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John the Baptist with a Lamb in the Wilderness, Pedro Duque Cornejo Spanish, Pen and dark brown ink. On off-white paper
John the Baptist with a Lamb in the Wilderness
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, 17th century
ca. 1700–50
Figure of the Dead Christ with Mourning Angel (The Lamentation), Pedro Duque Cornejo Spanish, Black chalk. On off-white paper
Figure of the Dead Christ with Mourning Angel (The Lamentation)
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Reclining Figure of Saint Holding Cross, Supported by Two Angels (Death of the Magdalene?), Pedro Duque Cornejo Spanish, Black chalk, reclining figure reinforced with pen and dark brown ink. On light beige paper
Reclining Figure of Saint Holding Cross, Supported by Two Angels (Death of the Magdalene?)
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Seated Male Nude with Open Book, Pedro Duque Cornejo Spanish, Black chalk partly reinforced with pen and dark brown ink; black chalk lines along right and left borders of sheet. On ivory paper
Seated Male Nude with Open Book
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Saint Sebastian (?) Tied to a Tree, Pedro Duque Cornejo Spanish, Pen and light brown ink over black chalk underdrawing. On off-white paper
Saint Sebastian (?) Tied to a Tree
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Virgin of the Immaculate Conception Standing on Clouds, Pedro Duque Cornejo Spanish, Pen and dark brown ink, with brush and gray wash, over black chalk underdrawing. On off-white paper
Virgin of the Immaculate Conception Standing on Clouds
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Virgin of the Immaculate Conception Standing on Clouds, Pedro Duque Cornejo Spanish, Black chalk reinforced with pen and dark brown ink; composition outlined with black chalk. On off-white paper
Virgin of the Immaculate Conception Standing on Clouds
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Virgin of the Immaculate Conception Standing on Clouds, Pedro Duque Cornejo Spanish, Pen and light brown ink over black chalk underdrawing; composition outlined with traces of black chalk. On off-white paper
Virgin of the Immaculate Conception Standing on Clouds
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Standing Figure Holding Cross, Pedro Duque Cornejo Spanish, Pen and dark brown ink over some traces of black chalk underdrawing
Standing Figure Holding Cross
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Male Saint (an Apostle?) Standing on a Pedestal with Arms Extended (recto); Standing or Kneeling Male Saint (verso), Pedro Duque Cornejo Spanish, Pen and dark brown ink over black chalk underdrawing (recto); black chalk drawing in the same hand (verso). On off-white paper
Male Saint (an Apostle?) Standing on a Pedestal with Arms Extended (recto); Standing or Kneeling Male Saint (verso)
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Visitation, Pedro Duque Cornejo Spanish, Pen and dark brown ink. Border line drawn along bottom of sheet and suggested at right side of sheet in pen and dark brown ink. On off-white paper
Visitation
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1716–18
Virgin of the Immaculate Conception Standing on Clouds, Pedro Duque Cornejo Spanish, Pen and dark brown ink, over black chalk underdrawing. On off-white paper
Virgin of the Immaculate Conception Standing on Clouds
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
The Annunciation (Angel Approaching from Left), Pedro Duque Cornejo Spanish, Black chalk, figure of angel reinforced with pen and light brown ink. Composition outlined in black chalk. On off-white paper
The Annunciation (Angel Approaching from Left)
Attributed Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Holy Family, Pedro Duque Cornejo Spanish, Black chalk; composition outlined in black chalk along left and bottom. On off-white paper
Holy Family
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Kneeling Angel With Hands Outstretched, Pedro Duque Cornejo Spanish, Pen and dark brown ink on off-white paper
Kneeling Angel With Hands Outstretched
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Standing Female Figure with Large Medallion, Pedro Duque Cornejo Spanish, Pen and dark brown ink over black chalk underdrawing; composition outlined in black chalk. On off-white paper
Standing Female Figure with Large Medallion
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Saint Francis Borja, Pedro Duque Cornejo Spanish, Pen and dark brown ink over traces of black chalk underdrawing; ground line drawn with pen and brown ink. On off-white paper
Saint Francis Borja
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1731–33
Standing Figure of an Angel, Pedro Duque Cornejo Spanish, Pen and dark brown ink. On ivory paper
Standing Figure of an Angel
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Standing Male Saint (an Apostle?), Pedro Duque Cornejo Spanish, Pen and dark brown ink on ivory paper
Standing Male Saint (an Apostle?)
