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A Bear Walking, Leonardo da Vinci Italian, silverpoint on light buff prepared paper
A Bear Walking
Leonardo da Vinci
ca. 1482–85
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), Leonardo da Vinci Italian, Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci
1480–85
The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci Italian, Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)
The Head of the Virgin in Three-Quarter View Facing Right
Leonardo da Vinci
1510–13
Embroidery Pattern with Seven Six-pointed Stars and Four Corner Pieces, Albrecht Dürer German, Woodcut
Embroidery Pattern with Seven Six-pointed Stars and Four Corner Pieces
Albrecht Dürer
After Leonardo da Vinci
before 1521
The Rape of Ganymede, Caradosso (Cristoforo Caradosso Foppa), Bronze, remains of gilding, Italian, Milan
The Rape of Ganymede
Caradosso (Cristoforo Caradosso Foppa)
Designer Probably after a design by Leonardo da Vinci
16th century
Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso), Leonardo da Vinci Italian, Pen and brown ink (recto and verso)
Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)
Leonardo da Vinci
1496
The Head of a Woman in Profile Facing Left, Giovanni Antonio Boltraffio Italian, Silverpoint and leadpoint, highlighted with white gouache, on pale blue-gray (indigo) prepared paper. Media tested by the Department of Scientific Research, The Metropolitan Museum of Art, with x-ray fluorescence spectroscopy (XRF) and fiber optics reflectance spectroscopy (FORS); October 1, 2019.
The Head of a Woman in Profile Facing Left
Giovanni Antonio Boltraffio
Follower of Leonardo da Vinci
1490–1500
A Grotesque Couple: Old Woman with an Elaborate Headdress and Old Man with Large Ears and Lacking a Chin, Giovanni Francesco Melzi Italian, Pen and brown ink

A Grotesque Couple: Old Woman with an Elaborate Headdress and Old Man with Large Ears and Lacking a Chin

Attributed to Giovanni Francesco Melzi
After Leonardo da Vinci
1491/93–1570
The Last Supper, with a Spaniel, Giovanni Pietro da Birago Italian, Engraving
The Last Supper, with a Spaniel
Attributed to Giovanni Pietro da Birago
After Leonardo da Vinci
ca. 1500
Banknote motif with a girl's head derived from Leonardo da Vinci against a patterned band, Asher Brown Durand American, Engraving and etching; proof
Banknote motif with a girl's head derived from Leonardo da Vinci against a patterned band
Multiple artists/makers
ca. 1824–37
“The Fifth Knot”. Interlaced Roundel with Seven Six-pointed Stars, Albrecht Dürer German, Woodcut
“The Fifth Knot”. Interlaced Roundel with Seven Six-pointed Stars
Albrecht Dürer
After Leonardo da Vinci
1521 before
Group of naked men engaged in battle in a wooded landscape, some on horseback; a dog at lower left., Domenico Campagnola Italian, Engraving
Group of naked men engaged in battle in a wooded landscape, some on horseback; a dog at lower left.
