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Dye-Patterned Silk, Silk (clamp resist, dyed), India
Dye-Patterned Silk
India
17th century
Vase with Immortals Offering the Peaches of Longevity, Porcelain painted with overglaze enamels, China
Vase with Immortals Offering the Peaches of Longevity
China
Catalogue for the "Exposición surrealista", Tenerife, Catalogue
On loan to The Met
Catalogue for the "Exposición surrealista", Tenerife
1935
Mandrágora (Poesía, Filosofía, Pintura, Ciencia, Documentos), no. 6, Journal
On loan to The Met
Mandrágora (Poesía, Filosofía, Pintura, Ciencia, Documentos), no. 6
1941
Catalogue for "Princip slasti: Surrealismus," Brno, Prague, and Bratislava, Catalogue
Catalogue for "Princip slasti: Surrealismus," Brno, Prague, and Bratislava
1968
Album surréaliste, Catalogue
On loan to The Met
Album surréaliste
1937
World Surrealist Exhibition poster, Franklin Rosemont American, Poster
On loan to The Met
World Surrealist Exhibition poster
Franklin Rosemont
1976
"Variétés: revue mensuelle illustrée de I’esprit contemporain," special Surrealist number, Journal
On loan to The Met
"Variétés: revue mensuelle illustrée de I’esprit contemporain," special Surrealist number
1929
Radical America, "Surrealism in the Service of Revolution", Franklin Rosemont American, Journal
On loan to The Met
Radical America, "Surrealism in the Service of Revolution"
Franklin Rosemont
1970
Arsenal: Surrealist Subversion, no. 1, Franklin Rosemont American, Journal
On loan to The Met
Arsenal: Surrealist Subversion, no. 1
Editor Franklin Rosemont
1970
Revolutionary Consciousness: A Rebel Worker Pamphlet, Franklin Rosemont American, Pamphlet
On loan to The Met
Revolutionary Consciousness: A Rebel Worker Pamphlet
Editor Franklin Rosemont
1966
Protest, Paper
On loan to The Met
Protest
ca. 1969
Surrealist Insurrection no. 1 (January 22, 1968), Franklin Rosemont American, Journal
On loan to The Met
Surrealist Insurrection no. 1 (January 22, 1968)
Editor Franklin Rosemont
1968
On loan to The Met

Nemogucé/L’Impossible

1930
A Woman Standing Before Rocks (The Muse Clio), Giovanni Santi Italian, Off-green gouache preparation, stylus underdrawing, pen and iron gall ink, iron gall wash, lead white gouache, on paper
On loan to The Met
A Woman Standing Before Rocks (The Muse Clio)
Giovanni Santi
ca. 1490-94
Heads of Two Apostles (“Auxiliary Cartoon” for the Oddi Altarpiece), Raphael (Raffaello Sanzio or Santi) Italian, Black chalk drawn freehand over pounce marks (spolvero underdrawing) with unrelated design in pounce marks (spolvero), on paper
On loan to The Met
Heads of Two Apostles (“Auxiliary Cartoon” for the Oddi Altarpiece)
Raphael (Raffaello Sanzio or Santi)
ca. 1503-4
Composition Study for the Virgin and Child with Saint Elizabeth and the Infant Saint John the Baptist, Raphael (Raffaello Sanzio or Santi) Italian, Pen and brown ink, on some black chalk underdrawing, very slight retouches in black-brown ink, on paper
On loan to The Met
Composition Study for the Virgin and Child with Saint Elizabeth and the Infant Saint John the Baptist
Raphael (Raffaello Sanzio or Santi)
ca. 1507
Studies of the Heads of the Three Poets (Homer, Unidentified Poet, and Dante) in the Parnassus, Stanza della Segnatura (recto); Drapery Study (verso), Raphael (Raffaello Sanzio or Santi) Italian, Pen and brown ink, (?) on traces of black chalk underdrawing, on paper
On loan to The Met
Studies of the Heads of the Three Poets (Homer, Unidentified Poet, and Dante) in the Parnassus, Stanza della Segnatura (recto); Drapery Study (verso)
Raphael (Raffaello Sanzio or Santi)
ca. 1511-12
The Adoration of the Magi (Full-Scale Composition Study for the Central Scene in the Predella of the Oddi Altarpiece), Raphael (Raffaello Sanzio or Santi) Italian, Pen and brown ink over extensive preliminary stylus and leadpoint underdrawing, pen and brown ink (recto); partly blackened with charcoal or black chalk (verso)
On loan to The Met
The Adoration of the Magi (Full-Scale Composition Study for the Central Scene in the Predella of the Oddi Altarpiece)
Raphael (Raffaello Sanzio or Santi)
ca. 1503-4
The Annunciation (recto); Coronation of the Virgin Adored by Angels (verso), Raphael (Raffaello Sanzio or Santi) Italian, Black chalk, pen and brown ink, over preliminary stylus underdrawing (recto); pen and brown ink (verso), on cream-colored, laid paper
On loan to The Met
The Annunciation (recto); Coronation of the Virgin Adored by Angels (verso)
Raphael (Raffaello Sanzio or Santi)
ca. 1506-10
A Green Parrot and Small Sketches of Parrots and Mantids (recto); Studies of Parrots and Other Birds (verso), Giovanni da Udine (Giovanni dei Ricamatori) Italian, Brush and color gouache over red-chalk underdrawing (parrots), oen and dark brown ink over black-chalk underdrawing (small sketches) (recto and verso)
On loan to The Met
A Green Parrot and Small Sketches of Parrots and Mantids (recto); Studies of Parrots and Other Birds (verso)
Giovanni da Udine (Giovanni dei Ricamatori)
ca. 1515-18
Head of a Soldier (Cartoon Fragment for the Resurrection, Scuola Nuova Tapestry Series), Giulio Romano Italian, Brush and color gouache on paper, mounted on canvas
On loan to The Met
Head of a Soldier (Cartoon Fragment for the Resurrection, Scuola Nuova Tapestry Series)
Giulio Romano
ca. 1521-23
Sagrestia, Libro delle Cere, Libro di Entrate e Uscite, Parchment binding. Manuscript on paper, fols.
On loan to The Met
Sagrestia, Libro delle Cere, Libro di Entrate e Uscite
1485-97 (fols. 1r-58r); 1520-21 (fols. 59r-76r)