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  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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William Dugdale (Gulielmus Dugdale) (from "The Antiquities of Warwickshire Illustrated," London, 1656)
Wenceslaus Hollar
1656
Esther before Ahasuerus
Wenceslaus Hollar
1656–60
Superiority of the Warrior Class (from Robert Stapylton, Mores Hominum–The Manners of Men, Described in Sixteen Satyrs, by Juvenal, 1660)
Wenceslaus Hollar
1659
Seleucus and His Son
Wenceslaus Hollar
1637
Five boys, two satyrs, and a goat (copy in reverse)
Wenceslaus Hollar
17th century
Franciscus Junius the Younger
Wenceslaus Hollar
1641
The Satyr and the Sword (from John Ogilby, "Aesopics or a Second Colllection of Fables," 1668)
Wenceslaus Hollar
1668
Dutch Warship (Nauis Bellica Hollandica)
Wenceslaus Hollar
1647
Esslingen, from "German Views"
Wenceslaus Hollar
1663–65
Baths of Diocletian, Rome
Wenceslaus Hollar
17th century
Lady with hat with wide brim
Wenceslaus Hollar
1640
Bohemian Woman of Good Quality (Mulier Bohemica a Bonae Qualitatis)
Wenceslaus Hollar
1642
Descent into Hell
Wenceslaus Hollar
1644–52
Aeneas and Mercury (from "The Works of Virgil: Containing his Pastorals, Georgics and Aeneis," 1697)
Wenceslaus Hollar
1654
Bohemian Woman of Good Quality (Mulier Bohemica a Bonae Qualitatis)
Wenceslaus Hollar
1642
The Amaranth or religious poems...
Walter Harte
1767
Hawks and owls
Wenceslaus Hollar
1654–58
Willebroeck bey Boom
Wenceslaus Hollar
1651
Bust of a woman wearing low-cut dress, with protruding lipd, growth on her forehead, prominent breast, long flowing hair down her back, in profile to left.
Wenceslaus Hollar
1660
The Sea (Das Meer)
Wenceslaus Hollar
1635
Two Deformed Heads Facing Inwards
Wenceslaus Hollar
ca. 1645
Three heads
Wenceslaus Hollar
1645
Viennese Woman (Mulier Wiennensis in Domo / Ein Ostereicherin wan sie zu haus ist)
Wenceslaus Hollar
1649
Raphael
Wenceslaus Hollar
1651
Bonaventure Peeters
Wenceslaus Hollar
1649
Fashionable Society (from Robert Stapylton, Mores Hominum–The Manners of Men, Described in Sixteen Satyrs, by Juvenal, 1660)
Wenceslaus Hollar
1658–60
Eight Pigeons (or Doves) in a Farmyard near a Coup, a Dovecote in the Background
Wenceslaus Hollar
1654–58
Dead mole
Wenceslaus Hollar
1646
Three Boys, Two Satyrs and a Goat
Wenceslaus Hollar
1654
St. George's Chapel Choir, Windsor (from Elias Ashmole's "The Order of the Garter," 1672)
Wenceslaus Hollar
1663
The Prospect of Chester the South and West Side, and The Ground Plan of Chester (from Daniel King's "The Vale-Royall of England" and "A Short Treatise of the Isle of Man")
Wenceslaus Hollar
1656
Princess Mary Tudor (later Mary I, Queen of England)
Wenceslaus Hollar
1647
A Young Woman of Strasbourg (Virgo Argentinensis / Ein Strassburger Jungfraw)
Wenceslaus Hollar
1644–50
Hascomb Hill
Wenceslaus Hollar
1643
View of Vienna
Wenceslaus Hollar
1624–77
Antwerp
Wenceslaus Hollar
1625–77
Carmelita (Carmelite Friar)
Wenceslaus Hollar
ca. 1655
Bonn
Wenceslaus Hollar
ca. 1635
Bust of a grotesque man with a toothy mouth and wearing a hat with fur trim in profile to left
Wenceslaus Hollar
1666
Tongerloo (Tungerloa)
Wenceslaus Hollar
1650