Tickets
English
DonateMembership
Tickets

Search for Art

1-42 of 139 results
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Artist / culture
1
Object type / material
Match
 
Show results matching
selected filters.
Geographic location
Match
 
Show results matching
selected filters.
Department
Madonna of Loreto, within a niche with an angel on either side, Benoit Farjat French, Etching
Madonna of Loreto, within a niche with an angel on either side
Benoit Farjat
After Pietro Santi Bartoli
1650–1724
Figures from an Antique Frieze, after Bartoli, Eugène Delacroix French, Graphite
Figures from an Antique Frieze, after Bartoli
Eugène Delacroix
After Pietro Santi Bartoli
ca. 1822–26
Marcus Aurelius Surrounded by Horsemen, Soldiers, and Prisoners, Eugène Delacroix French, Pen and brown ink
Marcus Aurelius Surrounded by Horsemen, Soldiers, and Prisoners
Eugène Delacroix
After Pietro Santi Bartoli
ca. 1822–26
The Abduction of Theophane, after Bartoli (recto); Three Sketches of Theophane's Face (verso), Eugène Delacroix French, Pen and brown ink
The Abduction of Theophane, after Bartoli (recto); Three Sketches of Theophane's Face (verso)
Eugène Delacroix
After Pietro Santi Bartoli
ca. 1822–26
Perseus, Andromeda, and Apollo, after Bartoli, Eugène Delacroix French, Pen and brown ink
Perseus, Andromeda, and Apollo, after Bartoli
Eugène Delacroix
After Pietro Santi Bartoli
ca. 1822–26
Hylas and the Water Nymphs, Pietro Santi Bartoli Italian, Engraving
Hylas and the Water Nymphs
Pietro Santi Bartoli
After Giulio Romano
ca. 1635–1700
Admiranda romananum antiquitatum ac veteris sculpturae vestigia, Pietro Santi Bartoli Italian
Admiranda romananum antiquitatum ac veteris sculpturae vestigia
Pietro Santi Bartoli
After Giovanni Pietro Bellori
Publisher Giovanni Giacomo De Rossi
1693
Plate 5: figures unloading goods from a boat at the right, Pietro Santi Bartoli Italian, Etching
Plate 5: figures unloading goods from a boat at the right
Pietro Santi Bartoli
After Polidoro da Caravaggio
Publisher Giovanni Giacomo De Rossi
ca. 1660–90
Pluto, seen from behind, entering the Underwold on his chairot, Cereberus and three Furies to right, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua, Pietro Santi Bartoli Italian, Etching
Pluto, seen from behind, entering the Underwold on his chairot, Cereberus and three Furies to right, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua
Pietro Santi Bartoli
After Giulio Romano
ca. 1680
Gathering of various Olympian gods and mythological figures among clouds, Apollo at center with his lyre, Vulcan, Mercury, Hercules, and Hermes to right, various figures below, horses and attendants behind in center, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua, Pietro Santi Bartoli Italian, Etching
Gathering of various Olympian gods and mythological figures among clouds, Apollo at center with his lyre, Vulcan, Mercury, Hercules, and Hermes to right, various figures below, horses and attendants behind in center, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua
Pietro Santi Bartoli
After Giulio Romano
ca. 1680
A giant heaving a boulder at center, other giants to left and right struggling and recoiling against impending boulders, nude figures climbing rocks and struggling in the background, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua, Pietro Santi Bartoli Italian, Etching
A giant heaving a boulder at center, other giants to left and right struggling and recoiling against impending boulders, nude figures climbing rocks and struggling in the background, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua
Pietro Santi Bartoli
After Giulio Romano
ca. 1680
Giants crushed by rocks and the falling columns of the temple, clouds of smoke above, Poseidon in his chariot to left in the background, two spaces at left for doorways, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua, Pietro Santi Bartoli Italian, Etching
Giants crushed by rocks and the falling columns of the temple, clouds of smoke above, Poseidon in his chariot to left in the background, two spaces at left for doorways, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua
