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John the Baptist with a Lamb in the Wilderness, Pedro  Duque Cornejo  Spanish, Pen and dark brown ink. On off-white paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, 17th century
ca. 1700–50
Figure of the Dead Christ with Mourning Angel (The Lamentation), Pedro  Duque Cornejo  Spanish, Black chalk. On off-white paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Reclining Figure of Saint Holding Cross, Supported by Two Angels (Death of the Magdalene?), Pedro  Duque Cornejo  Spanish, Black chalk, reclining figure reinforced with pen and dark brown ink. On light beige paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Seated Male Nude with Open Book, Pedro  Duque Cornejo  Spanish, Black chalk partly reinforced with pen and dark brown ink; black chalk lines along right and left borders of sheet. On ivory paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Saint Sebastian (?) Tied to a Tree, Pedro  Duque Cornejo  Spanish, Pen and light brown ink over black chalk underdrawing. On off-white paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Virgin of the Immaculate Conception Standing on Clouds, Pedro  Duque Cornejo  Spanish, Pen and dark brown ink, with brush and gray wash, over black chalk underdrawing. On off-white paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Virgin of the Immaculate Conception Standing on Clouds, Pedro  Duque Cornejo  Spanish, Black chalk reinforced with pen and dark brown ink; composition outlined with black chalk. On off-white paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Virgin of the Immaculate Conception Standing on Clouds, Pedro  Duque Cornejo  Spanish, Pen and light brown ink over black chalk underdrawing; composition outlined with traces of black chalk. On off-white paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Standing Figure Holding Cross, Pedro  Duque Cornejo  Spanish, Pen and dark brown ink over some traces of black chalk underdrawing
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Male Saint (an Apostle?) Standing on a Pedestal with Arms Extended (recto); Standing or Kneeling Male Saint (verso), Pedro  Duque Cornejo  Spanish, Pen and dark brown ink over black chalk underdrawing (recto); black chalk drawing in the same hand (verso). On off-white paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Visitation, Pedro  Duque Cornejo  Spanish, Pen and dark brown ink. Border line drawn along bottom of sheet and suggested at right side of sheet in pen and dark brown ink. On off-white paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1716–18
Virgin of the Immaculate Conception Standing on Clouds, Pedro  Duque Cornejo  Spanish, Pen and dark brown ink, over black chalk underdrawing. On off-white paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
The Annunciation (Angel Approaching from Left), Pedro  Duque Cornejo  Spanish, Black chalk, figure of angel reinforced with pen and light brown ink. Composition outlined in black chalk. On off-white paper
Attributed Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Holy Family, Pedro  Duque Cornejo  Spanish, Black chalk; composition outlined in black chalk along left and bottom. On off-white paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Kneeling Angel With Hands Outstretched, Pedro  Duque Cornejo  Spanish, Pen and dark brown ink on off-white paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Standing Female Figure with Large Medallion, Pedro  Duque Cornejo  Spanish, Pen and dark brown ink over black chalk underdrawing; composition outlined in black chalk. On off-white paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Saint Francis Borja, Pedro  Duque Cornejo  Spanish, Pen and dark brown ink over traces of black chalk underdrawing; ground line drawn with pen and brown ink. On off-white paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1731–33
Standing Figure of an Angel, Pedro  Duque Cornejo  Spanish, Pen and dark brown ink. On ivory paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Standing Male Saint (an Apostle?), Pedro  Duque Cornejo  Spanish, Pen and dark brown ink on ivory paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
The Flight into Egypt, Pedro  Duque Cornejo  Spanish, Pen and dark brown ink, brush and gray wash, over black chalk underdrawing.  Outline of arch-shaped composition in the same pen and brown ink. On off-white paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
The Annunciation, Pedro  Duque Cornejo  Spanish, Pen and dark brown ink. Composition outlined in same, by the artist. On ivory paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
The Annunciation, Pedro  Duque Cornejo  Spanish, Pen and dark brown ink. Composition outlined in the same, by the artist. On off-white paper
Attributed Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Standing Saint (Apostle?), Pedro  Duque Cornejo  Spanish, Pen and dark brown ink. Figure's left foot is reinforced with pen and black ink. On ivory paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Head of Christ, Pedro  Duque Cornejo  Spanish, Pen and dark brown ink. Some contours reinforced with pen and darker brown ink. On off-white paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Virgin of the Immaculate Conception Standing on Clouds, Pedro  Duque Cornejo  Spanish, Black chalk reinforced in places with pen and dark brown ink. On off-white paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Virgin of the Immaculate Conception Seated on Clouds, Supported by Four Angels, Pedro  Duque Cornejo  Spanish, Black chalk. Lower angel reinforced with pen and dark brown ink. Traces of outline in black chalk along left and right borders of the composition. On off-white paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
1700–50
The Annunciation (Angel Approaching From the Right), Pedro  Duque Cornejo  Spanish, Black chalk reinforced with traces of pen and light brown ink. Drawing continues over palimpsest in lower left corner. On off-white paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Two Figures of Evangelists Writing, Pedro  Duque Cornejo  Spanish, Pen and black ink, brush and gray wash, over black chalk underdrawing on ivory paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Saint Anthony of Padua, Pedro  Duque Cornejo  Spanish, Black chalk on ivory paper; framing lines in black chalk
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
1700–50
Saint Sebastian, Pedro  Duque Cornejo  Spanish, Black chalk underdrawing reinforced with pen and dark brown ink; composition outlined in black chalk. On ivory paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Standing Figure of an Evangelist, Pedro  Duque Cornejo  Spanish, Pen and dark brown ink on ivory paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Male Saint (Stanisław Kostka?) standing on clouds supported by putti, holding infant Christ, Pedro  Duque Cornejo  Spanish, Pen and dark brown ink over traces of black chalk underdrawing; ground line drawn in pen and dark brown ink. On off-white paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1731–33
Male Saint (Stanisław Kostka?) standing on clouds supported by putti, holding infant Christ, Pedro  Duque Cornejo  Spanish, Pen and dark brown ink with ground line in same. On off-white paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1731–33
Angel with Palm Seated on Clouds, Pedro  Duque Cornejo  Spanish, Pen and dark brown ink. On off-white paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
1700–50
Angel Seated on Clouds, Pedro  Duque Cornejo  Spanish, Pen and dark brown ink. On off-white paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Standing Saint (apostle?), Pedro  Duque Cornejo  Spanish, Pen and dark brown ink. On ivory paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Standing Saint (Apostle?), Pedro  Duque Cornejo  Spanish, Pen and dark brown ink. On ivory paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Standing Male Figure, Pedro  Duque Cornejo  Spanish, Pen and dark brown ink. On ivory paper
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50