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Department
Dish with Pomona, Bernard Palissy French, Lead-glazed earthenware, French, Fontainebleau or Avon
Dish with Pomona
Manner of Bernard Palissy
After an engraving by Philips Galle
After a composition by Maerten de Vos
late 16th or early 17th century
Dish, Bernard Palissy French, Lead-glazed earthenware, French
Dish
Style of Bernard Palissy
After an engraving by Philips Galle
After a design by Maerten de Vos
17th century
The Routing of Focker and the German Troops from Antwerp, Maerten de Vos Netherlandish, Pewter, Flemish
The Routing of Focker and the German Troops from Antwerp
Designer Based on designs by Maerten de Vos
After engravings by Jan (Johannes) Wierix
ca. 1580
The Vanity of Women: Masks and Bustles, Maerten de Vos Netherlandish, engraved paper, Dutch
The Vanity of Women: Masks and Bustles
Attributed to Maerten de Vos
ca. 1600
The Pride of Women: Ruffs, Maerten de Vos Netherlandish, engraved paper, Dutch
The Pride of Women: Ruffs
Maerten de Vos
ca. 1600
Christ Appearing to St. Peter [John 21:1-8], Maerten de Vos Netherlandish, Engraving
Christ Appearing to St. Peter [John 21:1-8]
After Maerten de Vos
Engraver Antonius Wierix, II
ca. 1584
Christ on the way to Emmaus [Mark 16:12], Maerten de Vos Netherlandish, Engraving
Christ on the way to Emmaus [Mark 16:12]
After Maerten de Vos
Engraver Antonius Wierix, II
ca. 1584
Christ and the Twelve Apostles, Maerten de Vos Netherlandish, Intaglio
Christ and the Twelve Apostles
Designed by Maerten de Vos
Engraved by Adriaen Collaert
1592
The Last Supper (Desiderio Desideravi), from "The Passion of Christ (Passio Domni Nostri Jesu Christi)", Hieronymus (Jerome) Wierix Netherlandish, Engraving
The Last Supper (Desiderio Desideravi), from "The Passion of Christ (Passio Domni Nostri Jesu Christi)"
Hieronymus (Jerome) Wierix
After Maerten de Vos
n.d.
Galants at a Banquet (Crapula et Lascivia), from "The Sorrows of the World" (or Advent of Christ), Maerten de Vos Netherlandish, Engraving
Galants at a Banquet (Crapula et Lascivia), from "The Sorrows of the World" (or Advent of Christ)
After Maerten de Vos
Johann Sadeler I
Publisher Sadeler (unspecified member of the Sadeler family)
ca. 1582–83
Allegory of Africa, from "The Four Continents", Anonymous, Netherlandish, 16th century ? Netherlandish, Pen and brown ink, brush and brown wash, squared in black chalk
Allegory of Africa, from "The Four Continents"
Anonymous, Netherlandish, 16th century
After Maerten de Vos
16th century (?)
Allegory of Asia, from "The Four Continents", Anonymous, Netherlandish, 16th century ? Netherlandish, Pen and brown ink, brush and brown wash; squared in black chalk
Allegory of Asia, from "The Four Continents"
Anonymous, Netherlandish, 16th century
After Maerten de Vos
16th century (?)
Allegory of America, from "The Four Continents", Anonymous, Netherlandish, 16th century ? Netherlandish, Pen and brown ink, brush and brown wash, squared in black chalk
Allegory of America, from "The Four Continents"
Anonymous, Netherlandish, 16th century
After Maerten de Vos
16th century (?)
Allegory of Europe, from "The Four Continents", Anonymous, Netherlandish, 16th century ? Netherlandish, Pen and brown ink, brush and brown wash, squared in black chalk
Allegory of Europe, from "The Four Continents"
Anonymous, Netherlandish, 16th century
After Maerten de Vos
16th century (?)
The Wedding Feast at Cana (after Paolo Veronese), Federico Zuccaro (Zuccari) Italian, Pen and brown ink on blue paper
The Wedding Feast at Cana (after Paolo Veronese)
After Federico Zuccaro (Zuccari)
After Paolo Veronese (Paolo Caliari)
Traditionally attributed to Maerten de Vos
1540–1609
Emperor Ninus, Maerten de Vos Netherlandish, Black chalk, pen and brown ink, brush and brown wash
Emperor Ninus
Maerten de Vos
mid-16th–early 17th century
Annotationes et Meditationes in Evangelia..., Hieronymus Natalis Netherlandish, plates: engraving
Annotationes et Meditationes in Evangelia...
