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The Holy Family with Saints Anne and Catherine of Alexandria, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Oil on canvas
The Holy Family with Saints Anne and Catherine of Alexandria
Jusepe de Ribera (called Lo Spagnoletto)
1648
The Tears of Saint Peter, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Oil on canvas
The Tears of Saint Peter
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1612–13
Adoration of the Shepherds, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Pen and brown ink, brush and brown wash
Adoration of the Shepherds
Jusepe de Ribera (called Lo Spagnoletto)
1645–50
Study for a Crucifixion of St. Peter, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Pen and brown ink on off-white paper
Study for a Crucifixion of St. Peter
Jusepe de Ribera (called Lo Spagnoletto)
1628–30
Head of a Satyr Facing Left, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Red chalk on brownish paper
Head of a Satyr Facing Left
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1625–30
Virgin and Child on Crescent Moon with Putti, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Pen and brown ink with brush and brown wash over traces of black chalk underdrawing on beige paper
Virgin and Child on Crescent Moon with Putti
Jusepe de Ribera (called Lo Spagnoletto)
1591–1652
Man Wearing a Large Cloak and a Small Naked Man on His Head, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Pen and brown ink with brush and brown wash (recto). Lined with a very thin sheet of paper (verso)
Man Wearing a Large Cloak and a Small Naked Man on His Head
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1637–40
Unidentified Scene: Figures Watching a Fallen Giant and Another Figure Levitating, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Pen and brown ink on off-white paper. Sheet is set into a thin mat (with annotations on the mat)
Unidentified Scene: Figures Watching a Fallen Giant and Another Figure Levitating
Jusepe de Ribera (called Lo Spagnoletto)
1591–1652
Entombment of Christ, Domenico Cunego Italian, Etching and engraving
Entombment of Christ
Domenico Cunego
Intermediary draughtsman Angelo Ricci
After Jusepe de Ribera (called Lo Spagnoletto)
1775
St. Jerome seated on the ground and reading an inscribed scroll, a skull next to his right leg and a lion beyond, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and engraving
St. Jerome seated on the ground and reading an inscribed scroll, a skull next to his right leg and a lion beyond
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1624
A winged putto flogging a satyr tied to a tree, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching
A winged putto flogging a satyr tied to a tree
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1625–50
Bust of a laughing satyr, facing left in profile, plate 29 from "Various Portraits" (Recueil de diverses pièces servant à l'art de portraiture), Stefano della Bella Italian, Etching
Bust of a laughing satyr, facing left in profile, plate 29 from "Various Portraits" (Recueil de diverses pièces servant à l'art de portraiture)
Stefano della Bella
After Jusepe de Ribera (called Lo Spagnoletto)
ca. 1647
Studies of Two Ears and of a Bat. Below, the motto: FULGET SEMPER VIRTUS, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Red chalk and brush and red wash on beige paper. Composition outlined on all borders with ruled lines in black chalk
Studies of Two Ears and of a Bat. Below, the motto: FULGET SEMPER VIRTUS
Jusepe de Ribera (called Lo Spagnoletto)
1591–1652
Copies after Jusepe de Ribera, Nicolas Bernard Lépicié French, Pen and black ink, brush and gray wash, over graphite; framing lines in pen and brown ink
Copies after Jusepe de Ribera
Nicolas Bernard Lépicié
After Jusepe de Ribera (called Lo Spagnoletto)
18th century
Socrates Looking in a Mirror, Bernard Vaillant Dutch, Mezzotint
Socrates Looking in a Mirror
Bernard Vaillant
After Jusepe de Ribera (called Lo Spagnoletto)
17th century
Drunken Silenus holding a cup aloft into which a Satyr pours wine, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching with drypoint, engraving, and burnishing
Drunken Silenus holding a cup aloft into which a Satyr pours wine
Jusepe de Ribera (called Lo Spagnoletto)
1628
A Man Leading a Blind Friar (recto); Incidental Sketches (not by the artist; verso), Jusepe de Ribera (called Lo Spagnoletto) Spanish, Pen and brown ink, brush and brown wash, over black chalk (recto); black chalk, graphite, or leadpoint (verso)
A Man Leading a Blind Friar (recto); Incidental Sketches (not by the artist; verso)
Attributed to Jusepe de Ribera (called Lo Spagnoletto)
17th century
Joseph Interpreting the Dreams of Pharoah's Chief Butler and Baker, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and engraving
Joseph Interpreting the Dreams of Pharoah's Chief Butler and Baker
Multiple artists/makers
1766–67
Large Grotesque Head, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and engraving
Large Grotesque Head
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1622
The Martyrdom of Saint Bartholomew, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and engraving
The Martyrdom of Saint Bartholomew
Jusepe de Ribera (called Lo Spagnoletto)
1624
Saint Jerome Hearing the Trumpet of the Last Judgment, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching, engraving, and drypoint; first state of two (Brown)
Saint Jerome Hearing the Trumpet of the Last Judgment
Jusepe de Ribera (called Lo Spagnoletto)
1621
The poet, standing crowned with laurel, leaning on a stone, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching
The poet, standing crowned with laurel, leaning on a stone
Jusepe de Ribera (called Lo Spagnoletto)
1620–21
Saint Jerome Hearing the Trumpet of the Last Judgment, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and engraving
Saint Jerome Hearing the Trumpet of the Last Judgment
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1621
The Virgin, Saint John the Baptist, and Mary Magdalene weeping over Christ's dead body , Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and drypoint; second state of two (Brown)

