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Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of Jajarmi, Muhammad ibn Badr al-Din Jajarmi Iranian, Ink, opaque watercolor, and gold on paper
Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of Jajarmi
Author Muhammad ibn Badr al-Din Jajarmi
dated 741 AH/1340–41 CE
Mihrab (Prayer Niche), Mosaic of polychrome-glazed cut tiles on stonepaste body; set into mortar
Mihrab (Prayer Niche)
dated 755 AH/1354–55 CE
Garden Gathering, Stonepaste; painted and polychrome glazed (cuerda seca technique)
Garden Gathering
1640–50
The Lovers, Riza-yi 'Abbasi Iranian, Opaque watercolor, ink, and gold on paper
The Lovers
Painting by Riza-yi 'Abbasi
dated 1039 AH/1630 CE
"The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds), Habiballah of Sava Iranian, Ink, opaque watercolor, gold, and silver on paper
"The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds)
Painting by Habiballah of Sava
Author Farid al-Din `Attar
ca. 1600
Tile Panel, Stonepaste; polychrome glazed within black wax resist outlines (cuerda seca technique)
Tile Panel
first quarter 17th century
Man with Prayer Beads, Muhammad `Ali, Ink, transparent and opaque watercolor, and gold on paper
Man with Prayer Beads
Painting by Muhammad `Ali
mid-17th century
"Diana, Goddess of the Hunt", Folio from the Davis Album, 'Ali Quli Jabbadar Iranian, Ink, opaque watercolor, and gold on paper
"Diana, Goddess of the Hunt", Folio from the Davis Album
Attributed to 'Ali Quli Jabbadar
early 17th century
Vase Carpet, Cotton (warp and weft), silk (weft), wool (weft and pile); asymmetrically knotted pile
Vase Carpet
late 16th–early 17th century
'Polonaise' Carpet, Cotton (warp and weft), silk (weft and pile), metal wrapped thread; asymmetrically knotted pile, brocaded
'Polonaise' Carpet
first half 17th century
'Polonaise' Carpet, Cotton (warp and weft), silk (weft and pile), metal wrapped thread; asymmetrically knotted pile, brocaded
'Polonaise' Carpet
17th century
Man Holding a Bottle and a Cup, Ink, opaque watercolor, and gold on plaster
Man Holding a Bottle and a Cup
16th–17th century
"A Ruffian Spares the Life of a Poor Man", Folio 4v from a Mantiq al-Tayr (Language of the Birds), Farid al-Din `Attar Iranian, Ink, opaque watercolor, silver, and gold on paper
"A Ruffian Spares the Life of a Poor Man", Folio 4v from a Mantiq al-Tayr (Language of the Birds)
Author Farid al-Din `Attar
ca. 1600
"Shaikh San'an and the Christian Maiden", Folio 22v from a Mantiq al-Tayr (Language of the Birds), Farid al-Din `Attar Iranian, Opaque watercolor, silver, and gold on paper
"Shaikh San'an and the Christian Maiden", Folio 22v from a Mantiq al-Tayr (Language of the Birds)
Author Farid al-Din `Attar
ca. 1600
Bowl with a Majlis Scene by a Pond, Abu Zayd al-Kashani Iranian, Stonepaste; glazed in opaque turquoise, polychrome in-glaze- and overglaze- painted
Bowl with a Majlis Scene by a Pond
Abu Zayd al-Kashani
dated 582 AH/1186 CE
Bowl, Abu Zayd al-Kashani Iranian, Stonepaste; polychrome inglaze and overglaze painted on opaque monochrome glaze (mina'i)
Bowl
Abu Zayd al-Kashani
dated 583 AH/1187 CE
"Rustam Captures the Shah of Sham and the Shah of Berber", Folio from a Shahnama (Book of Kings) of Firdausi, Abu'l Qasim Firdausi Iranian, Ink, opaque watercolor, gold, and silver on paper
"Rustam Captures the Shah of Sham and the Shah of Berber", Folio from a Shahnama (Book of Kings) of Firdausi
Author Abu'l Qasim Firdausi
ca. 1330–40
"Caesar Gives his Daughter Katayun to Gushtasp", Folio from a Shahnama (Book of Kings) of Firdausi, Abu'l Qasim Firdausi Iranian, Ink, opaque watercolor, gold, and silver on paper
"Caesar Gives his Daughter Katayun to Gushtasp", Folio from a Shahnama (Book of Kings) of Firdausi
Author Abu'l Qasim Firdausi
ca. 1330–40
"Gushtasp Slays the Rhino-Wolf", Folio from a Shahnama (Book of Kings), Abu'l Qasim Firdausi Iranian, Ink, opaque watercolor, gold, and silver on paper
"Gushtasp Slays the Rhino-Wolf", Folio from a Shahnama (Book of Kings)
Author Abu'l Qasim Firdausi
ca. 1330–40
