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More than 10,000 results for set design

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Set Design, Pietro di Gottardo Gonzaga Italian, Pen and brown ink, brush and brown wash — Set Design
Pietro di Gottardo Gonzaga
n.d.

Stage Set Design, Anonymous, Italian, 18th century Italian, Pen and brown ink, brush and gray wash, over graphite and ruled construction — Stage Set Design
Anonymous, Italian, 18th century
18th century

Set design for Abstract Revue of Moving Surfaces (Mechanical Theater), Andor Weininger American, born Hungary, Graphite, watercolor, and pen and black ink with traces of red crayon on paper — Set design for Abstract Revue of Moving Surfaces (Mechanical Theater)
Andor Weininger
1923

Set design for "Decor-Paravent", Erté (Romain de Tirtoff) French, born Russia, Gouache and metallic paint — Set design for "Decor-Paravent"
Erté (Romain de Tirtoff)
1924

Set design for Shakespeare's Othello, Act 1, Alexandra Exter Russian, Pochoir; from an edition of 160 — Set design for Shakespeare's Othello, Act 1
Multiple artists/makers
1930

The hellmouth, set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching and engraving — The hellmouth, set design from 'Il Pomo D'Oro'
Mathäus Küsel
Ludovico Ottavio Burnacini
1668

Stage Set Design for a Ballet: Don Parasol, Carlo Ferrario Italian, Brush with watercolor and gouache, over graphite; partly squared in graphite — Stage Set Design for a Ballet: Don Parasol
Carlo Ferrario
1869

Stage set design for "The Queen of Sheba," 1928, Erté (Romain de Tirtoff) French, born Russia, Gouache and metallic paint — Stage set design for "The Queen of Sheba," 1928
Erté (Romain de Tirtoff)
1928

The Elysian Fields; set design from 'La Monarchia Latina Trionfante', Mathäus Küsel German, Etching — The Elysian Fields; set design from 'La Monarchia Latina Trionfante'
Mathäus Küsel
Ludovico Ottavio Burnacini
1678

Set Design for "Ballet Africain," George White's Scandals, New York, Erté (Romain de Tirtoff) French, born Russia, Gouache and metallic paint — Set Design for "Ballet Africain," George White's Scandals, New York
Erté (Romain de Tirtoff)
1924

Stage set design for "L'Arbre," George White's Scandals, New York, 1928, Erté (Romain de Tirtoff) French, born Russia, Gouache and metallic paint — Stage set design for "L'Arbre," George White's Scandals, New York, 1928
Erté (Romain de Tirtoff)
1928

Stage set design for "The Mask," George White's Scandals, New York, 1926, Erté (Romain de Tirtoff) French, born Russia, Gouache and metallic paint — Stage set design for "The Mask," George White's Scandals, New York, 1926
Erté (Romain de Tirtoff)
1926

Stage set design for "Spanish Scene," George White's Scandals, New York, 1926, Erté (Romain de Tirtoff) French, born Russia, Gouache and metallic paint — Stage set design for "Spanish Scene," George White's Scandals, New York, 1926
Erté (Romain de Tirtoff)
1926

Atrium of the Palace of Venus; set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching — Atrium of the Palace of Venus; set design from 'Il Pomo D'Oro'
Mathäus Küsel
Ludovico Ottavio Burnacini
1668

"Rideau Final," Set Design for "The Blues," George White's Scandals, New York,, Erté (Romain de Tirtoff) French, born Russia, Gouache and metallic paint — "Rideau Final," Set Design for "The Blues," George White's Scandals, New York,
Erté (Romain de Tirtoff)
1926

Stage Set Design of an Ancient Roman Ruin being Converted into a Barn, Johann Heinrich Ramberg German, Pen and black ink, watercolor, and with touches of pen and brown ink — Stage Set Design of an Ancient Roman Ruin being Converted into a Barn
Johann Heinrich Ramberg
late 18th–mid-19th century

Finale stage set design for "Victor Herbert," George White's Scandals, New York, 1928, Erté (Romain de Tirtoff) French, born Russia, Gouache and metallic paint — Finale stage set design for "Victor Herbert," George White's Scandals, New York, 1928
Erté (Romain de Tirtoff)
1928

"Rideau des Nuages," Set Design for "The Blues," George White's Scandals, New York,, Erté (Romain de Tirtoff) French, born Russia, Gouache and metallic paint — "Rideau des Nuages," Set Design for "The Blues," George White's Scandals, New York,
Erté (Romain de Tirtoff)
1926

Stage Set: Design for "The Golden Fables" (1926) George White's Scandals, New York, Erté (Romain de Tirtoff) French, born Russia, Gouache and metallic paint — Stage Set: Design for "The Golden Fables" (1926) George White's Scandals, New York
Erté (Romain de Tirtoff)
1926

Stage Set Design of Circular Ballroom with Chandelier (recto); Rough Sketch of Stage Design (verso), Salvador Alarma Tastás Spanish, Pen and dark brown ink, brush and brown wash, over graphite, highlighted with white gouache, on paper prepared with gray incidental color (recto); graphite on unprepared buff-colored paper (verso) — Stage Set Design of Circular Ballroom with Chandelier (recto); Rough Sketch of Stage Design (verso)
Salvador Alarma Tastás
1870–1941

Figures worshipping the statue of an armed figure; set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching — Figures worshipping the statue of an armed figure; set design from 'Il Pomo D'Oro'
Mathäus Küsel
Ludovico Ottavio Burnacini
1668

The Roman curia with guards in the anteroom; set design from 'Il Fuoco Eterno', Mathäus Küsel German, Etching — The Roman curia with guards in the anteroom; set design from 'Il Fuoco Eterno'
Mathäus Küsel
Ludovico Ottavio Burnacini
1674

