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Mihrab (Prayer Niche), Mosaic of polychrome-glazed cut tiles on stonepaste body; set into mortar
dated 755 AH/1354–55 CE
The Lovers, Riza-yi 'Abbasi  Iranian, Opaque watercolor, ink, and gold on paper
Painting by Riza-yi 'Abbasi
dated 1039 AH/1630 CE
"The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds), Habiballah of Sava  Iranian, Ink, opaque watercolor, gold, and silver on paper
Painting by Habiballah of Sava
Author Farid al-Din `Attar
ca. 1600
Man with Prayer Beads, Muhammad `Ali, Ink, transparent and opaque watercolor, and gold on paper
Painting by Muhammad `Ali
mid-17th century
Book of Prayers, Surat al-Yasin and Surat al-Fath, Ahmad Nairizi  Iranian, Ink, opaque watercolor, and gold on paper<br/>Binding: lacquer
Calligrapher Ahmad Nairizi
Illuminator (attributed to) Muhammad Hadi
dated 1132 AH/1719–20 CE
Reciting Poetry in a Garden, Stonepaste; polychrome glaze within black wax resist outlines (cuerda seca technique)
first quarter 17th century
Vase Carpet, Cotton (warp and weft), silk (weft), wool (weft and pile); asymmetrically knotted pile
late 16th–early 17th century
"Diana, Goddess of the Hunt", Folio from the Davis Album, 'Ali Quli Jabbadar  Iranian, Ink, opaque watercolor, and gold on paper
Attributed to 'Ali Quli Jabbadar
early 17th century
Shahnama (Book of Kings) of Firdausi, Mu'in Musavvir  Iranian, Ink, opaque watercolor, gold, and silver on paper
Painting by Mu'in Musavvir
Author Abu'l Qasim Firdausi
1660s
Lacquer Mirror Case, Fathallah Shirazi  Iranian, Papier-maché; painted, gilded, and lacquered
Painting by Fathallah Shirazi
dated 1295 AH/1878 CE
Study of a Bird, Riza-yi 'Abbasi  Iranian, Ink, opaque watercolor, gold, and silver on paper
Painting by Riza-yi 'Abbasi
dated 1043 AH/1634 CE
Folio from a Qur'an Manuscript, Muhammad al-Zanjani  Iranian, Ink, gold, and opaque watercolor on paper
Calligrapher Muhammad al-Zanjani
dated 531 AH/1137 CE
Mantiq al-Tayr (Language of the Birds), Farid al-Din `Attar  Iranian, Binding: doublure
Author Farid al-Din `Attar
Calligrapher Sultan 'Ali al-Mashhadi
ca. 1600
Tile Panel, Stonepaste; polychrome glazed within black wax resist outlines (cuerda seca technique)
first quarter 17th century
'Polonaise' Carpet, Cotton (warp and weft), silk (weft and pile), metal wrapped thread; asymmetrically knotted pile, brocaded
17th century
'Polonaise' Carpet, Cotton (warp and weft), silk (weft and pile), metal wrapped thread; asymmetrically knotted pile, brocaded
first half 17th century
Bowl with a Majlis Scene by a Pond, Abu Zayd al-Kashani  Iranian, Stonepaste; glazed in opaque turquoise, polychrome in-glaze- and overglaze- painted
Abu Zayd al-Kashani
dated 582 AH/1186 CE
Bowl, Abu Zayd al-Kashani  Iranian, Stonepaste; polychrome inglaze and overglaze painted on opaque monochrome glaze (mina'i)
Abu Zayd al-Kashani
dated 583 AH/1187 CE
Album Leaf with Calligraphic Exercise (siyah mashq), Asadullah Shirazi  Iranian, Ink, opaque watercolor, and gold on paper
Calligrapher Asadullah Shirazi
dated 1258 AH/1842–3 CE
Tombak, Brass, parchment, Iranian (Persian)
Iranian (Persian)
19th century
Shahnama (Book of Kings) of Firdausi, Abu'l Qasim Firdausi  Iranian, Opaque watercolor, ink, silver and gold on paper
Multiple artists/makers
1074–79 AH/1663–69 CE
Shahnama (Book of Kings) of Firdausi, Shah Muhammad of Sabzavar, Ink, opaque watercolor, and gold on paper
Calligrapher Shah Muhammad of Sabzavar
Author Abu'l Qasim Firdausi
17th century
A Gathering of Mythical Creatures around a Lotus Leaf, Mu'in Musavvir  Iranian, Watercolor and ink on paper
Mu'in Musavvir
dated Shawwal 1088 AH/1677 CE
Bound Manuscript of Hadith with Persian Translations by Jami, Shah Mahmud Nishapuri  Iranian, Manuscript: Ink, opaque watercolor, and gold on paper<br/>Binding: Leather, opaque watercolor, and gold
Calligrapher Shah Mahmud Nishapuri
Manuscript dated 935 AH/1528 CE; binding ca. 1575–1600
A Portrait of a Statesman, Yahya Ghaffari  Iranian, Opaque watercolor and ink on paper
Yahya Ghaffari
dated 1294 AH/1877 CE
Calligraphic Drawing 1 and 2, Untitled, Faramarz Pilaram  Iranian, Ink and acrylic on paper
Faramarz Pilaram
dated 1979