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1-42 of 56 results for "immaculate conception"
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The Immaculate Conception, Guido Reni Italian, Oil on canvas
The Immaculate Conception
Guido Reni
1627
Nun’s Badge with the Virgin of the Immaculate Conception, Nicolás Rodríguez Juárez Mexican, Oil and gold on copper; tortoiseshell and silver frame, Mexican
Nun’s Badge with the Virgin of the Immaculate Conception
Nicolás Rodríguez Juárez
ca. 1710
Virgin of the Immaculate Conception, Fulda Pottery and Porcelain Manufactory German, Hard-paste porcelain, German, Fulda
Virgin of the Immaculate Conception
Manufactory Fulda Pottery and Porcelain Manufactory
Modeler Wenzel Neu
ca. 1781
Virgin of the Immaculate Conception, Lorenzo Vaccaro Italian, Bronze, fire-gilt; polychromy, silver, Italian, Naples
Virgin of the Immaculate Conception
Probably after a model by Lorenzo Vaccaro
late 17th century
The Virgin of the Immaculate Conception, Ivory, partly gilded and polychromed; halo: silver; eyes: glass, Hispano-Philippine
The Virgin of the Immaculate Conception
Hispano-Philippine
18th century
Crown of the Virgin of the Immaculate Conception, known as the Crown of the Andes, Gold, repoussé and chased; emeralds, Colombian; Popayán
Crown of the Virgin of the Immaculate Conception, known as the Crown of the Andes
Colombian; Popayán
Ca. 1660 (diadem) and ca. 1770 (arches)
Pendant with the Virgin of the Immaculate Conception, Gold, enamel and pearls., Spanish
Pendant with the Virgin of the Immaculate Conception
Spanish
first third of the 17th century
Virgin of the Immaculate Conception, Gilt bronze, Spanish
Virgin of the Immaculate Conception
Spanish
ca. 1600
The Immaculate Conception, Andrea Schiavone (Andrea Meldola) Italian, Etching
The Immaculate Conception
Andrea Schiavone (Andrea Meldola)
ca. 1539–43
The Immaculate Conception, Lorenzo Tiepolo Italian, Etching
The Immaculate Conception
Lorenzo Tiepolo
After Giovanni Battista Tiepolo
ca. 1770
Allegory of the Immaculate Conception, Giovanni Battista Gaulli (Il Baciccio) Italian, Pen and brown ink, brush and gray wash. Squared in black chalk
Allegory of the Immaculate Conception
Giovanni Battista Gaulli (Il Baciccio)
1639–1709
Virgin of the Immaculate Conception, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink over traces of black chalk underdrawing. Outlines of composition later ruled in graphite. On off-white paper
Virgin of the Immaculate Conception
Anonymous, Spanish, School of Seville, 17th century
17th century
Allegory of the Immaculate Conception, Grégoire Huret French, Engraving
Allegory of the Immaculate Conception
Grégoire Huret
17th century
Virgin and Child (The Immaculate Conception), Diana Scultori Italian
Virgin and Child (The Immaculate Conception)
Diana Scultori
n.d.
Pilgrim's badge, Champlevé enamel on brass, partly gilt, Spanish, probably Toledo
Pilgrim's badge
Spanish, probably Toledo
first half 17th century
Pilgrim's badge, Champlevé enamel on brass, partly gilt, Spanish, probably Toledo
Pilgrim's badge
Spanish, probably Toledo
first half 17th century
The Immaculate Conception
R. Maxil Ballinger
1947
Virgin of the Immaculate Conception Standing on Clouds, Pedro Duque Cornejo Spanish, Black chalk reinforced in places with pen and dark brown ink. On off-white paper
Virgin of the Immaculate Conception Standing on Clouds
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Virgin of the Immaculate Conception Standing on Clouds, Pedro Duque Cornejo Spanish, Pen and dark brown ink, over black chalk underdrawing. On off-white paper
Virgin of the Immaculate Conception Standing on Clouds
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Virgin of the Immaculate Conception Standing on Clouds, Pedro Duque Cornejo Spanish, Pen and dark brown ink, with brush and gray wash, over black chalk underdrawing. On off-white paper
Virgin of the Immaculate Conception Standing on Clouds
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Virgin of the Immaculate Conception Standing on Clouds, Pedro Duque Cornejo Spanish, Black chalk reinforced with pen and dark brown ink; composition outlined with black chalk. On off-white paper
Virgin of the Immaculate Conception Standing on Clouds
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Virgin of the Immaculate Conception Standing on Clouds, Pedro Duque Cornejo Spanish, Pen and light brown ink over black chalk underdrawing; composition outlined with traces of black chalk. On off-white paper
