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The Emperor's Carpet, Silk (warp and weft), wool (pile); asymmetrically knotted pile — The Emperor's Carpet
second half 16th century

Astrolabe of ‘Umar ibn Yusuf ibn ‘Umar ibn ‘Ali ibn Rasul al-Muzaffari, ‘Umar ibn Yusuf ibn ‘Umar ibn ‘Ali ibn Rasul al-Muzaffari Yemini, Brass; cast and hammered, pierced, chased, inlaid with silver — Astrolabe of ‘Umar ibn Yusuf ibn ‘Umar ibn ‘Ali ibn Rasul al-Muzaffari
‘Umar ibn Yusuf ibn ‘Umar ibn ‘Ali ibn Rasul al-Muzaffari
dated 690 AH/1291 CE

Pierced Jug with Harpies and Sphinxes, Stonepaste; openwork, underglaze-painted, glazed in transparent turquoise — Pierced Jug with Harpies and Sphinxes
dated 612 AH/1215–16 CE

Brazier of Rasulid Sultan al-Malik al-Muzaffar Shams al-Din Yusuf ibn 'Umar, Brass; cast, chased, and inlaid with silver and black compound — Brazier of Rasulid Sultan al-Malik al-Muzaffar Shams al-Din Yusuf ibn 'Umar
second half 13th century

Tile with Floral and Cloud-band Design, Stonepaste; polychrome painted under transparent glaze — Tile with Floral and Cloud-band Design
ca. 1578

Armlet, Gold; filigree and granulation — Armlet
first half 11th century

Bowl Emulating Chinese Stoneware, Earthenware; painted in blue on opaque white glaze — Bowl Emulating Chinese Stoneware
9th century

'Lotto' Carpet, Wool (warp, weft and pile); symmetrically knotted pile — 'Lotto' Carpet
16th century

Standing Figure with Jeweled Headdress, Gypsum plaster; modeled, carved, polychrome-painted, gilded — Standing Figure with Jeweled Headdress
12th–early 13th century

Bowl with Green, Yellow, and Brown Splashed Decoration, Earthenware; white slip, incised and splashed with polychrome glazes under transparent glaze (sgraffito ware) — Bowl with Green, Yellow, and Brown Splashed Decoration
10th century

Khusrau and Shirin, Hatifi Iranian, active Istanbul, Main support: ink, opaque watercolor, and gold on paper; binding: leather — Khusrau and Shirin
Hatifi
Suzi
dated 904 AH/1498–99 CE

Mihrab (Prayer Niche), Mosaic of polychrome-glazed cut tiles on stonepaste body; set into mortar — Mihrab (Prayer Niche)
dated 755 AH/1354–55 CE

"The Feast of Sada", Folio 22v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi Iranian, Opaque watercolor, ink, silver, and gold on paper — "The Feast of Sada", Folio 22v from the Shahnama (Book of Kings) of Shah Tahmasp
Abu'l Qasim Firdausi
Sultan Muhammad
ca. 1525

"Isfandiyar's Third Course: He Slays a Dragon", Folio 434v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi Iranian, Opaque watercolor, ink, silver, and gold on paper — "Isfandiyar's Third Course: He Slays a Dragon", Folio 434v from the Shahnama (Book of Kings) of Shah Tahmasp
Abu'l Qasim Firdausi
Qasim ibn 'Ali
ca. 1530

Panel with Horse Heads, Wood (teak); carved — Panel with Horse Heads
11th century

"A King Offers to Make Amends to a Bereaved Mother", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Main support: Ink, opaque watercolor, gold on paper<br/>Margins: Gold on dyed paper — "A King Offers to Make Amends to a Bereaved Mother", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Amir Khusrau Dihlavi
Miskin
1597–98

"Bahram Gur Sees a Herd of Deer Mesmerized by Dilaram' s Music", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Main support: ink, opaque watercolor, and gold on paper<br/>Margins: gold on dyed paper — "Bahram Gur Sees a Herd of Deer Mesmerized by Dilaram' s Music", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Amir Khusrau Dihlavi
Miskin
1597–98

Morgan Casket, Ivory; carved — Morgan Casket
11th–12th century

Swan-Neck Glass Bottle, Glass, blue; dip-molded, blown, folded foot — Swan-Neck Glass Bottle
19th century

Carpet with Palm Trees, Ibexes, and Birds, Cotton (warp and weft), wool (pile); asymmetrically knotted pile — Carpet with Palm Trees, Ibexes, and Birds
late 16th–early 17th century