Domenico Campagnola
Possibly after a design by Titian (Tiziano Vecellio)
Possibly After a drawing by Leonardo da Vinci
1517
Head of an old man, Giovanni Antonio da Brescia Italian, Engraving
Head of an old man
Giovanni Antonio da Brescia
After Leonardo da Vinci
Formerly attributed to Andrea Mantegna
ca. 1490–1525
Head of a man with thick curly hair in profile to the left, Wenceslaus Hollar Bohemian, Etching; first state of two
Head of a man with thick curly hair in profile to the left
Etcher Wenceslaus Hollar
After Leonardo da Vinci
1644–52
Two Grotesque Heads, Hans Liefrinck Netherlandish, Engraving
Two Grotesque Heads
Hans Liefrinck
After Leonardo da Vinci
1538–73
Portrait of Leonardo da Vinci, from "Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum", Leonardo da Vinci Italian, Aquatint and etching
Portrait of Leonardo da Vinci, from "Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum"
Sitter Leonardo da Vinci
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), Wenceslaus Hollar Bohemian, Etching
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum)
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), Wenceslaus Hollar Bohemian, Etching
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum)
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), Wenceslaus Hollar Bohemian, Etching
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum)
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), Wenceslaus Hollar Bohemian, Etching
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum)
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), Wenceslaus Hollar Bohemian, Etching
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum)
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), Wenceslaus Hollar Bohemian, Etching
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum)
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), Wenceslaus Hollar Bohemian, Etching
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum)
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), Wenceslaus Hollar Bohemian, Etching
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum)
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), Wenceslaus Hollar Bohemian, Etching
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum)
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), Wenceslaus Hollar Bohemian, Etching
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum)
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), Wenceslaus Hollar Bohemian, Etching
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum)
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wenceslaus Hollar, out of the Portland Museum), Wenceslaus Hollar Bohemian, Etching
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wenceslaus Hollar, out of the Portland Museum)
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), Wenceslaus Hollar Bohemian, Etching
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum)
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), Wenceslaus Hollar Bohemian, Etching
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum)
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), Wenceslaus Hollar Bohemian, Etching
Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum)
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Characaturas by Leonardo da Vinci from Drawings by Wincelslaus (sic) Hollar out of the/ Portland Museum, published as the act directs Nov. 1. 1786 by/ John Clarke. N. 291 Strand, Price 15 in Boards, Wenceslaus Hollar Bohemian, Etching
Characaturas by Leonardo da Vinci from Drawings by Wincelslaus (sic) Hollar out of the/ Portland Museum, published as the act directs Nov. 1. 1786 by/ John Clarke. N. 291 Strand, Price 15 in Boards
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso), Leonardo da Vinci Italian, Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)
Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)
Leonardo da Vinci
ca. 1506–8
Head of a Man in Profile Facing to the Left, Leonardo da Vinci Italian, Pen and brown ink, over soft black chalk
Head of a Man in Profile Facing to the Left
Leonardo da Vinci
1490–94
The Head of a Grotesque Man in Profile Facing Right, Leonardo da Vinci Italian, Pen and brown ink, on off-white paper (now darkened)
The Head of a Grotesque Man in Profile Facing Right
After Leonardo da Vinci
after 1500
The Death of Leonardo da Vinci, Joseph Théodore Richomme French, Etching and engraving
The Death of Leonardo da Vinci
Joseph Théodore Richomme
After Jean Auguste Dominique Ingres
Subject Leonardo da Vinci
ca. 1825
Traitté de la Peinture, Leonardo da Vinci Italian, Printed book
Traitté de la Peinture
Multiple artists/makers
1651
Title Page: Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum, Wenceslaus Hollar Bohemian, Etching and engraving
Title Page: Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum
After Wenceslaus Hollar
After Leonardo da Vinci
Publisher Published London by John Clarke
1786
Five grotesque heads, including an elderly man with an oak leaf wreath, Wenceslaus Hollar Bohemian, Etching; only state
Five grotesque heads, including an elderly man with an oak leaf wreath
Etcher Wenceslaus Hollar
After Leonardo da Vinci
Subject Relates to collection of Thomas Howard, 14th Earl of Arundel (British, 1585–1646) and Aletheia Talbot, Countess of Arundel (British, ca. 1590–1654), m. 1606
1646
Skull in profile to right, Wenceslaus Hollar Bohemian, Etching; only state
Skull in profile to right
Etcher Wenceslaus Hollar
After Leonardo da Vinci
1645
Sectioned skull in profile to left with the left side of the cranium removed, Wenceslaus Hollar Bohemian, Etching: only state
Sectioned skull in profile to left with the left side of the cranium removed
Etcher Wenceslaus Hollar
After Leonardo da Vinci
1651
Title Page, Diversae Effigies, Wenceslaus Hollar Bohemian, Etching; first state of three
Title Page, Diversae Effigies
Etcher Wenceslaus Hollar
After Leonardo da Vinci
1648