Tickets
Deutsch
SpendenMitgliedschaft
Tickets
Wir arbeiten daran, diese Seite so schnell wie möglich zu übersetzen. Vielen Dank für Ihr Verständnis.

Search for Art

1-42 of 4,545 results for set design
Sort by:
Show only
Images
1
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Object type / material
Geographic location
Department
Set Design, Pietro di Gottardo Gonzaga Italian, Pen and brown ink, brush and brown wash
Set Design
Pietro di Gottardo Gonzaga
n.d.
Stage Set Design, Anonymous, Italian, 18th century Italian, Pen and brown ink, brush and gray wash, over graphite and ruled construction
Stage Set Design
Anonymous, Italian, 18th century
18th century
Set design for Abstract Revue of Moving Surfaces (Mechanical Theater), Andor Weininger American, born Hungary, Graphite, watercolor, and pen and black ink with traces of red crayon on paper
Set design for Abstract Revue of Moving Surfaces (Mechanical Theater)
Designer Andor Weininger
1923
Set design for "Decor-Paravent", Erté (Romain de Tirtoff) French, born Russia, Gouache and metallic paint
Set design for "Decor-Paravent"
Erté (Romain de Tirtoff)
1924
Scenic decoration for set design, Randolph Gunter American, Red, orange, blue and white tempera
Scenic decoration for set design
Randolph Gunter
1952
Set design for Shakespeare's Othello, Act 1, Alexandra Exter Russian, Pochoir; from an edition of 160
Set design for Shakespeare's Othello, Act 1
Alexandra Exter
Publisher Editions des Quatre Chemins
Subject William Shakespeare
1930
The hellmouth, set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching and engraving
The hellmouth, set design from 'Il Pomo D'Oro'
Mathäus Küsel
after Ludovico Ottavio Burnacini
1668
Stage Set Design for a Ballet: Don Parasol, Carlo Ferrario Italian, Brush with watercolor and gouache, over graphite; partly squared in graphite
Stage Set Design for a Ballet: Don Parasol
Carlo Ferrario
1869
Stage set design for "The Queen of Sheba," 1928, Erté (Romain de Tirtoff) French, born Russia, Gouache and metallic paint
Stage set design for "The Queen of Sheba," 1928
Erté (Romain de Tirtoff)
1928
Set Design for "Ballet Africain," George White's Scandals, New York, Erté (Romain de Tirtoff) French, born Russia, Gouache and metallic paint
Set Design for "Ballet Africain," George White's Scandals, New York
Erté (Romain de Tirtoff)
1924
The Elysian Fields; set design from 'La Monarchia Latina Trionfante', Mathäus Küsel German, Etching
The Elysian Fields; set design from 'La Monarchia Latina Trionfante'
Mathäus Küsel
after Ludovico Ottavio Burnacini
1678
Stage set design for "L'Arbre," George White's Scandals, New York, 1928, Erté (Romain de Tirtoff) French, born Russia, Gouache and metallic paint
Stage set design for "L'Arbre," George White's Scandals, New York, 1928
Erté (Romain de Tirtoff)
1928
Stage set design for "The Mask," George White's Scandals, New York, 1926, Erté (Romain de Tirtoff) French, born Russia, Gouache and metallic paint
Stage set design for "The Mask," George White's Scandals, New York, 1926
Erté (Romain de Tirtoff)
1926
Stage set design for "Spanish Scene," George White's Scandals, New York, 1926, Erté (Romain de Tirtoff) French, born Russia, Gouache and metallic paint
Stage set design for "Spanish Scene," George White's Scandals, New York, 1926
Erté (Romain de Tirtoff)
1926
"Rideau Final," Set Design for "The Blues," George White's Scandals, New York,, Erté (Romain de Tirtoff) French, born Russia, Gouache and metallic paint
"Rideau Final," Set Design for "The Blues," George White's Scandals, New York,
Erté (Romain de Tirtoff)
1926
Atrium of the Palace of Venus; set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching
Atrium of the Palace of Venus; set design from 'Il Pomo D'Oro'
Mathäus Küsel
after Ludovico Ottavio Burnacini
1668
