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The poet, standing crowned with laurel, leaning on a stone

1620–21
Not on view
Dressed in voluminous robes, crowned with laurel, and leaning on a stone with head in hand, The Poet is one of Ribera's most striking images made early in the artist's career. The iconography, a synthesis of the attributes of Melancholy and Poetry, has been explored in detail by scholars, who have found literary parallels ranging from verses by Walther von der Vogelweide (1170?–1230) to works by Petrarch and Lorenzo de' Medici. Another suggestion that the poet is Virgil seems plausible, especially since his tomb was traditionally thought to be in Naples. Generally identified with a columbarium, or dovecote mausoleum, above the 'Grotto' or tunnel of Posilipo, the purported burial place of the famous poet was a tourist attraction beginning at least in the sixteenth century. A well-known legend had it that on top of the tomb grew a bay tree that continued to blossom over the centuries while its roots forced their way through the stone, causing cracks to appear.

Artwork Details

Object Information
  • Title: The poet, standing crowned with laurel, leaning on a stone
  • Artist: Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591–1652 Naples)
  • Date: 1620–21
  • Medium: Etching
  • Dimensions: Sheet: 6 3/8 × 4 15/16 in. (16.2 × 12.6 cm)
    Plate: 6 1/4 × 4 13/16 in. (15.9 × 12.3 cm)
  • Classification: Prints
  • Credit Line: Harris Brisbane Dick Fund, 1930
  • Object Number: 30.54.69
  • Curatorial Department: Drawings and Prints
More Artwork
The Holy Family with Saints Anne and Catherine of Alexandria, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Oil on canvas
Jusepe de Ribera (called Lo Spagnoletto)
1648
Rapier, Steel, blade, Spanish, Toledo; hilt, European, possibly Spanish
blade, Spanish, Toledo; hilt, European, possibly Spanish
blade, ca. 1635; hilt, late 17th century
Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal)  Italian, Etching; undivided plate, only state
Canaletto (Giovanni Antonio Canal)
Dedicatee Joseph Smith
1741
The Tears of Saint Peter, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Oil on canvas
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1612–13
Self-Portrait, Goya (Francisco de Goya y Lucientes)  Spanish, Brush and point of brush, carbon black ink
Draftsman Goya (Francisco de Goya y Lucientes)
Sitter Goya (Francisco de Goya y Lucientes)
ca. 1796

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