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Madonna and Child Enthroned with Saints, Raphael (Raffaello Sanzio or Santi) Italian, Oil and gold on wood
Madonna and Child Enthroned with Saints
Raphael (Raffaello Sanzio or Santi)
ca. 1504
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), Leonardo da Vinci Italian, Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci
1480–85
The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess, Marcantonio Raimondi Italian, Engraving
The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess
Marcantonio Raimondi
After Raphael (Raffaello Sanzio or Santi)
ca. 1510–20
Lucretia, Raphael (Raffaello Sanzio or Santi) Italian, Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)
Lucretia
Raphael (Raffaello Sanzio or Santi)
1508–10
Virgin and Child in a niche, Luca della Robbia Italian, Glazed terracotta with gilt and painted details, Italian, Florence
Virgin and Child in a niche
Luca della Robbia
ca. 1460
Madonna and Child, Donatello Italian, Figures: terracotta, polychromed and gilded; later background: wood, painted to represent brocade; frame: carved and painted, mouldings gilt, Italian
Madonna and Child
School of Donatello
15th century
Marble sarcophagus fragment, Marble, Luni and Pentelic, Roman
Marble sarcophagus fragment
Roman
mid-2nd century CE
Vase with Immortals Offering the Peaches of Longevity, Porcelain painted with overglaze enamels, China
Vase with Immortals Offering the Peaches of Longevity
China
Dye-Patterned Silk, Silk (clamp resist, dyed), India
Dye-Patterned Silk
India
17th century
Madonna and Child, Luca Signorelli (Luca d'Egidio di Luca di Ventura) Italian, Oil and gold on wood
Madonna and Child
Luca Signorelli (Luca d'Egidio di Luca di Ventura)
ca. 1505–7
The Birth of the Virgin, Fra Carnevale (Bartolomeo di Giovanni Corradini) Italian, Tempera and oil on wood
The Birth of the Virgin
Fra Carnevale (Bartolomeo di Giovanni Corradini)
1467
Portable Icon with the Virgin Eleousa, Miniature mosaic set in wax on wood panel, with gold, multicolored stones, and gilded copper, Byzantine
Portable Icon with the Virgin Eleousa
Byzantine
early 1300s
House of Raphael, from "Speculum Romanae Magnificentiae", Anonymous, Engraving
House of Raphael, from "Speculum Romanae Magnificentiae"
Anonymous
Publisher Antonio Lafreri
1549
Il terzo libro di Sabastiano Serlio Bolognese, Sebastiano Serlio Italian, Printed book with woodcut illustrations
Il terzo libro di Sabastiano Serlio Bolognese
Author Sebastiano Serlio
Publisher Francesco Marcolini da Forli
Dedicatee François I, King of France
1540
Study of a Kneeling Youth and of the Head of Another, Perugino (Pietro di Cristoforo Vannucci) Italian, Metalpoint on pale pink-beige prepared paper
Study of a Kneeling Youth and of the Head of Another
Perugino (Pietro di Cristoforo Vannucci)
1500
Landscape (recto); Landscape (verso), Perugino (Pietro di Cristoforo Vannucci) Italian, Brush and brown wash, highlighted with white gouache, on gray-green prepared paper (recto); pen and brown ink on unprepared off-white paper (verso)
Landscape (recto); Landscape (verso)
Perugino (Pietro di Cristoforo Vannucci)
1489–90
Madonna and Child with the Infant Saint John the Baptist; upper left, Study for the Right Arm of the Infant Saint John; upper right, Study for Drapery (recto); Study of a Nude Male Figure (verso), Raphael (Raffaello Sanzio or Santi) Italian, Red chalk (recto); pen and brown ink (verso)
Madonna and Child with the Infant Saint John the Baptist; upper left, Study for the Right Arm of the Infant Saint John; upper right, Study for Drapery (recto); Study of a Nude Male Figure (verso)
Raphael (Raffaello Sanzio or Santi)
ca. 1506–7
A plague scene at right, a man at left holding a torch illuminating part of the scene at left, sick people at the right, Marcantonio Raimondi Italian, Engraving (heavily reworked)
A plague scene at right, a man at left holding a torch illuminating part of the scene at left, sick people at the right
Marcantonio Raimondi
After Raphael (Raffaello Sanzio or Santi)
ca. 1515–16
The Massacre of the Innocents, Marcantonio Raimondi Italian, Engraving
The Massacre of the Innocents
Marcantonio Raimondi
After Raphael (Raffaello Sanzio or Santi)
ca. 1512–13
Neptune calming the tempest which Aeolus raised against Aeneas' fleet, from Book I of the Aeneid, Marcantonio Raimondi Italian, Engraving
