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Department
Khusrau and Shirin, Hatifi  Iranian, active Istanbul, Main support: ink, opaque watercolor, and gold on paper; binding: leather
Poet Hatifi
Calligraphy, illumination, and painting by Suzi
dated 904 AH/1498–99 CE
"The Angel Gabriel meets 'Amr ibn Zaid (the Shepherd)", Folio from a Siyer-i Nebi (the Life of the Prophet), Mustafa ibn Vali, Ink, opaque watercolor, and gold on paper
Painting by Mustafa ibn Vali
Patron Commissioned by Sultan Murad III
Author Mustafa b. Yusuf al-Darir al-Erzerumi
ca. 1595
Ka'ba Tile, Osman Ibn Mehmed  Turkish, Stonepaste; polychrome painted under transparent glaze
Osman Ibn Mehmed
Patron `Abdullah Mehmed
ca. 1720–30
Textile Fragment, Silk, metal wrapped thread; lampas (kemha)
16th century
Futuh al-Haramain (Description of the Holy Cities), Muhi al-Din Lari  Iranian or Indian, Main support: Ink, opaque watercolor, and gold on paper<br/>Binding: Leather
Author Muhi al-Din Lari
mid-16th century
Vase, Stonepaste; underglaze painted on white slip, bronze collar
first half 16th century
Carpet Fragment, Wool (warp, weft, and pile); symmetrically knotted pile
13th–early 14th century
Architectural Boss, Stonepaste; molded, carved, and glazed
13th century
Rectangular Silk Fragment, Silk, metal wrapped thread; lampas (kemha)
last quarter 16th century
Finial, Possibly from a Cenotaph, Wood; turned and carved with traces of later paint and gilding
late 14th–16th century
Tile, Tempered earthenware; molded; polychrome glazed within black wax resist outlines (cuerda seca technique); gilded
dated 824 AH/1421 CE
Tile Panel, Stonepaste; polychrome underglaze painted
early 17th century
Tile Panel, Stonepaste; polychrome painted under transparent glaze.
second half 16th century
Tile Panel, Stonepaste; polychrome painted under a transparent glaze
second half 16th century
Tile Panel, Stonepaste; polychrome painted under transparent glaze
second half 16th century
Tile Panel, Stonepaste; polychrome painted under transparent glaze
early 17th century
Dish with Peacock Design, Stonepaste; polychrome painted under transparent glaze
early 17th century