Pietro Santi Bartoli
After Giulio Romano
ca. 1680
Plate 7: a battle taking place between men in boats, Pietro Santi Bartoli Italian, Etching
Plate 7: a battle taking place between men in boats
Pietro Santi Bartoli
After Polidoro da Caravaggio
Publisher Giovanni Giacomo De Rossi
ca. 1660–90
Plate 8: battle between soldiers on a boat and naked men trying to climb in, a river god at right, Pietro Santi Bartoli Italian, Etching
Plate 8: battle between soldiers on a boat and naked men trying to climb in, a river god at right
Pietro Santi Bartoli
After Polidoro da Caravaggio
Publisher Giovanni Giacomo De Rossi
ca. 1660–90
Plate 6: figures in boats decorated with mythological subjects using poles to propel them, Pietro Santi Bartoli Italian, Etching
Plate 6: figures in boats decorated with mythological subjects using poles to propel them
Pietro Santi Bartoli
After Polidoro da Caravaggio
Publisher Giovanni Giacomo De Rossi
ca. 1660–60
Plate 4: animals transporting goods being led by figures going to the right, Pietro Santi Bartoli Italian, Etching
Plate 4: animals transporting goods being led by figures going to the right
Pietro Santi Bartoli
After Polidoro da Caravaggio
Publisher Giovanni Giacomo De Rossi
ca. 1660–90
Plate 1: A Procession, Pietro Santi Bartoli Italian, Etching
Plate 1: A Procession
Pietro Santi Bartoli
After Polidoro da Caravaggio
Publisher Giovanni Giacomo De Rossi
ca. 1660–90
Plate 2: various figures carrying out tasks that include tying a sack and loading a horse, Pietro Santi Bartoli Italian
Plate 2: various figures carrying out tasks that include tying a sack and loading a horse
Pietro Santi Bartoli
After Polidoro da Caravaggio
Publisher Giovanni Giacomo De Rossi
ca. 1660–90
L'Imperio Vendicato, Pietro Santi Bartoli Italian, Engraving
L'Imperio Vendicato
Pietro Santi Bartoli
After Carlo Maratti
1630–1700
Plate 3: various figures transporting materials, walking to the right, Pietro Santi Bartoli Italian, Etching
Plate 3: various figures transporting materials, walking to the right
Pietro Santi Bartoli
After Polidoro da Caravaggio
Publisher Giovanni Giacomo De Rossi
ca. 1660–90
Io at the left as a cow, Jupiter on a cloud in the centre and Juno at the right with putti holding an eagle captive in the lower right, Pietro Santi Bartoli Italian, Etching
Io at the left as a cow, Jupiter on a cloud in the centre and Juno at the right with putti holding an eagle captive in the lower right
Pietro Santi Bartoli
After Pietro Testa
1650–90
Moses receiving the tablets of the law on Mount Sinai, after Raphael's Stanza di Eliodoro, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries, Pietro Santi Bartoli Italian, Etching
Moses receiving the tablets of the law on Mount Sinai, after Raphael's Stanza di Eliodoro, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Pietro Santi Bartoli
After Raphael (Raffaello Sanzio or Santi)
Publisher Giovanni Giacomo De Rossi
1650–70
Christ speaking with Saint Peter, who kneels before him in adoration and with his hands joined in prayer, while the Apostles draw up their nets behind him, after Raphael's Stanza dell'incendio del Borgo, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries, Pietro Santi Bartoli Italian, Etching
Christ speaking with Saint Peter, who kneels before him in adoration and with his hands joined in prayer, while the Apostles draw up their nets behind him, after Raphael's Stanza dell'incendio del Borgo, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Pietro Santi Bartoli
After Raphael (Raffaello Sanzio or Santi)
Publisher Giovanni Giacomo De Rossi
1650–70
Christ appearing to Saint Peter after the Resurrection (Domine Quo Vadis), after Raphael's Stanza dell'incendio del Borgo, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries, Pietro Santi Bartoli Italian, Etching
Christ appearing to Saint Peter after the Resurrection (Domine Quo Vadis), after Raphael's Stanza dell'incendio del Borgo, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Pietro Santi Bartoli
