Tickets
English
DonateMembershipTickets

Search for Art

Search Tips
10 results
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Artist / culture
1
Object type / material
Match
 
Show results matching
selected filters.
Geographic location
Match
 
Show results matching
selected filters.
Department
Uffizio della Settimana Santa : colle rubriche volgari, argomenti de' Salmi, spiegazione delle cerimonie e misterj, con osservazioni, e riflessioni divote dell'abate Alessandro Mazzinelli, Alessandro Mazzinelli Italian
Uffizio della Settimana Santa : colle rubriche volgari, argomenti de' Salmi, spiegazione delle cerimonie e misterj, con osservazioni, e riflessioni divote dell'abate Alessandro Mazzinelli
Multiple artists/makers
1794
The Nativity, Giuseppe Passeri (Passari) Italian, Pen and brown ink, brush and red wash, highlighted with white, over red chalk
The Nativity
Giuseppe Passeri (Passari)
1654–1714
The Judgment of Solomon, Giuseppe Passeri (Passari) Italian, Pen and brown ink, red chalk, brush and red wash, highlighted with white
The Judgment of Solomon
Giuseppe Passeri (Passari)
1654–1714
The Archangels Gabriel, Michael and Raphael (recto); sketches of figures (verso), Giuseppe Passeri (Passari) Italian, Pen and brown ink, red chalk, brush and red wash, highlighted with white
The Archangels Gabriel, Michael and Raphael (recto); sketches of figures (verso)
Giuseppe Passeri (Passari)
1654–1714
The Virgin Immaculate with the Christ Child in Glory (recto); Rinaldo and Armida (verso), Giuseppe Passeri (Passari) Italian, Pen and brown ink, red chalk, brush and red wash, highlighted with white (recto); pen and brown ink, over red chalk (verso)
The Virgin Immaculate with the Christ Child in Glory (recto); Rinaldo and Armida (verso)
Giuseppe Passeri (Passari)
1654–1714
The Ecstasy of the Blessed Giacinta Marescotti, Giuseppe Passeri (Passari) Italian, Pen and brown ink, brush with brown and red wash, over red chalk, highlighted with white gouache
The Ecstasy of the Blessed Giacinta Marescotti
Giuseppe Passeri (Passari)
1674–1714
Christ and the Samaritan Woman at the Well, Giuseppe Passeri (Passari) Italian, Pen and brown ink, over red chalk; framing lines in red chalk, black chalk, and pen and ink, all probably by the artist
Christ and the Samaritan Woman at the Well
Giuseppe Passeri (Passari)
n.d.
Christ and the Centurion (recto); Figure Waving to Departing Ship (verso), Giuseppe Passeri (Passari) Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache
Christ and the Centurion (recto); Figure Waving to Departing Ship (verso)
Giuseppe Passeri (Passari)
1665–1714
Assumption of the Virgin; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after Giuseppe Passeri, Nicolas Le Sueur French, Aquatint imitating a chiaroscuro woodcut printed in green and brown over etching
Assumption of the Virgin; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after Giuseppe Passeri
Nicolas Le Sueur
Paul Ponce Antoine Robert-de-Seri
After Giuseppe Passeri (Passari)
ca. 1729–40
Saint Bernard receiving the habit from Stephen, the abbot, putti overhead holding a cross
Sir Nicolas Dorigny
After Giuseppe Passeri (Passari)
ca. 1680–1746

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.