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Showing 58 results for "immaculate conception"

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The Immaculate Conception, Guido Reni Italian, Oil on canvas — The Immaculate Conception
Guido Reni
1627

Nun’s Badge with the Virgin of the Immaculate Conception, Nicolás Rodríguez Juárez Mexican, Oil and gold on copper; tortoiseshell and silver frame, Mexican — Nun’s Badge with the Virgin of the Immaculate Conception
Nicolás Rodríguez Juárez
ca. 1710

Virgin of the Immaculate Conception, Fulda Pottery and Porcelain Manufactory German, Hard-paste porcelain, German, Fulda — Virgin of the Immaculate Conception
Fulda Pottery and Porcelain Manufactory
Wenzel Neu
ca. 1781

Virgin of the Immaculate Conception, Lorenzo Vaccaro Italian, Bronze, fire-gilt; polychromy, silver, Italian, Naples — Virgin of the Immaculate Conception
Lorenzo Vaccaro
late 17th century

The Virgin of the Immaculate Conception, Ivory, partly gilded and polychromed; halo: silver; eyes: glass, Hispano-Philippine — The Virgin of the Immaculate Conception
Hispano-Philippine
18th century

Crown of the Virgin of the Immaculate Conception, known as the Crown of the Andes, Gold, repoussé and chased; emeralds, Colombian; Popayán — Crown of the Virgin of the Immaculate Conception, known as the Crown of the Andes
Colombian; Popayán
Ca. 1660 (diadem) and ca. 1770 (arches)

Pendant with the Virgin of the Immaculate Conception, Gold, enamel and pearls., Spanish — Pendant with the Virgin of the Immaculate Conception
Spanish
first third of the 17th century

Virgin of the Immaculate Conception, Gilt bronze, Spanish — Virgin of the Immaculate Conception
Spanish
ca. 1600

The Immaculate Conception, Andrea Schiavone (Andrea Meldola) Italian, Etching — The Immaculate Conception
Andrea Schiavone (Andrea Meldola)
ca. 1539–43

The Immaculate Conception, Lorenzo Tiepolo Italian, Etching — The Immaculate Conception
Lorenzo Tiepolo
Giovanni Battista Tiepolo
ca. 1770

Allegory of the Immaculate Conception, Giovanni Battista Gaulli (Il Baciccio) Italian, Pen and brown ink, brush and gray wash. Squared in black chalk — Allegory of the Immaculate Conception
Giovanni Battista Gaulli (Il Baciccio)
1639–1709

Virgin of the Immaculate Conception, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink over traces of black chalk underdrawing. Outlines of composition later ruled in graphite. On off-white paper — Virgin of the Immaculate Conception
Anonymous, Spanish, School of Seville, 17th century
17th century

Allegory of the Immaculate Conception, Grégoire Huret French, Engraving — Allegory of the Immaculate Conception
Grégoire Huret
17th century

Virgin and Child (The Immaculate Conception), Diana Scultori Italian — Virgin and Child (The Immaculate Conception)
Diana Scultori
n.d.

Pilgrim's badge, Champlevé enamel on brass, partly gilt, Spanish, probably Toledo — Pilgrim's badge
Spanish, probably Toledo
first half 17th century

Pilgrim's badge, Champlevé enamel on brass, partly gilt, Spanish, probably Toledo — Pilgrim's badge
Spanish, probably Toledo
first half 17th century

The Immaculate Conception

R. Maxil Ballinger

1947

Virgin of the Immaculate Conception Standing on Clouds, Pedro Duque Cornejo Spanish, Black chalk reinforced in places with pen and dark brown ink. On off-white paper — Virgin of the Immaculate Conception Standing on Clouds
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Virgin of the Immaculate Conception Standing on Clouds, Pedro Duque Cornejo Spanish, Pen and dark brown ink, with brush and gray wash, over black chalk underdrawing. On off-white paper — Virgin of the Immaculate Conception Standing on Clouds
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Virgin of the Immaculate Conception Standing on Clouds, Pedro Duque Cornejo Spanish, Black chalk reinforced with pen and dark brown ink; composition outlined with black chalk. On off-white paper — Virgin of the Immaculate Conception Standing on Clouds
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Virgin of the Immaculate Conception Standing on Clouds, Pedro Duque Cornejo Spanish, Pen and dark brown ink, over black chalk underdrawing. On off-white paper — Virgin of the Immaculate Conception Standing on Clouds
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

