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Tapestry Room from Croome Court, Robert Adam  British, Scottish, Plaster, pine, mahogany, bronze-gilt, marble, lapis lazuli, steel; wool and silk (22-24 warps per inch, 9-10 per centimeter), British, Worcestershire with French, Paris (Gobelins) tapestry
Multiple artists/makers
1763–71
Chimneypiece from the Tapestry Room from Croome Court, Joseph Wilton  British, Marble, lapis lazuli, British
Lapis lazuli tablet provided by Joseph Wilton
Carved by John Wildsmith
1760
Grate basket and fender, Thomas Blockley, Steel, cast iron, British, London
Possibly by Thomas Blockley
ca. 1760–69
Allegories of Air (Cephalus and Aurora) and Earth (Vertumnus and Pomona), Jacques Germain Soufflot  French, Wool, silk (22-24 warps per inch, 9-10 per cm), French, Paris
Multiple artists/makers
designed 1758–67, woven 1764–71
Allegory of Water (Neptune Rescuing Amymone), Jacques Germain Soufflot  French, Wool, silk (22-24 warps per inch, 9-10 per cm), French, Paris
Multiple artists/makers
designed 1758–67, woven 1764–71
Allegory of Fire (Venus Visiting Vulcan), Jacques Germain Soufflot  French, Wool, silk (22-24 warps per inch, 9–10 per cm.), French, Paris
Multiple artists/makers
designed 1758–67, woven 1764–71
Mirror surround with vases, Jacques Germain Soufflot  French, Wool, silk (22-24 warps per inch, 9–10 per cm.), French, Paris
Multiple artists/makers
designed 1758–67, woven 1764–71
Two overdoor panels with vases, Jacques Germain Soufflot  French, Wool, silk (22-24 warps per inch, 9–10 per cm.), French, Paris
Multiple artists/makers
designed 1758–67, woven 1764–71
Vertical Panels with Cherry Spray, Jacques Germain Soufflot  French, Wool, silk (22-24 warps per inch, 9–10 per cm.), French, Paris
Multiple artists/makers
designed 1758–67, woven 1764–71
Vertical panels with garland, Jacques Germain Soufflot  French, Wool, silk (22-24 warps per inch, 9–10 per cm.), French, Paris
Multiple artists/makers
designed 1758–67, woven 1764–71
Over-window panels, Jacques Germain Soufflot  French, Wool, silk (22-24 warps per inch, 9-10 per cm.), French, Paris
Multiple artists/makers
designed 1758–67, woven 1764–71
Pedestal vase and bulb pot (piédestal en gaine) (one of a pair), Sèvres Manufactory  French, Soft-paste porcelain, French, Sèvres
Manufactory Sèvres Manufactory
Decorator Master of the Luminous Leaves
1760
Pedestal vase and bulb pot (piédestal en gaine) (one of a pair), Sèvres Manufactory  French, Soft-paste porcelain, French, Sèvres
Manufactory Sèvres Manufactory
Decorator Master of the Luminous Leaves
1759–60
Side table, John Wildsmith, Carved and gilded pine; marbles, including rosso and nero antico, orange Veronese, yellow Siena, brown, gray, and white fleur de pêcher, black and gold Portor, orange and violet Spanish brocatello, and white Carrara, and hardstones, including gray and red granite, red and white jasper, pink quartz, porphyry, bloodstone, serpentine, golden and brown agate and onyx, and lapis lazuli, British, London
Table top by John Wildsmith
Stand by John Mayhew
table top 1759, base 1794
Mirror, Robert Adam  British, Scottish, Gilded pine, mirror glass, British
Designer Possibly designed by Robert Adam
John Mayhew
and William Ince
1769
Chandelier, Glass, brass, Continental
Continental
20th century
Commode, John Mayhew  British, Pine carcase, veneered with satinwood, kingwood, holly, rosewood and other woods; gilt-bronze mounts; Siena marble slab, British
Attributed to John Mayhew
Attributed to William Ince
ca. 1770
Flower vase (cuvette à tombeau), Sèvres Manufactory  French, Soft-paste porcelain, French, Sèvres
Manufactory Sèvres Manufactory
Modeler Attributed to Jean-Claude Duplessis
Decorator Jean-Louis Morin
1760
Minerva clock, Matthew Boulton  British, Gilt bronze, marble, enamel, brass, steel, British
Multiple artists/makers
ca. 1772, with later alterations
Pair of candelabra, Marble, gilded and painted bronze, French
French
ca. 1775
Armchair (one of a set of six), John Mayhew  British, Gilded fruitwood; wool, silk (22-24 warps per inch, 9-10 per centimeter), British and French
Multiple artists/makers
1769–71
Armchair (one of a set of six), John Mayhew  British, Gilded fruitwood; wool and silk (22-24 warps per inch, 9-10 per centimeter), British and French
Multiple artists/makers
1769–71
Armchair (one of a set of six), John Mayhew  British, Gilded fruitwood; wool and silk (22-24 warps per inch, 9-10 per centimeter), British and French
Multiple artists/makers
1769–71
Armchair (one of a set of six), John Mayhew  British, Gilded fruitwood; wool and silk (22-24 warps per inch, 9-10 per centimeter), British and French
Multiple artists/makers
1769–71
Armchair (one of a set of six), John Mayhew  British, Gilded fruitwood; wool and silk (22-24 warps per inch, 9-10 per centimeter), British and French
Multiple artists/makers
1769–71
Armchair (one of a set of six), John Mayhew  British, Gilded fruitwood; wool and silk (22-24 warps per inch, 9-10 per centimeter), British and French
Multiple artists/makers
1769–71
Settee (one of a pair), John Mayhew  British, Gilded fruitwood; wool and silk (22-24 warps per inch, 9-10 per centimeter), British and French
Multiple artists/makers
1769–71
Settee (one of a pair), John Mayhew  British, Gilded fruitwood; wool and silk (22-24 warps per inch, 9-10 per centimeter), British and French
Multiple artists/makers
1769–71
Carlton House pedestal (one of a pair), Dominique Daguerre  French, Carved, painted and gilded pine; marble, French, Paris
Designer possibly Dominique Daguerre
ca. 1794
Carlton House pedestal (one of a pair), Dominique Daguerre  French, Carved, painted and gilded pine; marble, French, Paris
Designer possibly Dominique Daguerre
ca. 1794

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