Neptune calming the tempest which Aeolus raised against Aeneas' fleet, from Book I of the Aeneid
Marcantonio Raimondi
After Raphael (Raffaello Sanzio or Santi)
ca. 1515–16
Saint Peter's Basilica, Agostino Veneziano (Agostino dei Musi) Italian, Engraving
Saint Peter's Basilica
Agostino Veneziano (Agostino dei Musi)
1517
Studies of the Christ Child, Raphael (Raffaello Sanzio or Santi) Italian, Red chalk
Studies of the Christ Child
Raphael (Raffaello Sanzio or Santi)
1513–14
Statues of the Dioscuri at the Quirinal, Rome, Anonymous, Engraving
Statues of the Dioscuri at the Quirinal, Rome
Anonymous
Publisher Antonio Lafreri
1546
Reconstruction of the Pantheon in Rome, seen from the side, cut away to reveal the interior, Anonymous, Engraving
Reconstruction of the Pantheon in Rome, seen from the side, cut away to reveal the interior
Anonymous
Publisher Antonio Lafreri
1553
Papal Benediction, from "Speculum Romanae Magnificentiae", Anonymous, Engraving and etching
Papal Benediction, from "Speculum Romanae Magnificentiae"
Anonymous
Publisher Antonio Lafreri
16th century
Catalogue for the "Exposición surrealista", Tenerife, Catalogue
On loan to The Met
Catalogue for the "Exposición surrealista", Tenerife
1935
Mandrágora (Poesía, Filosofía, Pintura, Ciencia, Documentos), no. 6, Journal
On loan to The Met
Mandrágora (Poesía, Filosofía, Pintura, Ciencia, Documentos), no. 6
1941
Catalogue for "Princip slasti: Surrealismus," Brno, Prague, and Bratislava, Catalogue
Catalogue for "Princip slasti: Surrealismus," Brno, Prague, and Bratislava
1968
Album surréaliste, Catalogue
On loan to The Met
Album surréaliste
1937
World Surrealist Exhibition poster, Franklin Rosemont American, Poster
On loan to The Met
World Surrealist Exhibition poster
Franklin Rosemont
1976
"Variétés: revue mensuelle illustrée de I’esprit contemporain," special Surrealist number, Journal
On loan to The Met
"Variétés: revue mensuelle illustrée de I’esprit contemporain," special Surrealist number
1929
Radical America, "Surrealism in the Service of Revolution", Franklin Rosemont American, Journal
On loan to The Met
Radical America, "Surrealism in the Service of Revolution"
Franklin Rosemont
1970
Arsenal: Surrealist Subversion, no. 1, Franklin Rosemont American, Journal
On loan to The Met
Arsenal: Surrealist Subversion, no. 1
Editor Franklin Rosemont
1970
Revolutionary Consciousness: A Rebel Worker Pamphlet, Franklin Rosemont American, Pamphlet
On loan to The Met
Revolutionary Consciousness: A Rebel Worker Pamphlet
Editor Franklin Rosemont
1966
Protest, Paper
On loan to The Met
Protest
ca. 1969
Surrealist Insurrection no. 1 (January 22, 1968), Franklin Rosemont American, Journal
On loan to The Met
Surrealist Insurrection no. 1 (January 22, 1968)
Editor Franklin Rosemont
1968
On loan to The Met

Nemogucé/L’Impossible

1930
Study for Seated Apostle in the Transfiguration (recto); Sketches for the Plan of Saint Peter's (verso), Raphael (Raffaello Sanzio or Santi) Italian, Red chalk, over preliminary stylus underdrawing and squaring in stylus (recto); red chalk, pen and brown ink (verso)
On loan to The Met
Study for Seated Apostle in the Transfiguration (recto); Sketches for the Plan of Saint Peter's (verso)
Raphael (Raffaello Sanzio or Santi)
ca. 1518-19
Flying Angel (Study for the Chigi Chapel, Santa Maria della Pace), Raphael (Raffaello Sanzio or Santi) Italian, Red chalk over preliminary stylus underdrawing
On loan to The Met
Flying Angel (Study for the Chigi Chapel, Santa Maria della Pace)
Raphael (Raffaello Sanzio or Santi)
ca. 1511-13
Sagrestia, Libro delle Cere, Libro di Entrate e Uscite, Parchment binding. Manuscript on paper, fols.
On loan to The Met
Sagrestia, Libro delle Cere, Libro di Entrate e Uscite
1485-97 (fols. 1r-58r); 1520-21 (fols. 59r-76r)
Commemorative Medal with the Portrait of Pope Julius II (obverse); Bramante's Project for Saint Peter's Basilica(reverse), Caradosso (Cristoforo Caradosso Foppa), Copper alloy (cast)
On loan to The Met
Commemorative Medal with the Portrait of Pope Julius II (obverse); Bramante's Project for Saint Peter's Basilica(reverse)
Caradosso (Cristoforo Caradosso Foppa)
1506
Copy after Leonardo’s Standing Leda and the Swan, Sixteenth-century Lombard Artists near Cesare da Sesto, Oil and tempera grassa on poplar wood
On loan to The Met
Copy after Leonardo’s Standing Leda and the Swan
Sixteenth-century Lombard Artists near Cesare da Sesto
ca. 1515-1530