Virgin of the Immaculate Conception Standing on Clouds, Pedro Duque Cornejo Spanish, Pen and light brown ink over black chalk underdrawing; composition outlined with traces of black chalk. On off-white paper — Virgin of the Immaculate Conception Standing on Clouds
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50

The Holy Family with Saints Anne and Joachim, Diego de Pesquera Spanish, Wood, painted and gilt, Spanish, Granada — The Holy Family with Saints Anne and Joachim
Diego de Pesquera
1567–68

The Immaculate Conception, Cristobal de Villalpando Mexican, Oil on canvas, Mexican — The Immaculate Conception
Cristobal de Villalpando
ca. 1680–89

Virgin and Child, Netherlandish (Antwerp) Painter Netherlandish, Tempera and gold on linen — Virgin and Child
Netherlandish (Antwerp) Painter

Pendant, Gold, enamel, pearls, probably Spanish or Mexican — Pendant
probably Spanish or Mexican
17th century

Pendant with the Coronation of the Virgin, Elephant ivory, silver gilt mount, North Netherlandish — Pendant with the Coronation of the Virgin
North Netherlandish
1450–1500

Allegory of the Immaculate Conception with the Fall of Man, Alessandro Turchi Italian, Pen and brown ink, brown wash, over traces of black chalk — Allegory of the Immaculate Conception with the Fall of Man
Alessandro Turchi
1578–1649

The Virgin of the Immaculate Conception

James McArdell

Bartolomé Estebán Murillo

1746–65

Virgin of the Immaculate Conception Seated on Clouds, Supported by Four Angels, Pedro Duque Cornejo Spanish, Black chalk. Lower angel reinforced with pen and dark brown ink. Traces of outline in black chalk along left and right borders of the composition. On off-white paper — Virgin of the Immaculate Conception Seated on Clouds, Supported by Four Angels
Pedro Duque Cornejo
Anonymous, Spanish, School of Seville, 17th century
1700–50

Virgin and Child, Ivory, German or Netherlandish — Virgin and Child
German or Netherlandish
late 16th century

Saint Bonaventure and Saint Anthony of Padua, Basilio Santa Cruz Pumacallao Peruvian, Oil on canvas, Peru (Cuzco) — Saint Bonaventure and Saint Anthony of Padua
Basilio Santa Cruz Pumacallao
ca. 1670–90

The Virgin of the Immaculate Conception standing on a serpent and a moon, Anonymous, Etching (possibly a re-strike) — The Virgin of the Immaculate Conception standing on a serpent and a moon
Anonymous
ca. 1870–1920

Design for an Altar with the Virgin of the Immaculate Conception in the Center, Anonymous, Spanish, 17th century Spanish, Pen and brown ink with brush and brown wash over black chalk — Design for an Altar with the Virgin of the Immaculate Conception in the Center
Anonymous, Spanish, 17th century
17th century

The Virgin Immaculate and Four Male Saints (Study for The Dispute over the Immaculate Conception), Carlo Maratti Italian, Red chalk on beige paper — The Virgin Immaculate and Four Male Saints (Study for The Dispute over the Immaculate Conception)
Carlo Maratti
1625–1713

Portrait of Sor Juana de Nuestra Señora de Guadalupe, Domingo Ortiz Mexican, Oil on canvas, New Spain (present-day Mexico) — Portrait of Sor Juana de Nuestra Señora de Guadalupe
Domingo Ortiz
1797

Immaculate Conception Church from Albuquerque, New Mexico souvenir views (W500)

ca. 1920–30

Halved Variant Designs for an Altar with the Virgin of the Immaculate Conception in the Central Cartouche, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and gray wash over graphite; ruled and compass constructions in stylus-incised; partly reworked in pen and black ink — Halved Variant Designs for an Altar with the Virgin of the Immaculate Conception in the Central Cartouche
Anonymous, Italian, Piedmontese, 18th century
1700–1780

The Virgin Immaculate with the Four Doctors of the Church, Study for the Dispute over the Immaculate Conception, Carlo Maratti Italian, Pen and brown ink, red chalk, and a trace of brush and red wash — The Virgin Immaculate with the Four Doctors of the Church, Study for the Dispute over the Immaculate Conception
Carlo Maratti
1625–1713

The Virgin in Glory, standing on clouds and surrounded by angels holding the symbols of the Immaculate Conception, Cornelis Galle I Netherlandish, Engraving — The Virgin in Glory, standing on clouds and surrounded by angels holding the symbols of the Immaculate Conception
Multiple artists/makers
1595–1633