The Virgin, Saint John the Baptist, and Mary Magdalene weeping over Christ's dead body

Formerly attributed to Jusepe de Ribera (called Lo Spagnoletto)
1624
Saint Bruno meditating on a skull, Francesco Rosaspina Italian, Etching in red ink
Saint Bruno meditating on a skull
Francesco Rosaspina
After Jusepe de Ribera (called Lo Spagnoletto)
Publisher Lodovico Inig
1780–1840
Battle Between a Centaur and a Triton with a Triton, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching
Battle Between a Centaur and a Triton with a Triton
Formerly attributed to Jusepe de Ribera (called Lo Spagnoletto)
ca. 1620–1640
Winged putto whipping a satyr, H. Cooke, Sr. British, Etching (reverse copy)
Winged putto whipping a satyr
Etcher H. Cooke, Sr.
After Jusepe de Ribera (called Lo Spagnoletto)
17th century
The Martyrdom of Saint Bartholomew, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching (reverse copy)
The Martyrdom of Saint Bartholomew
After Jusepe de Ribera (called Lo Spagnoletto)
ca. 1625–1640
Saint Jerome in the Wilderness, seated, writing and meditating on a crucifix, Pierre Hutin French, Etching and engraving
Saint Jerome in the Wilderness, seated, writing and meditating on a crucifix
Pierre Hutin
After Jusepe de Ribera (called Lo Spagnoletto)
18th century
Saint Francis visited by the Angel, from 'Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde', Marco Alvise Pitteri Italian, Etching
Saint Francis visited by the Angel, from 'Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde'
Marco Alvise Pitteri
Intermediary draughtsman Pierre Hutin
Jusepe de Ribera (called Lo Spagnoletto)
1730–1786
The Poet (copy in reverse), Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching
The Poet (copy in reverse)
After Jusepe de Ribera (called Lo Spagnoletto)
ca. 1625–80
Diogenes, bust-length, and turned to the right, holding a lantern, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Engraving
Diogenes, bust-length, and turned to the right, holding a lantern
After Jusepe de Ribera (called Lo Spagnoletto)
Publisher François Basan
1750–69
The Virgin, Saint John the Baptist, and Mary Magdalen weeping over Christ's dead body , Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and drypoint (counterproof)

The Virgin, Saint John the Baptist, and Mary Magdalen weeping over Christ's dead body

Formerly attributed to Jusepe de Ribera (called Lo Spagnoletto)
1624
The Drunken Silenus holding a cup aloft into which a Satyr pours wine, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and engraving
The Drunken Silenus holding a cup aloft into which a Satyr pours wine
Jusepe de Ribera (called Lo Spagnoletto)
1628
Saint Peter in prayer, looking upwards and to the right, Lucas Vorsterman II Flemish, Etching
Saint Peter in prayer, looking upwards and to the right
Lucas Vorsterman II
Intermediary draughtsman David Teniers the Younger
After Jusepe de Ribera (called Lo Spagnoletto)
1656–60
Isaac Blessing Jacob, Lorenzo Zucchi Italian, Engraving
Isaac Blessing Jacob
Lorenzo Zucchi
Intermediary draughtsman Stefano Torelli
After Jusepe de Ribera (called Lo Spagnoletto)
ca. 1730–1779
Young Christ Among the Doctors, Jan van Troyen Flemish, Etching
Young Christ Among the Doctors
Jan van Troyen
After Jusepe de Ribera (called Lo Spagnoletto)
1656–60
A man, possibly a scholar or philosopher, plate 64 from a portfolio of reproductions of the Imperial Gallery of Paintings in Vienna, Anton Joseph von Prenner Austrian, Etching
A man, possibly a scholar or philosopher, plate 64 from a portfolio of reproductions of the Imperial Gallery of Paintings in Vienna
Anton Joseph von Prenner
After Jusepe de Ribera (called Lo Spagnoletto)
1728
A mathematician seated at a table, working on mathematical equations, plate 34 from a portfolio of prints of the Imperial Gallery of Paintings in Vienna, Anton Joseph von Prenner Austrian, Etching
A mathematician seated at a table, working on mathematical equations, plate 34 from a portfolio of prints of the Imperial Gallery of Paintings in Vienna
Anton Joseph von Prenner
After Jusepe de Ribera (called Lo Spagnoletto)
1728
A saint seated at a table with his right hand resting on a skull, plate 33 from a portfolio of reproductions of the Imperial Gallery of Paintings in Vienna, Anton Joseph von Prenner Austrian, Etching
A saint seated at a table with his right hand resting on a skull, plate 33 from a portfolio of reproductions of the Imperial Gallery of Paintings in Vienna
Anton Joseph von Prenner
After Jusepe de Ribera (called Lo Spagnoletto)
1728
A Philosopher, looking forward, holding a book with a cloth, Bernard Vaillant Dutch, Mezzotint
A Philosopher, looking forward, holding a book with a cloth
Bernard Vaillant
After Jusepe de Ribera (called Lo Spagnoletto)
17th century
The Magdalene kneeling, from 'Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde', Marco Alvise Pitteri Italian, Etching and engraving on chine collé
The Magdalene kneeling, from 'Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde'
Engraver Marco Alvise Pitteri
Intermediary draughtsman Pierre Hutin
After Jusepe de Ribera (called Lo Spagnoletto)
1730–86