Stage Set Design of Circular Ballroom with Chandelier (recto); Rough Sketch of Stage Design (verso), Salvador Alarma Tastás Spanish, Pen and dark brown ink, brush and brown wash, over graphite, highlighted with white gouache, on paper prepared with gray incidental color (recto); graphite on unprepared buff-colored paper (verso)
Stage Set Design of Circular Ballroom with Chandelier (recto); Rough Sketch of Stage Design (verso)
Salvador Alarma Tastás
1870–1941
Finale stage set design for "Victor Herbert," George White's Scandals, New York, 1928, Erté (Romain de Tirtoff) French, born Russia, Gouache and metallic paint
Finale stage set design for "Victor Herbert," George White's Scandals, New York, 1928
Erté (Romain de Tirtoff)
1928
Stage Set Design of an Ancient Roman Ruin being Converted into a Barn, Johann Heinrich Ramberg German, Pen and black ink, watercolor, and with touches of pen and brown ink
Stage Set Design of an Ancient Roman Ruin being Converted into a Barn
Johann Heinrich Ramberg
late 18th–mid-19th century
Stage Set: Design for "The Golden Fables" (1926) George White's Scandals, New York, Erté (Romain de Tirtoff) French, born Russia, Gouache and metallic paint
Stage Set: Design for "The Golden Fables" (1926) George White's Scandals, New York
Erté (Romain de Tirtoff)
1926
"Rideau des Nuages," Set Design for "The Blues," George White's Scandals, New York,, Erté (Romain de Tirtoff) French, born Russia, Gouache and metallic paint
"Rideau des Nuages," Set Design for "The Blues," George White's Scandals, New York,
Erté (Romain de Tirtoff)
1926
Figures worshipping the statue of an armed figure; set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching
Figures worshipping the statue of an armed figure; set design from 'Il Pomo D'Oro'
Mathäus Küsel
after Ludovico Ottavio Burnacini
1668
The Roman curia with guards in the anteroom; set design from 'Il Fuoco Eterno', Mathäus Küsel German, Etching
The Roman curia with guards in the anteroom; set design from 'Il Fuoco Eterno'
Mathäus Küsel
after Ludovico Ottavio Burnacini
1674
Outline Drawing: Stage Set Design for a Performance of "Iphigenia". Verso: Two Designs for Palace Interiors., Fabrizio Galliari Italian, Pen and black ink, over black chalk or graphite. Verso: pen and dark brown ink over black chalk; separate design in black chalk
Outline Drawing: Stage Set Design for a Performance of "Iphigenia". Verso: Two Designs for Palace Interiors.
Fabrizio Galliari
1709–90
Stage Set Design: View of a Baldacchino seen through Rounded Arch with Pendentive and Column, Salvador Alarma Tastás Spanish, Black chalk over graphite on tan paper
Stage Set Design: View of a Baldacchino seen through Rounded Arch with Pendentive and Column
Salvador Alarma Tastás
1870–1941
Figures gathered at a seaport as a ship arrives; set design from 'Il Fuoco Eterno', Mathäus Küsel German, Etching
Figures gathered at a seaport as a ship arrives; set design from 'Il Fuoco Eterno'
Mathäus Küsel
after Ludovico Ottavio Burnacini
1674
Kingdom of Jove with the banquet of the gods; set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching
Kingdom of Jove with the banquet of the gods; set design from 'Il Pomo D'Oro'
Mathäus Küsel
after Ludovico Ottavio Burnacini
1668
Stage Set Design: Interior of a Camouflaged African Shelter or Military Post with Carts and Bucrania, Salvador Alarma Tastás Spanish, Pen and black and gray ink, over traces of blue pencil; double framing lines in pen and black ink
Stage Set Design: Interior of a Camouflaged African Shelter or Military Post with Carts and Bucrania
Salvador Alarma Tastás
1870–1941
Set Design for the Ballet 'Papillons', performed at the Théâtre Nationale du Opéra in Paris, 1914, Mstislav Dobuzhinsky Russian, India ink and gouache
Set Design for the Ballet 'Papillons', performed at the Théâtre Nationale du Opéra in Paris, 1914
Mstislav Dobuzhinsky
[1914]