After Raphael (Raffaello Sanzio or Santi)
Publisher Giovanni Giacomo De Rossi
1650–70
Saint Paul standing before the Proconsul, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries, Pietro Santi Bartoli Italian, Etching
Saint Paul standing before the Proconsul, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Pietro Santi Bartoli
After Raphael (Raffaello Sanzio or Santi)
Publisher Giovanni Giacomo De Rossi
1650–70
The Annunciation to the Virgin, Archangel Gabriel approaching from the left, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries, Pietro Santi Bartoli Italian, Etching
The Annunciation to the Virgin, Archangel Gabriel approaching from the left, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Pietro Santi Bartoli
After Raphael (Raffaello Sanzio or Santi)
Publisher Giovanni Giacomo De Rossi
1650–70
Two Biblical Scenes: The Apostles Showing Christ their Swords at left, after Raphael's Stanza della Segnatura and the Pope Celebrates Mass with Four Priests,after Raphael's Stanza di Eliodoro, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries, Pietro Santi Bartoli Italian, Etching
Two Biblical Scenes: The Apostles Showing Christ their Swords at left, after Raphael's Stanza della Segnatura and the Pope Celebrates Mass with Four Priests,after Raphael's Stanza di Eliodoro, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Pietro Santi Bartoli
After Raphael (Raffaello Sanzio or Santi)
Publisher Giovanni Giacomo De Rossi
1650–70
Plate 1: God Blessing on the Seventh Day, from Genesis Chapter 2, after a lost fresco in the basamento of Bay 1 of the Vatican Loggia, Pietro Santi Bartoli Italian, Etching
Plate 1: God Blessing on the Seventh Day, from Genesis Chapter 2, after a lost fresco in the basamento of Bay 1 of the Vatican Loggia
Pietro Santi Bartoli
After Raphael (Raffaello Sanzio or Santi)
Publisher Giovanni Giacomo De Rossi
1650–77
Plate 2: Cain and Abel from Genesis Chapter 4, after a lost fresco in the basamento of Bay 2 of the Vatican Loggia, Pietro Santi Bartoli Italian, Etching
Plate 2: Cain and Abel from Genesis Chapter 4, after a lost fresco in the basamento of Bay 2 of the Vatican Loggia
Pietro Santi Bartoli
After Raphael (Raffaello Sanzio or Santi)
Publisher Giovanni Giacomo De Rossi
1650–77
Plate 10: Three figures at left and two figures running at right, after a lost fresco in the basamento of Bay 9 in the Vatican Loggia, Pietro Santi Bartoli Italian, Etching
Plate 10: Three figures at left and two figures running at right, after a lost fresco in the basamento of Bay 9 in the Vatican Loggia
Pietro Santi Bartoli
After Raphael (Raffaello Sanzio or Santi)
Publisher Giovanni Giacomo De Rossi
1650–77
Plate 11: Bathsheba interceding with David for Solomon, from Genesis 27, after a lost fresco in the basamento of Bay 11 of the Vatican Loggia, Pietro Santi Bartoli Italian, Etching
Plate 11: Bathsheba interceding with David for Solomon, from Genesis 27, after a lost fresco in the basamento of Bay 11 of the Vatican Loggia
Pietro Santi Bartoli
After Raphael (Raffaello Sanzio or Santi)
Publisher Giovanni Giacomo De Rossi
1650–77
Plate 12: The Resurrection, after a lost fresco in the basamento of Bay 13 of the Vatican Loggia, Pietro Santi Bartoli Italian, Etching
Plate 12: The Resurrection, after a lost fresco in the basamento of Bay 13 of the Vatican Loggia
Pietro Santi Bartoli
After Raphael (Raffaello Sanzio or Santi)
Publisher Giovanni Giacomo De Rossi
1650–77
The naming of Saint Peter as Head of the Church, after Raphael's Stanza dell'incendio del Borgo, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries, Pietro Santi Bartoli Italian, Etching
The naming of Saint Peter as Head of the Church, after Raphael's Stanza dell'incendio del Borgo, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Pietro Santi Bartoli
After Raphael (Raffaello Sanzio or Santi)
Publisher Giovanni Giacomo De Rossi
1650–70
Saint Paul standing before the Proconsul, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries, Pietro Santi Bartoli Italian, Etching
