Visiting The Met? The Temple of Dendur will be closed Sunday, April 27 through Friday, May 9. The Met Fifth Avenue will be closed Monday, May 5.

Learn more
ticketsMember | Make a donation

Search The Collection

Filter By

Object Type / Material
Geographic Location
Date / Era
Department
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 66 results
Sort by:
The Last Judgment
Francesco Villamena
1603
Marsias (Marsias apud nobile quende), from "Speculum Romanae Magnificentiae"
Anonymous
16th century
Two Lovers with Pan, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Anonymous, Italian, 16th century
published ca. 1599–1622
A naked man (Ignudo), twisting towards the right, holding drapery, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel
Cherubino Alberti (Zaccaria Mattia)
1580–90
Man and Woman Sacrificing a Goat, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Anonymous, Italian, 16th century
published ca. 1599–1622
Warrior Pulling a Rider from His Horse, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Anonymous, Italian, 16th century
published ca. 1599–1622
Esculapius (Esculapius in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Anonymous
16th century
Envy or Avarice at the right being driven from the temple of the Muses by Hercules who raises a club, the muses watching from the left
Master of the Die
1530–60
Satyr (Satyrus in caedibus), from "Speculum Romanae Magnificentiae"
Anonymous
16th century
Hercules playing a lyre, a lionskin draped over his shoulder, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Anonymous, Italian, 16th century
published ca. 1599–1622
Figure on Seagoat; Man Carving Wing, from "Ex Antiquis Cameorum et Gemmae Delineata"
Anonymous, Italian, 16th century
published ca. 1599–1622
The victory of Scipio over Syphax
Master of the Die
1530–60
Hercules and Cerberus, from "Ex Antiquis Cameorum et Gemmae Delineata"
Anonymous, Italian, 16th century
published ca. 1599–1622
Allegorical thesis print with various figures, set in an architectural structure
Philippe Thomassin
1608
Apolinis (Apolinis in uiridario Magni Ducis Etruriae), from "Speculum Romanae Magnificentiae"
Anonymous
16th century
Diana (Diana Triuia in aedibus), from "Speculum Romanae Magnificentiae"
Anonymous
16th century
Man Grappling with Winged Horse, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Anonymous, Italian, 16th century
published ca. 1599–1622
Orpheus (Orpheus in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Anonymous
16th century
Figure with Pig and Serpent, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Anonymous, Italian, 16th century
published ca. 1599–1622
The Rape of Ganymede
Anonymous
1542–60
Two Women and Two Cupids, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Anonymous, Italian, 16th century
published ca. 1599–1622
Frontispiece to "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Anonymous, Italian, 16th century
published ca. 1599–1622
Aeneas carrying Anchises on his shoulders while Troy burns in the background
Master of the Die
1530–60
Daphne embracing her father, the river-god Peneus, at the left three nymphs bring jars from the 'Story of Apollo and Daphne'
Master of the Die
1530–60
Apollo (Apollo in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Anonymous
16th century
The Triumph of Scipio who rides on a horse followed by captured slaves
Master of the Die
1530–60
A Faun or Satyr Preparing a Pig for Sacrifice, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Anonymous, Italian, 16th century
published ca. 1599–1622
A Woman Collecting Blood from a Sheep, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Anonymous, Italian, 16th century
published ca. 1599–1622
Two Figures, a Faun, and a Satyr approach a Recliniing Woman, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Anonymous, Italian, 16th century
published ca. 1599–1622
The Entombment
Philippe Thomassin
1589
Man with Torch between Flaming Altar and Statuette, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Anonymous, Italian, 16th century
published ca. 1599–1622
Reclining Female Figure on a Chariot drawn by Two Centaurs, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Anonymous, Italian, 16th century
published ca. 1599–1622
Hercules (Hercules in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Anonymous
16th century
Bacchanale with Eight Figures, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Anonymous, Italian, 16th century
published ca. 1599–1622
Dance of the Muses, with Apollo at center and a musician at each end
Philippe Thomassin
1615
A naked man (Ignudo), seated and facing left, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel
Cherubino Alberti (Zaccaria Mattia)
1580–90
Aeneas carrying Anchises on his shoulders while Troy burns in the background
Master of the Die
1530–60
The sacrifice to Priapus who is in the form of a statue in the centre, Bacchus and a satyr at the left
Master of the Die
1530–60
Apollo seated at the right with a lyre on his knee, pointing to a kneeling man who is about to flay Marsyas who is tied naked to a tree at left
Master of the Die
1530–60
Head of Woman in Profile; Apollo and Daphne, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Anonymous, Italian, 16th century
published ca. 1599–1622