"Iskandar in the Presence of the Brahmins", Folio from a Shahnama (Book of Kings) of Firdausi, Abu'l Qasim Firdausi Iranian, Ink, opaque watercolor, gold, and silver on paper
"Iskandar in the Presence of the Brahmins", Folio from a Shahnama (Book of Kings) of Firdausi
Author Abu'l Qasim Firdausi
ca. 1330–40
Shahnama (Book of Kings) of Firdausi, Mu'in Musavvir Iranian, Ink, opaque watercolor, gold, and silver on paper
Shahnama (Book of Kings) of Firdausi
Painting by Mu'in Musavvir
Author Abu'l Qasim Firdausi
1660s
Lacquer Mirror Case, Fathallah Shirazi Iranian, Papier-maché; painted, gilded, and lacquered
Lacquer Mirror Case
Painting by Fathallah Shirazi
dated 1295 AH/1878 CE
Study of a Bird, Riza-yi 'Abbasi Iranian, Ink, opaque watercolor, gold, and silver on paper
Study of a Bird
Painting by Riza-yi 'Abbasi
dated 1043 AH/1634 CE
Folio from a Qur'an Manuscript, Muhammad al-Zanjani Iranian, Ink, gold, and opaque watercolor on paper
Folio from a Qur'an Manuscript
Calligrapher Muhammad al-Zanjani
dated 531 AH/1137 CE
Mantiq al-Tayr (Language of the Birds), Farid al-Din `Attar Iranian, Binding: doublure
Mantiq al-Tayr (Language of the Birds)
Author Farid al-Din `Attar
Calligrapher Sultan 'Ali al-Mashhadi
ca. 1600
Book of Prayers, Surat al-Yasin and Surat al-Fath, Ahmad Nairizi Iranian, Ink, opaque watercolor, and gold on paper<br/>Binding: lacquer
Book of Prayers, Surat al-Yasin and Surat al-Fath
Calligrapher Ahmad Nairizi
Illuminator (attributed to) Muhammad Hadi
dated 1132 AH/1719–20 CE
Reciting Poetry in a Garden, Stonepaste; polychrome glaze within black wax resist outlines (cuerda seca technique)
Reciting Poetry in a Garden
first quarter 17th century
Binding and Text-Block for the Mantiq al-Tayr (Language of the Birds), Farid al-Din `Attar Iranian, Binding: Leather, gold, and color; carved, impressed, and gilded<br/>Text-block: Ink, opaque watercolor, silver, and gold on paper
Binding and Text-Block for the Mantiq al-Tayr (Language of the Birds)
Author Farid al-Din `Attar
ca. 1600
Tile, Stonepaste; overglaze luster-painted, molded
Tile
second half 13th century
A Group of Mosaic Tilework Fragments, Stonepaste; polychrome glazed tiles, set into clay
A Group of Mosaic Tilework Fragments
last quarter 15th century
Seated Man in the Wilderness, Ink and gold on paper
Seated Man in the Wilderness
first half 17th century
Shahnama (Book of Kings) of Firdausi, Shah Muhammad of Sabzavar, Ink, opaque watercolor, and gold on paper
Shahnama (Book of Kings) of Firdausi
Calligrapher Shah Muhammad of Sabzavar
Author Abu'l Qasim Firdausi
17th century
Shahnama (Book of Kings) of Firdausi, Abu'l Qasim Firdausi Iranian, Opaque watercolor, ink, silver and gold on paper
Shahnama (Book of Kings) of Firdausi
Multiple artists/makers
1074–79 AH/1663–69 CE
Fragment of a Veil, Silk; embroidered
Fragment of a Veil
17th century
Brocade, Silk; brocaded
Brocade
ca. 1600
Vase Carpet, Cotton (warp and weft), wool (pile); asymmetrically knotted pile
Vase Carpet
17th century
Shrub Carpet, Cotton (warp), wool (weft and pile); asymmetrically knotted pile
Shrub Carpet
early 18th century
The Old man and the Youth, Riza-yi 'Abbasi Iranian, Ink, transparent and opaque watercolor, and gold on paper
The Old man and the Youth
Painting by Riza-yi 'Abbasi
Calligrapher Nur al-Din Muhammad Lahiji
second quarter 17th century
Textile Fragment, Cotton; printed
Textile Fragment
19th century
Lacquer Covers of the Davis Album, Papier-maché; painted in opaque watercolor and gold, and lacquered
Lacquer Covers of the Davis Album
dated 1217 AH/ 1802–3 CE
"Summer, from a Series of the Four Seasons", Folio from the Davis Album, 'Ali Quli Jabbadar Iranian, Ink, opaque watercolor, and gold on paper
"Summer, from a Series of the Four Seasons", Folio from the Davis Album
Attributed to 'Ali Quli Jabbadar
ca. 1660–70
"Portrait of a Persian Lady", Folio from the Davis Album, Ink, opaque watercolor, and gold on paper
"Portrait of a Persian Lady", Folio from the Davis Album
dated 1149 AH/1736–37 CE

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.