Saint Paul standing before the Proconsul, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Pietro Santi Bartoli
After Raphael (Raffaello Sanzio or Santi)
Publisher Giovanni Giacomo De Rossi
1650–70
Two Biblical Scenes: Festus judging Saint Paul at left and Saint Paul Baptizing the Christians of Corinth at right, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries, Pietro Santi Bartoli Italian, Etching
Two Biblical Scenes: Festus judging Saint Paul at left and Saint Paul Baptizing the Christians of Corinth at right, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Pietro Santi Bartoli
After Raphael (Raffaello Sanzio or Santi)
Publisher Giovanni Giacomo De Rossi
1650–70
Plate 3: God Addressing Noah and his Sons, from Genesis Chapter 3, after a lost fresco in the basamento of Bay 13 of the Vatican Loggia, Pietro Santi Bartoli Italian, Etching
Plate 3: God Addressing Noah and his Sons, from Genesis Chapter 3, after a lost fresco in the basamento of Bay 13 of the Vatican Loggia
Pietro Santi Bartoli
After Raphael (Raffaello Sanzio or Santi)
Publisher Giovanni Giacomo De Rossi
1650–77
Title-page to a series of fifteen plates, with two lions over a scroll facing a ring rounded by three feathers, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries, Pietro Santi Bartoli Italian, Etching
Title-page to a series of fifteen plates, with two lions over a scroll facing a ring rounded by three feathers, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Pietro Santi Bartoli
After Raphael (Raffaello Sanzio or Santi)
Publisher Giovanni Giacomo De Rossi
1650–70
Moses parting the Red Sea as the Pharoah's army drowns, after Raphael's Stanza di Eliodoro, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries, Pietro Santi Bartoli Italian, Etching
Moses parting the Red Sea as the Pharoah's army drowns, after Raphael's Stanza di Eliodoro, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Pietro Santi Bartoli
After Raphael (Raffaello Sanzio or Santi)
Publisher Giovanni Giacomo De Rossi
1650–70
Joseph kneeling in front of the Pharoah, after Raphael's Stanza di Eliodoro, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries, Pietro Santi Bartoli Italian, Etching
Joseph kneeling in front of the Pharoah, after Raphael's Stanza di Eliodoro, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Pietro Santi Bartoli
After Raphael (Raffaello Sanzio or Santi)
Publisher Giovanni Giacomo De Rossi
1650–70
Two Biblical Scenes: Constantine donating the City of Rome to Pope Sylvester at left, after Raphael's Stanza di Eliodoro and The Judgement of Seleucids at right, after Raphael's Stanza della Segnatura, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries, Pietro Santi Bartoli Italian, Etching
Two Biblical Scenes: Constantine donating the City of Rome to Pope Sylvester at left, after Raphael's Stanza di Eliodoro and The Judgement of Seleucids at right, after Raphael's Stanza della Segnatura, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Pietro Santi Bartoli
After Raphael (Raffaello Sanzio or Santi)
Publisher Giovanni Giacomo De Rossi
1650–70
Plate 4: The Sacrifice of Abraham, from Genesis Chapter 22, after a lost fresco in the basamento of Bay 4 of the Vatican Loggia, Pietro Santi Bartoli Italian, Etching
Plate 4: The Sacrifice of Abraham, from Genesis Chapter 22, after a lost fresco in the basamento of Bay 4 of the Vatican Loggia
Pietro Santi Bartoli
After Raphael (Raffaello Sanzio or Santi)
Publisher Giovanni Giacomo De Rossi
1650–77
Plate 5: Isaac telling Esau to hunt for meat at left and Jacob and Rebekah at right, from Genesis 27, after a lost fresco in the basamento of Bay 5 of the Vatican Loggia, Pietro Santi Bartoli Italian, Etching
Plate 5: Isaac telling Esau to hunt for meat at left and Jacob and Rebekah at right, from Genesis 27, after a lost fresco in the basamento of Bay 5 of the Vatican Loggia
Pietro Santi Bartoli
After Raphael (Raffaello Sanzio or Santi)
Publisher Giovanni Giacomo De Rossi
1650–77