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
The Flight into Egypt, Pedro Duque Cornejo Spanish, Pen and dark brown ink, brush and gray wash, over black chalk underdrawing. Outline of arch-shaped composition in the same pen and brown ink. On off-white paper
The Flight into Egypt
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
The Annunciation, Pedro Duque Cornejo Spanish, Pen and dark brown ink. Composition outlined in same, by the artist. On ivory paper
The Annunciation
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
The Annunciation, Pedro Duque Cornejo Spanish, Pen and dark brown ink. Composition outlined in the same, by the artist. On off-white paper
The Annunciation
Attributed Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Standing Saint (Apostle?), Pedro Duque Cornejo Spanish, Pen and dark brown ink. Figure's left foot is reinforced with pen and black ink. On ivory paper
Standing Saint (Apostle?)
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
The Infant Saint John the Baptist with the Infant Christ in the Wilderness (recto); Fragment of Architectural Design with Engaged Corinthian Columns (verso), Pedro Duque Cornejo Spanish, Pen and light brown ink, selectively reinforced with dark brown ink, over black chalk underdrawing. Border lines in the same brown ink (recto). Fragment of architectural design with engaged Corinthian columns. Pen and light brown ink over ruling in black chalk (verso). On off-white paper
The Infant Saint John the Baptist with the Infant Christ in the Wilderness (recto); Fragment of Architectural Design with Engaged Corinthian Columns (verso)
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, 17th century
ca. 1700–50
Head of Christ, Pedro Duque Cornejo Spanish, Pen and dark brown ink. Some contours reinforced with pen and darker brown ink. On off-white paper
Head of Christ
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Virgin of the Immaculate Conception Standing on Clouds, Pedro Duque Cornejo Spanish, Black chalk reinforced in places with pen and dark brown ink. On off-white paper
Virgin of the Immaculate Conception Standing on Clouds
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Virgin of the Immaculate Conception Seated on Clouds, Supported by Four Angels, Pedro Duque Cornejo Spanish, Black chalk. Lower angel reinforced with pen and dark brown ink. Traces of outline in black chalk along left and right borders of the composition. On off-white paper
Virgin of the Immaculate Conception Seated on Clouds, Supported by Four Angels
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
1700–50
The Annunciation (Angel Approaching From the Right), Pedro Duque Cornejo Spanish, Black chalk reinforced with traces of pen and light brown ink. Drawing continues over palimpsest in lower left corner. On off-white paper
The Annunciation (Angel Approaching From the Right)
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Two Figures of Evangelists Writing, Pedro Duque Cornejo Spanish, Pen and black ink, brush and gray wash, over black chalk underdrawing on ivory paper
Two Figures of Evangelists Writing
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Saint Anthony of Padua, Pedro Duque Cornejo Spanish, Black chalk on ivory paper; framing lines in black chalk
Saint Anthony of Padua
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
1700–50
Saint Sebastian, Pedro Duque Cornejo Spanish, Black chalk underdrawing reinforced with pen and dark brown ink; composition outlined in black chalk. On ivory paper
Saint Sebastian
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Standing Figure of an Evangelist, Pedro Duque Cornejo Spanish, Pen and dark brown ink on ivory paper
Standing Figure of an Evangelist
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Male Saint (Stanisław Kostka?) standing on clouds supported by putti, holding infant Christ, Pedro Duque Cornejo Spanish, Pen and dark brown ink over traces of black chalk underdrawing; ground line drawn in pen and dark brown ink. On off-white paper
Male Saint (Stanisław Kostka?) standing on clouds supported by putti, holding infant Christ
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1731–33
Male Saint (Stanisław Kostka?) standing on clouds supported by putti, holding infant Christ, Pedro Duque Cornejo Spanish, Pen and dark brown ink with ground line in same. On off-white paper
Male Saint (Stanisław Kostka?) standing on clouds supported by putti, holding infant Christ
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1731–33
Angel with Palm Seated on Clouds, Pedro Duque Cornejo Spanish, Pen and dark brown ink. On off-white paper
Angel with Palm Seated on Clouds
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
1700–50
Angel Seated on Clouds, Pedro Duque Cornejo Spanish, Pen and dark brown ink. On off-white paper
Angel Seated on Clouds
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Standing Saint (apostle?), Pedro Duque Cornejo Spanish, Pen and dark brown ink. On ivory paper
Standing Saint (apostle?)
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Standing Saint (Apostle?), Pedro Duque Cornejo Spanish, Pen and dark brown ink. On ivory paper
Standing Saint (Apostle?)
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Standing Male Figure, Pedro Duque Cornejo Spanish, Pen and dark brown ink. On ivory paper
Standing Male Figure
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50