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Showing 1,301 results for Massimo Vignelli
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Tumbler, Massimo Vignelli American, born Italy, Glass
Tumbler
Massimo Vignelli
Venini S.p.a.
1957
Tumbler
Multiple artists/makers
1979
Dessert fork, Lella Vignelli American, Silverplate
Dessert fork
Lella Vignelli
Massimo Vignelli
1979
Soup spoon, Lella Vignelli American, Silverplate
Soup spoon
Lella Vignelli
Massimo Vignelli
1979
Dinner fork, Lella Vignelli American, Silverplate
Dinner fork
Lella Vignelli
Massimo Vignelli
1979
Dessert spoon, Lella Vignelli American, Silver plate
Dessert spoon
Lella Vignelli
Massimo Vignelli
1979
Dinner knife, Lella Vignelli American, Silverplate
Dinner knife
Lella Vignelli
Massimo Vignelli
1979
Butter knife, Lella Vignelli American, Silverplate
Butter knife
Lella Vignelli
Massimo Vignelli
1979
"Metafora #2" Block set, Lella Vignelli American, Travertine marble
"Metafora #2" Block set
Multiple artists/makers
1979
Cup and saucer, Lella Vignelli American, Poly(styrene / acrylonitrile) plastic
Cup and saucer
Multiple artists/makers
1970
Cup and saucer, Lella Vignelli American, Plastic
Cup and saucer
Multiple artists/makers
1970
"Brocchetta Rigata" (Striped Ewer) Carafe, Lella Vignelli American, Sterling silver
"Brocchetta Rigata" (Striped Ewer) Carafe
Multiple artists/makers
1971
Carafe
Lella Vignelli
Massimo Vignelli
1979
Tumbler
Lella Vignelli
Massimo Vignelli
1979
Knoll International Poster
Massimo Vignelli
1967
Judith with the Head of Holofernes, Massimo Stanzione Italian, Oil on canvas
Judith with the Head of Holofernes
Massimo Stanzione
ca. 1640
The Silent Witness and Other Poems
Multiple artists/makers
1980
Black Vase
Massimo Micheluzzi
2002
Famille Massimo, Rome, Patrick Faigenbaum French, Gelatin silver print
Famille Massimo, Rome
Patrick Faigenbaum
1986, printed 1987
Palazzo Massimo alle Colonne, plan (recto); Palazzo Massimo alle Colonne, façade, details and fireplace (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
Palazzo Massimo alle Colonne, plan (recto); Palazzo Massimo alle Colonne, façade, details and fireplace (verso)
Anonymous, French, 16th century
early to mid-16th century
Famille Massimo, Rome
Patrick Faigenbaum
1986, printed 1987
Woman at Loom
Massimo Campigli
Guilde de la Gravure
1951
Two Dancers
Massimo Campigli
1965
Palazzo Massimo alle Colonne, elevation (recto) Palazzo Massimo alle Colonne, portal, elevation; portal entablature, profile (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
Palazzo Massimo alle Colonne, elevation (recto) Palazzo Massimo alle Colonne, portal, elevation; portal entablature, profile (verso)
Anonymous, French, 16th century
early to mid-16th century
Palazzo Massimo alle Colonne, fireplace, details; Unknown, cornice, profile (recto) Palazzo Massimo alle Colonne, door and window, details (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
Palazzo Massimo alle Colonne, fireplace, details; Unknown, cornice, profile (recto) Palazzo Massimo alle Colonne, door and window, details (verso)
Anonymous, French, 16th century
early to mid-16th century
Palazzo Massimo alle Colonne, cortile, section (recto) Palazzo Massimo alle Colonne , first story loggia entablature, profile section and column shaft (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
Palazzo Massimo alle Colonne, cortile, section (recto) Palazzo Massimo alle Colonne , first story loggia entablature, profile section and column shaft (verso)
Anonymous, French, 16th century
early to mid-16th century
Design for a Painted Wall Decoration for Palazzo Massimo all'Aracoeli (Rome), Basilio Briccio Italian, Pen and ink with green and gray wash, highlighted with white gouache
Design for a Painted Wall Decoration for Palazzo Massimo all'Aracoeli (Rome)
Basilio Briccio
1683
Meleager hunts the wild boar of Caledon, Bernardino Capitelli Italian, Etching
Meleager hunts the wild boar of Caledon
Bernardino Capitelli
ca. 1633
Palazzo Massimo alle Colonne, portico, elevation; portal, cornice, section; portal bracket, detail; fireplace, detail (recto) blank (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
Palazzo Massimo alle Colonne, portico, elevation; portal, cornice, section; portal bracket, detail; fireplace, detail (recto) blank (verso)
Anonymous, French, 16th century
early to mid-16th century
Palazzo Massimo alle Colonne, entablature, elevation (recto); Portico, Doric capital and entablature, elevation and Unknown, Corinthian cornice, elevation (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
Palazzo Massimo alle Colonne, entablature, elevation (recto); Portico, Doric capital and entablature, elevation and Unknown, Corinthian cornice, elevation (verso)
Anonymous, French, 16th century
early to mid-16th century
Plate depicting Domenico de Massimo, from a series of twelve showing knights and their attendants dressed for a tournament (plate 4), Anonymous, Etching
Plate depicting Domenico de Massimo, from a series of twelve showing knights and their attendants dressed for a tournament (plate 4)
Anonymous
1565
Plate 2: Two female figures, one dancing and one playing the tambourine, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie
Multiple artists/makers
1650–77
Plate 3: Two female figures dancing together, holding right hands, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie
Multiple artists/makers
1650–77
Plate 4: Two female figures dancing together, holding right hands, the one on the left holding a wreath, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie
Multiple artists/makers
1650–77
Plate 5: Two draped female figures holding hands, the one on the left with her back to the viewer, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie
Multiple artists/makers
1650–77
Plate 6: Two female figures at left and three nude figures supporting an urn at right, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie
Multiple artists/makers
1650–77
Plate 7: Two female figures dancing and holding right hands, the one on the left with her left hand raised, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie
Multiple artists/makers
1650–77
Plate 8: Two female figures holding left hands with three satyrs at right, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie
Multiple artists/makers
1650–77
Plate 9: Two female figures dancing, the one on the right holding out both of her hands to hold the one on the left's right hand, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie
Multiple artists/makers
1650–77
Plate 10: A draped female figure greeting a man representing Concordia, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie
Multiple artists/makers
1650–77