Multiple artists/makers
1707
Banquet in an Arbor, Anonymous, Netherlandish, 16th century Netherlandish, Pen and brown ink, graphite. Incised. Verso rubbed in red chalk
Banquet in an Arbor
Anonymous, Netherlandish, 16th century
Former Attribution formerly attributed to Maerten de Vos
mid-16th–early 17th century
Captain de Bours handing over the Keys to the Citadel of Antwerp to the Estates General, Maerten de Vos Netherlandish, Pen and brown ink, brush and brown wash, white gouache; incised for transfer
Captain de Bours handing over the Keys to the Citadel of Antwerp to the Estates General
Maerten de Vos
mid-16th–early 17th century
Baptism of Christ, Maerten de Vos Netherlandish, Pen and brown ink, brush and brown wash, heightened with white, over black chalk
Baptism of Christ
Maerten de Vos
16th century
Pan picking grapes while Syrinx grabs his shoulder, with three leopards and two putti below them, Charles Nicolas Varin French, Engraving
Pan picking grapes while Syrinx grabs his shoulder, with three leopards and two putti below them
Charles Nicolas Varin
Intermediary draftsman Antoine Borel
After Maerten de Vos
1787
Last Supper, from "The Passion of Christ", Johann Sadeler I Netherlandish, Engraving
Last Supper, from "The Passion of Christ"
Johann Sadeler I
After Maerten de Vos
1582
Dolor (Sorrow), Raphael Sadeler I Netherlandish, Engraving
Dolor (Sorrow)
Raphael Sadeler I
After Maerten de Vos
Antwerp 1560–1628 Venice?
The Sixth Day: The Creation of Animals, Adam and Eve, from "The Creation of the World", Johann Sadeler I Netherlandish, Engraving
The Sixth Day: The Creation of Animals, Adam and Eve, from "The Creation of the World"
Johann Sadeler I
After Maerten de Vos
late 16th century
Adam at Work after the Fall, from "The Story of the First Men", Johann Sadeler I Netherlandish, Engraving; second state of two
Adam at Work after the Fall, from "The Story of the First Men"
Johann Sadeler I
After Maerten de Vos
1583
Sardanapal in the Bath, Johann Theodor de Bry Netherlandish, Engraving
Sardanapal in the Bath
Johann Theodor de Bry
after Crispijn de Passe the Elder
after Maerten de Vos
1576–1623
The Entombment, Hieronymus (Jerome) Wierix Netherlandish, Engraving
The Entombment
Hieronymus (Jerome) Wierix
After Maerten de Vos
1584
The Animals Going into the Ark, from "The Story of the Family of Seth", Maerten de Vos Netherlandish, Engraving
The Animals Going into the Ark, from "The Story of the Family of Seth"
After Maerten de Vos
Johann Sadeler I
1586
Cyrus, King of Persia, from "Four Illustrious Rulers of Antiquity", Adriaen Collaert Netherlandish, Engraving
Cyrus, King of Persia, from "Four Illustrious Rulers of Antiquity"
Adriaen Collaert
After Maerten de Vos
1590s
Ecce Homo, Maerten de Vos Netherlandish, Pen and brown ink, brush and brown and gray wash; incised for transfer; framing lines in pen and brown ink
Ecce Homo
Maerten de Vos
Former Attribution formerly also attributed to Hans Bol
1584
The Defenders of the Catholic Faith in the Netherlands adoring the Virgin, Maerten de Vos Netherlandish, Engraving
The Defenders of the Catholic Faith in the Netherlands adoring the Virgin
After Maerten de Vos
Engraved by Jan (Johannes) Wierix
1587
The Banishment of Hagar and Ishmael, from "The Story of Abraham", Adriaen Collaert Netherlandish, Engraving; first state of two
The Banishment of Hagar and Ishmael, from "The Story of Abraham"
Adriaen Collaert
After Maerten de Vos
Publisher Gerard de Jode
1584–85
Saint Ambrose Seated in an Interior, Anonymous, Netherlandish, 16th century Netherlandish, Pen and brown ink, brown wash, heightened with white gouache, on off-white paper prepared with brown gouache; framing line in pen and brown ink, by the artist
Saint Ambrose Seated in an Interior
Anonymous, Netherlandish, 16th century
Former Attribution Maerten de Vos
ca. 1520–40
Holofernes before Nebuchadnezzar (Judith 2:4-13), Maerten de Vos Netherlandish, Pen and brown ink, brush and brown wash, heightened with white gouache
Holofernes before Nebuchadnezzar (Judith 2:4-13)
Maerten de Vos
1587
Sight (Visus), from "The Five Senses", Maerten de Vos Netherlandish, Engraving; first edition
Sight (Visus), from "The Five Senses"
After Maerten de Vos
Adriaen Collaert
n.d.
Innocentia, from "Virtues", Maerten de Vos Netherlandish, Engraving
Innocentia, from "Virtues"
After Maerten de Vos
ca. 1581
Constantia, from "Virtues", Maerten de Vos Netherlandish, Engraving
Constantia, from "Virtues"
After Maerten de Vos
ca. 1581
Pax, from "Virtues", Maerten de Vos Netherlandish, Engraving
Pax, from "Virtues"
After Maerten de Vos
ca. 1581
Concordia, from "Virtues", Maerten de Vos Netherlandish, Engraving
Concordia, from "Virtues"
After Maerten de Vos
ca. 1581
Allegory of Africa, from "The Four Continents", Adriaen Collaert Netherlandish, Engraving; second state of three
Allegory of Africa, from "The Four Continents"
Adriaen Collaert
After Maerten de Vos
1580–1600
Allegory of America, from "The Four Continents", Adriaen Collaert Netherlandish, Engraving; second state
Allegory of America, from "The Four Continents"
Adriaen Collaert
After Maerten de Vos
1580–1600
Allegory of Africa, from "The Four Continents", Adriaen Collaert Netherlandish, Engraving; first state
Allegory of Africa, from "The Four Continents"
Adriaen Collaert
After Maerten de Vos
1580–1600