Project for Mesoamerican Style Arch with Grotesques and Horns (recto); Sketch for a set design (verso), Salvador Alarma Tastás Spanish, Graphite on tan paper
Project for Mesoamerican Style Arch with Grotesques and Horns (recto); Sketch for a set design (verso)
Salvador Alarma Tastás
1870–1941
Amphitheater with two groups of soldiers running toward each other; set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching
Amphitheater with two groups of soldiers running toward each other; set design from 'Il Pomo D'Oro'
Mathäus Küsel
after Ludovico Ottavio Burnacini
1668
Stage Set Design: A Square Hall with Rounded Archways and Cupola in Oriental Style with Thin Columns, Salvador Alarma Tastás Spanish, Black chalk on tan paper
Stage Set Design: A Square Hall with Rounded Archways and Cupola in Oriental Style with Thin Columns
Salvador Alarma Tastás
1870–1941
Stage Set Design with Green and White Geometric Pattern for "Les Spectacles," George White's Scandals, New York, Erté (Romain de Tirtoff) French, born Russia, Gouache and metallic paint
Stage Set Design with Green and White Geometric Pattern for "Les Spectacles," George White's Scandals, New York
Erté (Romain de Tirtoff)
1928
"Finale" Angels Playing Harps, Trumpets and Lyres, Set Design for "The Blues," George White's Scandals, New York,, Erté (Romain de Tirtoff) French, born Russia, Gouache and metallic paint
"Finale" Angels Playing Harps, Trumpets and Lyres, Set Design for "The Blues," George White's Scandals, New York,
Erté (Romain de Tirtoff)
1926
Marsh of Triton; figures battling as Minerva looks on from above; set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching
Marsh of Triton; figures battling as Minerva looks on from above; set design from 'Il Pomo D'Oro'
Mathäus Küsel
after Ludovico Ottavio Burnacini
1668
Landscape with two figures running along the bank of the river Xanto; set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching
Landscape with two figures running along the bank of the river Xanto; set design from 'Il Pomo D'Oro'
Mathäus Küsel
after Ludovico Ottavio Burnacini
1668
Two women holding a banner at center as a phoenix rises above; set design from 'Il Fuoco Eterno', Mathäus Küsel German, Etching
Two women holding a banner at center as a phoenix rises above; set design from 'Il Fuoco Eterno'
Mathäus Küsel
after Ludovico Ottavio Burnacini
1674
Landscape with Shepherds, Set Design for the Ballet 'Daphnis and Chloé', performed at the Théâtre du Châtelet in Paris, 1912, Léon Bakst Russian, born present day Belarus, Watercolor
Landscape with Shepherds, Set Design for the Ballet 'Daphnis and Chloé', performed at the Théâtre du Châtelet in Paris, 1912
Léon Bakst
[1911]
Toilet set in original leather case, Fourteen identified German (Augsburg) goldsmiths and other German artisans; Japanese (Imari) porcelain maker, Gilt silver, hard-paste porcelain, cut glass, walnut, carved and partially gilt coniferous wood, blind-tooled and partially gilt leather, partially gilt steel and iron, textiles, moiré paper, hog's bristle, German, Augsburg
Toilet set in original leather case
Fourteen identified German (Augsburg) goldsmiths and other German artisans; Japanese (Imari) porcelain maker
ca. 1743–45
Landscape, possibly a detail of the Set Design for the Ballet 'Narcisse', premiered at the Théâtre de Monte Carlo, 1911, Léon Bakst Russian, born present day Belarus, Gouache and graphite
Landscape, possibly a detail of the Set Design for the Ballet 'Narcisse', premiered at the Théâtre de Monte Carlo, 1911
Léon Bakst
[1911]
A group of young men dancing as the gods look on from above; set design from 'Il Pomo D'Oro', Mathäus Küsel German, Etching
A group of young men dancing as the gods look on from above; set design from 'Il Pomo D'Oro'
Mathäus Küsel
after Ludovico Ottavio Burnacini
1668
Ring set with a mouse design amulet, Gold, glazed steatite
Ring set with a mouse design amulet
ca. 1479–1425 B.C.