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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,228 results for 954

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Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Goblet, Colorless (yellowish), transparent turquoise blue, and opaque brick red, yellow, and white nonlead glass. Blown, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany — Goblet
Façon de Venise, probably south Lowlands or Germany
17th century

Saints Bartholomew and Simon, Master of Saint Francis Italian, Tempera and gold on wood, Italian, Umbria — Saints Bartholomew and Simon
Master of Saint Francis
1266–75

Cupboard (credenza), Italian (Tuscan) , first half 16th century Italian, Walnut, poplar, ebony, ebonized wood, maple, Italian, Tuscany — Cupboard (credenza)
Italian (Tuscan)
ca. 1500–1550

Tondo, Benedetto Buglioni Italian, Tin-glazed terracotta — Tondo
Benedetto Buglioni
ca. 1500

Goblet, Colorless (slightly gray) nonlead glass; silvered metal fittings. Blown, pattern molded., probably façon de Venise, northern European or Venetian — Goblet
probably façon de Venise, northern European or Venetian
late 16th–mid-17th century

Tondo mirror frame, Benedetto da Maiano Italian, Stucco squeeze, blown convex mirror, gilt, orange-brown bole. — Tondo mirror frame
Benedetto da Maiano
ca. 1480

Vase, Giuseppe Barovier Italian, Translucent amber nonlead glass with multicolored marbling on the exterior. Blown. — Vase
Giuseppe Barovier
late 19th century

A Saint, Possibly James the Greater, Spinello Aretino (Spinello di Luca Spinelli) Italian, Tempera and gold on wood — A Saint, Possibly James the Greater
Spinello Aretino (Spinello di Luca Spinelli)
1384–85

Male Saint, Workshop of Fra Filippo Lippi Italian, Tempera and gold on wood, Italian, Florence — Male Saint
Workshop of Fra Filippo Lippi
ca. 1447–1469

Saint Bernard of Clairvaux, Workshop of Fra Filippo Lippi Italian, Tempera and gold on wood, Italian, Florence — Saint Bernard of Clairvaux
Workshop of Fra Filippo Lippi
ca. 1447–1469

One of a pair of pilaster panels, Poplar, Florentine — One of a pair of pilaster panels
Florentine
1385

One of a pair of pilaster panels, A single piece of poplar. Gilt; red-brown bole., Florentine — One of a pair of pilaster panels
Florentine
1385

Altar candlestick (pair with 1975.1.1383), Andrea di Alessandri, called Il Bresciano Italian, Copper alloy with a thick black varnish patina. — Altar candlestick (pair with 1975.1.1383)
Andrea di Alessandri, called Il Bresciano
ca. 1565

Altar candlestick, Andrea di Alessandri, called Il Bresciano Italian, Copper alloy with a thick black varnish patina. — Altar candlestick
Andrea di Alessandri, called Il Bresciano
ca. 1565

Goblet, Gray nonlead glass. Blown, mold blown, enameled, gilt., Façon de Venise, probably Bohemian — Goblet
Façon de Venise, probably Bohemian
late 16th century

Wineglass, Colorless (strongly greenish gray) nonlead glass. Blown, mold blown., Façon de Venise, northern European — Wineglass
Façon de Venise, northern European
16th century

Goblet, Tyrol, Colorless (dark gray) bubbly nonlead glass. Blown, pattern molded, gilt., Façcon de Venise, probably Tyrolean (Hall) or French — Goblet
Tyrol
French
16th century

Covered bottle, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", applied, molded., Italian (Venice) — Covered bottle
Italian (Venice)
early 18th century

Pilgrim flask, Italian , Venetian, early 16th century, Colorless (slightly tan) nonlead glass. Blown, enameled, gilt., Italian (Venice) — Pilgrim flask
Italian
ca. 1500–1525

Drinking horn, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", trailed., Venetian or façon de Venise — Drinking horn
Venetian or façon de Venise
late 16th century

Jug, Transparent dark blue nonlead glass. Blown, enameled, gilt., Italian (Venice) — Jug
Italian (Venice)
ca. 1500–1510

Plate, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti"., Italian (Venice) — Plate
Italian (Venice)
late 17th or early 18th century

Plate, Colorless (slightly gray), opaque red-brown, and opaque white (slightly gray) nonlead glass. Blown, "vetro a retorti"., Italian (Venice) — Plate
Italian (Venice)
probably late 17th century

Bowl, Translucent amber nonlead glass with multicolored marbling on the exterior. Blown, Italian (probably Venice) — Bowl
Italian (probably Venice)
probably late 19th century

Footed bowl, Transparent dark blue nonlead glass. Blown, enameled, gilt., Italian (Venice) — Footed bowl
Italian (Venice)
ca. 1500–1525

Armorial tazza, Colorless (slightly gray) nonlead glass. Blown, enameled, gilt., Italian (Venice) — Armorial tazza
Italian (Venice)
ca. 1500–1525

Tazza, Colorless (slightly gray), bubbly nonlead glass. Blown, pattern molded, enameled, gilt., Italian (Venice) — Tazza
Italian (Venice)
ca. 1500–1525

Tazza, Colorless (slightly gray) nonlead glass. Blown, reverse painted, gilt (unfired)., Venetian or façon de Venise, probably Tyrolean; possibly Venice — Tazza
Venetian or façon de Venise, probably Tyrolean; possibly Venice
ca. 1570

Footed bowl, Colorless (purplish gray) nonlead glass. Blown, pattern molded, enameled, gilt., Italian (Venice) — Footed bowl
Italian (Venice)
ca. 1500–1525

Footed bowl, Translucent red nonlead glass with multicolored marbling on the exterior. Blown., Italian (Venice) — Footed bowl
Italian (Venice)
ca. 1500

Goblet, Colorless (slightly grayish tan) nonlead glass. Blown, pattern molded, enameled, gilt., Italian (Venice) — Goblet
Italian (Venice)
ca. 1500–1525

Vase, Antonio Salviati Italian, Opalescent bluish white and marbled multicolored brownish nonlead glass (strong brownish marbling on the exterior, faint bluish marbling on the interior). Blown, trailed. — Vase
Antonio Salviati
late 19th century

Pitcher, Colorless (gray) and transparent dark blue-green nonlead glass. Blown, ice-glass technique, trailed., Italian (Venice), or façon de Venise — Pitcher
Italian (Venice), or façon de Venise
early 17th century

Covered bowl, Colorless (gray) nonlead glass. Blown, modeled, diamond-point (scratch) engraved., Italian (Venice) — Covered bowl
Italian (Venice)
late 16th century

Covered sweetmeat dish, Antonio Salviati Italian, Topaz-tinted and opaque brownish white nonlead glass. Blown, pattern molded, "vetro a fili". — Covered sweetmeat dish
Antonio Salviati
probably late 19th century

Vase, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti"., Italian (Venice) — Vase
Italian (Venice)
probably late 19th century, possibly late 18th century

Inkwell, Transparent dark green glass. Blown, pattern molded., Northern European (probably German) — Inkwell
Northern European (probably German)
17th century

Wineglass, Colorless (slightly tan) nonlead glass. Blown, pattern molded, trailed, pincered, wheel-engraved., probably Italian (Venice) — Wineglass
probably Italian (Venice)
17th century

Goblet, Colorless (slightly gray) transparent turquoise blue, and opaque brick red, white, and yellow nonlead glass. Blown, pattern molded, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany — Goblet
Façon de Venise, probably south Lowlands or Germany
probably 17th century, possibly 19th century