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Bust of Pseudo-Seneca, Peter Paul Rubens , and Assistant (?) Flemish, Pen and brown ink over black chalk heightened with white, with brush and gray ink
Peter Paul Rubens
1600–1626
Atalanta and Meleager, Peter Paul Rubens  Flemish, Oil on wood
Peter Paul Rubens
ca. 1616
The Coronation of the Virgin, Peter Paul Rubens  Flemish, Oil on wood
Peter Paul Rubens
ca. 1632–33
The Feast of Acheloüs, Peter Paul Rubens  Flemish, Oil on wood
Peter Paul Rubens
and Jan Brueghel the Elder
ca. 1615
A Forest at Dawn with a Deer Hunt, Peter Paul Rubens  Flemish, Oil on wood
Peter Paul Rubens
ca. 1635
The Glorification of the Eucharist, Peter Paul Rubens  Flemish, Oil on wood
Peter Paul Rubens
ca. 1630–32
Study of Two Heads, Peter Paul Rubens  Flemish, Oil on wood
Peter Paul Rubens
ca. 1609
The Triumph of Henry IV, Peter Paul Rubens  Flemish, Oil on wood
Peter Paul Rubens
ca. 1630
Wolf and Fox Hunt, Peter Paul Rubens and Workshop Flemish, Oil on canvas
Peter Paul Rubens
ca. 1616
Descent from the Cross, Peter Paul Rubens  Flemish, Boxwood, Flemish
Based on a composition by Peter Paul Rubens
17th century
Venus and Adonis, Peter Paul Rubens  Flemish, Oil on canvas
Peter Paul Rubens
probably mid-1630s
Cambyses Appointing Otanes Judge, Peter Paul Rubens  Flemish, Oil on wood
Copy after Peter Paul Rubens
Frans Francken I (1542–1616), Peter Paul Rubens  Flemish, Oil on wood
Workshop of Peter Paul Rubens
Susanna and the Elders, Peter Paul Rubens  Flemish, Oil on wood
Workshop of Peter Paul Rubens
Virgin and Child, Peter Paul Rubens  Flemish, Oil on wood
Workshop of Peter Paul Rubens
The Consecration of Decius Mus, Antoine Sallaert  Flemish, Monotype
Antoine Sallaert
After Peter Paul Rubens
ca. 1620–50
Design for a Military Trophy, Jean Jacques Lagrenée  French, Pen and black ink, brush and brown wash, yellow gouache
Attributed to Jean Jacques Lagrenée
Former Attribution Formerly attributed to Anonymous, French, 18th century
Former Attribution Formerly attributed to studio of Peter Paul Rubens
1752–1821
Six Lions in Various Poses, Wenceslaus Hollar  Bohemian, Etching; only state
Etcher Wenceslaus Hollar
After Peter Paul Rubens
1646
Peter Paul Rubens (Petrus Paulus Rubenius), Wenceslaus Hollar  Bohemian, Etching; second state of two (NH)
Multiple artists/makers
1644–52
Martyrdom of Saint Lawrence, Lucas Vorsterman I  Flemish, Engraving; second state of two (Hollstein)
Lucas Vorsterman I
After Peter Paul Rubens
Dedicatee Lawrence Beyerlinck
1621
Assumption of the Virgin, Paulus Pontius  Flemish, Engraving
Engraver Paulus Pontius
After Peter Paul Rubens
1624
Alcibiades Interrupting the Symposium (recto); Sketches of the Baptism of Christ and of a Man (verso), Peter Paul Rubens  Flemish, Pen and brown ink, over black chalk
Peter Paul Rubens
Former Attribution Formerly attributed to Anthony van Dyck
ca. 1601–02 (recto); ca. 1601 (verso)
Presentation in the Temple, Peter Paul Rubens  Flemish, Pen, brush and brown ink on pale tan paper; reverse, black chalk and brown ink
Peter Paul Rubens
recto 1611; verso 1601-2
Personifications of the Nile, Indus, Tigris and Euphrates rivers, Anonymous, Flemish, 17th century  Flemish, Black chalk
Anonymous, Flemish, 17th century
After Peter Paul Rubens
n.d.
Martyrdom of Saint Lawrence, Peter Paul Rubens  Flemish, Black chalk, pen and brown ink, brush and brown wash, heightened with white; contours traced with stylus for transfer
Workshop of Peter Paul Rubens
Attributed to Anthony van Dyck
early 17th century
Battle Scene, Peter Paul Rubens  Flemish, Pen and brown ink, brush and brown wash, heightened with cream-coloured gouache, on brown paper
Workshop of Peter Paul Rubens
n.d.
Study of a Standing Female Saint, Peter Paul Rubens  Flemish, Brush and light brown wash, over a little black chalk, on light grayish paper; certain contours reinforced in pen and dark brown ink
Circle of Peter Paul Rubens
n.d.
Head of Silenus, Paul Cézanne  French, Black chalk, brush and light brown wash
Paul Cézanne
After Peter Paul Rubens
1855–1906
Three Warriors after Raphael, Anonymous, Italian, 16th century  Italian, Pen and brown ink, brush and brown wash, over black and red chalk, light brown and gray oil paint
Anonymous, Italian, 16th century
After Raphael (Raffaello Sanzio or Santi)
Retouched by Peter Paul Rubens
n.d.
Design for a Chimney Place and Study of a Nude Female Figure, Anonymous, Flemish, 17th century  Flemish, Pen and brown ink; framing lines in pen and brown ink
Anonymous, Flemish, 17th century
Former Attribution Peter Paul Rubens
n.d.
Massacre of the Innocents, Anonymous, Flemish, 18th century (?) Flemish, Red chalk
Anonymous, Flemish, 18th century
After Peter Paul Rubens
18th century (?)
Head of a Satyr (Silenus), Peter Paul Rubens  Flemish, Black chalk and brush and brown wash
Attributed to Peter Paul Rubens
ca. 1620–30
Head of Silenus, Peter Paul Rubens  Flemish, Black chalk on light brown paper
Circle of Peter Paul Rubens
early 17th century