Virgin of the Immaculate Conception Standing on Clouds
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
The Holy Family with Saints Anne and Joachim, Diego de Pesquera Spanish, Wood, painted and gilt, Spanish, Granada
The Holy Family with Saints Anne and Joachim
Diego de Pesquera
1567–68
Virgin and Child, Netherlandish (Antwerp) Painter Netherlandish, Tempera and gold on linen
Virgin and Child
Netherlandish (Antwerp) Painter
Pendant, Gold, enamel, pearls, probably Spanish or Mexican
Pendant
probably Spanish or Mexican
17th century
Pendant with the Coronation of the Virgin, Elephant ivory and gilded silver, North Netherlandish
Pendant with the Coronation of the Virgin
North Netherlandish
1450–1500
Allegory of the Immaculate Conception with the Fall of Man, Alessandro Turchi Italian, Pen and brown ink, brown wash, over traces of black chalk
Allegory of the Immaculate Conception with the Fall of Man
Alessandro Turchi
1578–1649
The Virgin of the Immaculate Conception
Engraver James McArdell
After Bartolomé Estebán Murillo
1746–65
Virgin of the Immaculate Conception Seated on Clouds, Supported by Four Angels, Pedro Duque Cornejo Spanish, Black chalk. Lower angel reinforced with pen and dark brown ink. Traces of outline in black chalk along left and right borders of the composition. On off-white paper
Virgin of the Immaculate Conception Seated on Clouds, Supported by Four Angels
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
1700–50
Virgin and Child, Ivory, German or Netherlandish
Virgin and Child
German or Netherlandish
late 16th century
The Virgin of the Immaculate Conception standing on a serpent and a moon, Anonymous, Etching (possibly a re-strike)
The Virgin of the Immaculate Conception standing on a serpent and a moon
Anonymous
ca. 1870–1920
Design for an Altar with the Virgin of the Immaculate Conception in the Center, Anonymous, Spanish, 17th century Spanish, Pen and brown ink with brush and brown wash over black chalk
Design for an Altar with the Virgin of the Immaculate Conception in the Center
Anonymous, Spanish, 17th century
17th century
The Virgin Immaculate and Four Male Saints (Study for The Dispute over the Immaculate Conception), Carlo Maratti Italian, Red chalk on beige paper
The Virgin Immaculate and Four Male Saints (Study for The Dispute over the Immaculate Conception)
Carlo Maratti
1625–1713
Portrait of Sor Juana de Nuestra Señora de Guadalupe, Domingo Ortiz Mexican, Oil on canvas, New Spain (present-day Mexico)
Portrait of Sor Juana de Nuestra Señora de Guadalupe
Domingo Ortiz
1797
Immaculate Conception Church from Albuquerque, New Mexico souvenir views (W500)
ca. 1920–30
Halved Variant Designs for an Altar with the Virgin of the Immaculate Conception in the Central Cartouche, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and gray wash over graphite; ruled and compass constructions in stylus-incised; partly reworked in pen and black ink
Halved Variant Designs for an Altar with the Virgin of the Immaculate Conception in the Central Cartouche
Anonymous, Italian, Piedmontese, 18th century
1700–1780
The Virgin Immaculate with the Four Doctors of the Church, Study for the Dispute over the Immaculate Conception, Carlo Maratti Italian, Pen and brown ink, red chalk, and a trace of brush and red wash
The Virgin Immaculate with the Four Doctors of the Church, Study for the Dispute over the Immaculate Conception
Carlo Maratti
1625–1713
The Virgin in Glory, standing on clouds and surrounded by angels holding the symbols of the Immaculate Conception, Cornelis Galle I Netherlandish, Engraving
The Virgin in Glory, standing on clouds and surrounded by angels holding the symbols of the Immaculate Conception
Cornelis Galle I
After Bernardo Castello
Publisher Theodoor Galle
1595–1633
The Fathers of the Church Disputing the Christian Doctrine of the Immaculate Conception
After Guido Reni
Artist and engraver Johann Jakob Frey the Elder
Publisher John Boydell
ca. 1722
Rebus on the 1614–15 couplets by Miguel Cid pertaining to the Immaculate Conception
Anonymous, Spanish, 19th century
ca. 1750–1850
Saint Bonaventure and Saint Anthony of Padua, Basilio Santa Cruz Pumacallao Peruvian, Oil on canvas, Peru (Cuzco)
Saint Bonaventure and Saint Anthony of Padua
Follower of Basilio Santa Cruz Pumacallao
ca. 1670–90
Pendant with the Virgin and Child, Enameled gold set with diamonds and a ruby, Spanish
Pendant with the Virgin and Child
Spanish
probably first half 17th century