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The Refusal of Time, William Kentridge  South African, Five-channel digital video installation, black-and-white and color, sound, 30 min.; steel megaphones, and a breathing machine (“elephant”)
William Kentridge
2012
Mollo Oa Leifo – Mme (“fire in the hearth – Mother”), Atang Tshikare  South African, Singed beech wood and rubber wood, woven grass, textile, bronze, and glass beads
Atang Tshikare
2021
Mollo Oa Leifo – Ngoanana (“fire in the hearth – Girl”), Atang Tshikare  South African, Singed beech wood and rubber wood, woven grass, textile, bronze, and glass beads
Atang Tshikare
2021
Fat conical vase, Zizipho Poswa  South African, Glazed ceramic
Zizipho Poswa
Imiso Studio
2020
Imbizo Table, Chuma Maweni  South African, Carved glazed ceramic, carved and ebonized Kiaat wood
Chuma Maweni
2018–21
Imbizo Stool, Chuma Maweni  South African, Carved glazed ceramic
Chuma Maweni
2018–21
Imbizo Stool, Chuma Maweni  South African, Carved glazed ceramic
Chuma Maweni
2018–21
Magodi - Noxolo, Zizipho Poswa  South African, Glazed ceramic
Zizipho Poswa
2020
Umwonyo, Andile Dyalvane  South African, Glazed ceramic
Andile Dyalvane
2019
Sandi Conical Vase, Andile Dyalvane  South African, Glazed ceramic
Andile Dyalvane
Imiso Studio
2020
Handpinched Vase, Zizipho Poswa  South African, Glazed ceramic
Zizipho Poswa
Imiso Studio
2020
Handpinched Vase, Zizipho Poswa  South African, Glazed ceramic
Zizipho Poswa
Imiso Studio
2020
a: Man with Megaphone Cluster; b: Man with Megaphone, William Kentridge  South African, Set of two etchings and aquatint with blue crayon
William Kentridge
1998
Two Hands, Claudette Schreuders  South African, Jelutong wood and enamel paint
Claudette Schreuders
2010
Ensemble, Wool, cotton, metal, metal wrapped thread; embroidered
1875–1925
Figure: Male, Wood, Tsonga peoples
Tsonga peoples
19th–20th century
Wedding Dress, Cotton, silk; embroidered
1930s–40s
Horn, Ivory, Zulu
Zulu
ca. 1874
Walking Man, William Kentridge  South African, Linocut on paper
Multiple artists/makers
2000
Puppet Drawing, William Kentridge  South African, Torn and pasted black paper, pins, tape, and colored pencil on printed paper with handcoloring mounted on foam core board
William Kentridge
2000
Template for Puppet Drawing, William Kentridge  South African, Blue marker on tracing paper
William Kentridge
2000
Puppet Drawing, William Kentridge  South African, Torn and pasted black paper, pins, tape, and colored pencil on printed paper with handcoloring mounted on foam core board
William Kentridge
2000
Template for Puppet Drawing, William Kentridge  South African, Black marker on tracing paper
William Kentridge
2000
Casspirs Full of Love, William Kentridge  South African, Drypoint
William Kentridge
1989–2000
Zeno at 4 a.m., William Kentridge  South African, Set of 11 intaglio prints of various etching techniques on paper <br/><br/>a: Open-bite etching<br/>b: Etching, aquatint and open-bite<br/>c: Etching, aquatint and open-bite with burnishing<br/>d: Etching, aquatint, open-bite and drypoint<br/>e: Open-bite and etching<br/>f: Open-bite and aquatint<br/>g: Etching and aquatint<br/>h: Open-bite etching<br/>i: Etching, aquatint and roulet
Multiple artists/makers
2001
Initiatory Site, Karel Nel  South African, Pigmented earth and glue on fiber boards
Karel Nel
2002
Horn, Horn, Xhosa
Xhosa
late 19th century
Musical Bow, Bamboo, South African
South African
late 19th century
Samuius, Wood, metal, South African
South African
late 19th century
Tolo Tolo, Bamboo, wire, cord, Basuto Tribe
Basuto Tribe
late 19th century
Ankle Rattle, parchment, cocoons, South African
South African
mid-20th century
William Kentridge
2000
William Kentridge
2000
William Kentridge
1997
William Kentridge
1997
Nicholas Hlobo
2016
Marcus Ward & Company, Ltd.
after 1839
D. Isaacs & Co.
ca. 1897
Cussons, May & Co.
1870s (?)
William Kentridge
2000