebrated Painters, From "Authentic Originals"
Multiple artists/makers
1817
Norandino and Lucina in a landscape with the ogre Orco feeling the fleece with which she has covered her back, plate 39 from "Schola Italica Picturae"
Domenico Cunego
After Giovanni Lanfranco
Publisher Gavin Hamilton
1772
A Discussion between the Doctors, volume 3, plate 196 from "Monuments des Arts du Dessin"
Multiple artists/makers
1829
Jupiter and Juno in the heavens flanking the arms of Cardinal Fabrizio Veralli, in the lower section naiads flanking a rosebush
Francesco Villamena
After Giovanni Lanfranco
1622
Plate 8: Saint Andrew and a kneeling saint seated on a cloud, from a series of eight prints after the fresco cycle "The Assumption of the Virgin" by Giovanni Lanfranco in the dome of the church of Sant'Andrea della Valle, Rome
Carlo Cesi
After Giovanni Lanfranco
Publisher Giovanni Giacomo De Rossi
1680
Plate 7: Adam and Eve with saints seated on a cloud, from a series of eight prints after the fresco cycle "The Assumption of the Virgin" by Giovanni Lanfranco in the dome of the church of Sant'Andrea della Valle, Rome
Carlo Cesi
After Giovanni Lanfranco
Publisher Giovanni Giacomo De Rossi
1680
Plate 6: a young saint seated on a cloud with angels, from a series of eight prints after the fresco cycle "The Assumption of the Virgin" by Giovanni Lanfranco in the dome of the church of Sant'Andrea della Valle, Rome
Carlo Cesi
After Giovanni Lanfranco
Publisher Giovanni Giacomo De Rossi
1680
Plate 5: Noah and several patriarchs seated on a cloud, from a series of eight prints after the fresco cycle "The Assumption of the Virgin" by Giovanni Lanfranco in the dome of the church of Sant'Andrea della Valle, Rome
Carlo Cesi
After Giovanni Lanfranco
Publisher Giovanni Giacomo De Rossi
1680
Plate 4: Abraham and Isaac with saints seated on a cloud, from a series of eight prints after the fresco cycle "The Assumption of the Virgin" by Giovanni Lanfranco in the dome of the church of Sant'Andrea della Valle, Rome
Carlo Cesi
After Giovanni Lanfranco
Publisher Giovanni Giacomo De Rossi
1680
Plate 3: Saint Joseph and other saints with a lute-playing angel, from a series of eight prints after the fresco cycle "The Assumption of the Virgin" by Giovanni Lanfranco in the dome of the church of Sant'Andrea della Valle, Rome
Carlo Cesi
After Giovanni Lanfranco
Publisher Giovanni Giacomo De Rossi
1680
Plate 2: Saint Peter with other saints and trumpeting angels, from a series of eight prints after the fresco cycle "The Assumption of the Virgin" by Giovanni Lanfranco in the dome of the church of Sant'Andrea della Valle, Rome
Carlo Cesi
After Giovanni Lanfranco
Publisher Giovanni Giacomo De Rossi
1680
Plate 1: the Assumption of the Virgin with angels holding her crown, from a series of eight prints after the fresco cycle "The Assumption of the Virgin" by Giovanni Lanfranco in the dome of the church of Sant'Andrea della Valle, Rome
Carlo Cesi
After Giovanni Lanfranco
Publisher Giovanni Giacomo De Rossi
1680
The Separation of Saint Peter and Saint Paul
Etienne Picart
After Giovanni Lanfranco
1679
The Road to Calvary, Christ at center carrying the cross, surrounded by soldiers, the Holy Women swooning in the foreground, after the altarpiece (ca. 1625) by Giovanni Lanfranco in the Sacchetti Chapel in San Giovanni de' Fiorentini, Rome
Giuseppe Sforza Perini
After Giovanni Lanfranco
Publisher Domenico Cunego
1776
Christ saving Saint Peter, at right summoning Peter to walk towards him across the waves, the fishing boat sinking in the background, after the altarpiece by Giovanni Lanfranco (1627-28) in Saint Peter's Basilica
Sir Nicolas Dorigny
After Giovanni Lanfranco
1699
Christ saving Saint Peter, at left summoning Peter to walk towards him across the waves, the fishing boat sinking in the background, after the altarpiece by Giovanni Lanfranco (1627-28) in Saint Peter's Basilica
Francesco Faraone Aquila
After Giovanni Lanfranco
Publisher Giovanni Giacomo De Rossi
1690
The Agony in the Garden, Christ at top with arms outstretched towards an angel holding a cup, the disciples asleep below, after a painting (ca. 1625) by Giovanni Lanfranco in the Sacchetti Chapel, San Giovanni de' Fiorentini, Rome
Camillo Tinti
After Giovanni Lanfranco
Publisher Domenico Cunego
1776
An illustration of Psalms 46.6, with Christ at center ascending surrounded by angels holding instruments of the Passion, after a painting (ca. 1625) by Giovanni Lanfranco in the Sacchetti Chapel, San Giovanni de' Fiorentini, Rome
Stefano Coppa
After Giovanni Lanfranco
Publisher Domenico Cunego
1776
Plate 1: the Assumption of the Virgin , from a series of nine prints after the fresco cycle "The Virgin and Saints" by Giovanni Lanfranco in a chapel at San'Agostino in Rome
Carlo Cesi
After Giovanni Lanfranco
Publisher Giovanni Giacomo De Rossi
1680
Title page of a series of nine plates, after the Assembly of the Gods ceiling fresco (1624-25) by Giovanni Lanfranco in the Villa Borghese, Rome
Pietro Aquila
After Giovanni Lanfranco
Publisher Giovanni Giacomo De Rossi
ca. 1670–91
Various gods and mythological characters in the clouds, including Faunus, Bacchus, Silenus, Apollo, Mercury, Mars, Venus, and Cupid, after the Assembly of the Gods ceiling fresco (1624-25) by Giovanni Lanfranco in the Villa Borghese, Rome
Pietro Aquila
After Giovanni Lanfranco
Publisher Giovanni Giacomo De Rossi
ca. 1670–91
Various gods and mythological characters in the clouds, including Providence, Jupiter, Juno, Persephone, Pluto, Ceres, Neptune, Saturn, Pan, Vulcan, and Hercules, after the Assembly of the Gods ceiling fresco (1624-25) by Giovanni Lanfranco in the Villa Borghese, Rome
Pietro Aquila
After Giovanni Lanfranco
Publisher Giovanni Giacomo De Rossi
ca. 1670–91

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