Mosque Lamp for the Mausoleum of Amir Aydakin al-'Ala'i al-Bunduqdar, Glass; blown, folded foot, applied handles, enameled, and gilded — Mosque Lamp for the Mausoleum of Amir Aydakin al-'Ala'i al-Bunduqdar
shortly after 1285

Dagger with Hilt in the Form of a Blue Bull (Nilgai), Hilt: Nephrite<br/>Blade: Watered steel — Dagger with Hilt in the Form of a Blue Bull (Nilgai)
ca. 1640

"The Angel Gabriel meets 'Amr ibn Zaid (the Shepherd)", Folio from a Siyer-i Nebi (the Life of the Prophet), Mustafa ibn Vali, Ink, opaque watercolor, and gold on paper — "The Angel Gabriel meets 'Amr ibn Zaid (the Shepherd)", Folio from a Siyer-i Nebi (the Life of the Prophet)
Multiple artists/makers
ca. 1595

Pyxis (Cylindrical Container), Stonepaste; luster-painted on incised, opaque white glaze — Pyxis (Cylindrical Container)
late 11th–early 12th century

"Jonah and the Whale", Folio Probably from a Jami al-Tavarikh (Compendium of Chronicles), Ink, opaque watercolor, gold, and silver on paper — "Jonah and the Whale", Folio Probably from a Jami al-Tavarikh (Compendium of Chronicles)
ca. 1400

Black Stork in a Landscape, Opaque watercolor on European paper — Black Stork in a Landscape
ca. 1780

Footed Bowl and Plate, Glass, opalescent white; blown, bowl with applied stem and blown applied foot, fired silver and gold decoration — Footed Bowl and Plate
first half 18th century

Calligraphic Galleon, 'Abd al-Qadir Hisari Turkish, Ink and gold on paper — Calligraphic Galleon
'Abd al-Qadir Hisari
dated 1180 AH/1766–67 CE

Goa Stone and Gold Case, Container: gold; pierced, repoussé, with cast legs and finials<br/>Goa stone: compound of organic and inorganic materials — Goa Stone and Gold Case
late 17th–early 18th century

Crescent-Shaped Pendant with Confronted Birds, Gold, cloisonné enamel, turquoise; filigree — Crescent-Shaped Pendant with Confronted Birds
11th century

"Shah Jahan on a Terrace, Holding a Pendant Set With His Portrait", Folio from the Shah Jahan Album, Chitarman Indian, Ink, opaque watercolor, and gold on paper — "Shah Jahan on a Terrace, Holding a Pendant Set With His Portrait", Folio from the Shah Jahan Album
Chitarman
recto: dated 1627–28; verso: ca. 1530–50

Pair of Minbar Doors, Wood (rosewood and mulberry); carved and inlaid with carved ivory, ebony, and other woods — Pair of Minbar Doors
ca. 1325–30

"Preparing Medicine from Honey", from a Dispersed Manuscript of an Arabic Translation of De Materia Medica of Dioscorides, 'Abdullah ibn al-Fadl, Ink, opaque watercolor, and gold on paper — "Preparing Medicine from Honey", from a Dispersed Manuscript of an Arabic Translation of De Materia Medica of Dioscorides
'Abdullah ibn al-Fadl
dated 621 AH/1224 CE

Animal-Spouted Pitcher, Earthenware; polychrome decoration under transparent glaze (buff ware) — Animal-Spouted Pitcher
9th–10th century

Tughra (Insignia) of Sultan Süleiman the Magnificent (r. 1520–66), Ink, opaque watercolor, and gold on paper — Tughra (Insignia) of Sultan Süleiman the Magnificent (r. 1520–66)
ca. 1555–60

Damascus Room, Wood (poplar) with gesso relief, gold and tin leaf, glazes and paint; wood (cypress, poplar, and mulberry), mother-of-pearl, marble and other stones, stucco with glass, plaster ceramic tiles, iron, brass — Damascus Room
dated 1119 AH/1707 CE

Panel from a Rectangular Box, Ivory; carved, inlaid with stone with traces of pigment — Panel from a Rectangular Box
10th–early 11th century

Kitab suwar al-kawakib al-thabita (Book of the Images of the Fixed Stars) of al-Sufi, `Abd al-Rahman al-Sufi Iranian, Ink and gold on paper; leather binding — Kitab suwar al-kawakib al-thabita (Book of the Images of the Fixed Stars) of al-Sufi
`Abd al-Rahman al-Sufi
late 15th century

"Farhad Carves a Milk Channel for Shirin", Folio 74 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper — "Farhad Carves a Milk Channel for Shirin", Folio 74 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE

Flower-Style Box with Drawers, Wood (poplar); overlaid with ebony inlaid with wood and incised, stained ivory — Flower-Style Box with Drawers
17th century