Outline Drawing: Stage Set Design for a Performance of "Iphigenia". Verso: Two Designs for Palace Interiors., Fabrizio Galliari Italian, Pen and black ink, over black chalk or graphite. Verso: pen and dark brown ink over black chalk; separate design in black chalk — Outline Drawing: Stage Set Design for a Performance of "Iphigenia". Verso: Two Designs for Palace Interiors.
Fabrizio Galliari
1709–90

Stage Set Design: View of a Baldacchino seen through Rounded Arch with Pendentive and Column, Salvador Alarma Tastás Spanish, Black chalk over graphite on tan paper — Stage Set Design: View of a Baldacchino seen through Rounded Arch with Pendentive and Column
Salvador Alarma Tastás
1870–1941

Kingdom of Jove with the banquet of the gods; set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching — Kingdom of Jove with the banquet of the gods; set design from 'Il Pomo D'Oro'
Mathäus Küsel
Ludovico Ottavio Burnacini
1668

Figures gathered at a seaport as a ship arrives; set design from 'Il Fuoco Eterno', Mathäus Küsel German, Etching — Figures gathered at a seaport as a ship arrives; set design from 'Il Fuoco Eterno'
Mathäus Küsel
Ludovico Ottavio Burnacini
1674

Project for Mesoamerican Style Arch with Grotesques and Horns (recto); Sketch for a set design (verso), Salvador Alarma Tastás Spanish, Graphite on tan paper — Project for Mesoamerican Style Arch with Grotesques and Horns (recto); Sketch for a set design (verso)
Salvador Alarma Tastás
1870–1941

Stage Set Design: Interior of a Camouflaged African Shelter or Military Post with Carts and Bucrania, Salvador Alarma Tastás Spanish, Pen and black and gray ink, over traces of blue pencil; double framing lines in pen and black ink — Stage Set Design: Interior of a Camouflaged African Shelter or Military Post with Carts and Bucrania
Salvador Alarma Tastás
1870–1941

Set Design for the Ballet 'Papillons', performed at the Théâtre Nationale du Opéra in Paris, 1914, Mstislav Dobuzhinsky Russian, India ink and gouache — Set Design for the Ballet 'Papillons', performed at the Théâtre Nationale du Opéra in Paris, 1914
Mstislav Dobuzhinsky
[1914]

Amphitheater with two groups of soldiers running toward each other; set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching — Amphitheater with two groups of soldiers running toward each other; set design from 'Il Pomo D'Oro'
Mathäus Küsel
Ludovico Ottavio Burnacini
1668

Stage Set Design with Green and White Geometric Pattern for "Les Spectacles," George White's Scandals, New York, Erté (Romain de Tirtoff) French, born Russia, Gouache and metallic paint — Stage Set Design with Green and White Geometric Pattern for "Les Spectacles," George White's Scandals, New York
Erté (Romain de Tirtoff)
1928

Stage Set Design: A Square Hall with Rounded Archways and Cupola in Oriental Style with Thin Columns, Salvador Alarma Tastás Spanish, Black chalk on tan paper — Stage Set Design: A Square Hall with Rounded Archways and Cupola in Oriental Style with Thin Columns
Salvador Alarma Tastás
1870–1941

Marsh of Triton; figures battling as Minerva looks on from above; set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching — Marsh of Triton; figures battling as Minerva looks on from above; set design from 'Il Pomo D'Oro'
Mathäus Küsel
Ludovico Ottavio Burnacini
1668

"Finale" Angels Playing Harps, Trumpets and Lyres, Set Design for "The Blues," George White's Scandals, New York,, Erté (Romain de Tirtoff) French, born Russia, Gouache and metallic paint — "Finale" Angels Playing Harps, Trumpets and Lyres, Set Design for "The Blues," George White's Scandals, New York,
Erté (Romain de Tirtoff)
1926

Two women holding a banner at center as a phoenix rises above; set design from 'Il Fuoco Eterno', Mathäus Küsel German, Etching — Two women holding a banner at center as a phoenix rises above; set design from 'Il Fuoco Eterno'
Mathäus Küsel
Ludovico Ottavio Burnacini
1674

Landscape with two figures running along the bank of the river Xanto; set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching — Landscape with two figures running along the bank of the river Xanto; set design from 'Il Pomo D'Oro'
Mathäus Küsel
Ludovico Ottavio Burnacini
1668

Landscape with Shepherds, Set Design for the Ballet 'Daphnis and Chloé', performed at the Théâtre du Châtelet in Paris, 1912, Léon Bakst Russian, born present day Belarus, Watercolor — Landscape with Shepherds, Set Design for the Ballet 'Daphnis and Chloé', performed at the Théâtre du Châtelet in Paris, 1912
Léon Bakst
[1911]

Toilet set in original leather case, Fourteen identified German (Augsburg) goldsmiths and other German artisans; Japanese (Imari) porcelain maker, Gilt silver, hard-paste porcelain, cut glass, walnut, carved and partially gilt coniferous wood, blind-tooled and partially gilt leather, partially gilt steel and iron, textiles, moiré paper, hog's bristle, German, Augsburg — Toilet set in original leather case
Fourteen identified German (Augsburg) goldsmiths and other German artisans; Japanese (Imari) porcelain maker
ca. 1743–45

A group of young men dancing as the gods look on from above; set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching — A group of young men dancing as the gods look on from above; set design from 'Il Pomo D'Oro'
Mathäus Küsel
Ludovico Ottavio Burnacini
1668

Ring set with a mouse design amulet, Gold, glazed steatite — Ring set with a mouse design amulet
ca. 1479–1425 B.C.