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Saints Bartholomew and Simon, Master of Saint Francis Italian, Tempera on wood, gold ground
Saints Bartholomew and Simon
Master of Saint Francis
ca. 1272
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Armorial tazza
Italian
Possibly French
1499–1514
Goblet, Colorless (yellowish), transparent turquoise blue, and opaque brick red, yellow, and white nonlead glass. Blown, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany
Goblet
Façon de Venise, probably south Lowlands or Germany
17th century
Cupboard (credenza), Italian (Tuscan) , first half 16th century Italian, Walnut, poplar, ebony, ebonized wood, maple, Italian, Tuscany
Cupboard (credenza)
Italian (Tuscan)
ca. 1500–1550
The Crucifixion, Jacopo Palma the Younger Italian, Oil on canvas
The Crucifixion
Jacopo Palma the Younger
Footed vase, Antonio Salviati Italian, Colorless, opaque turquoise blue, copper flecked (goldstone or aventurine), and opalescent white nonlead glass. Blown, mold blown, trailed, "vetro a retorti", gilt.
Footed vase
possibly Antonio Salviati
late 19th–early 20th century
Goblet, Colorless (slightly gray) nonlead glass; silvered metal fittings. Blown, pattern molded., probably façon de Venise, northern European or Venetian
Goblet
probably façon de Venise, northern European or Venetian
late 16th–mid-17th century
Armorial jug, Colorless (slightly gray) nonlead glass. Blown, enameled, gilt., Italian (Venice)
Armorial jug
Italian (Venice)
1513–34
Footed bowl, Colorless (slightly gray) nonlead glass. Blown, pattern molded, enameled, gilt., Italian (Venice)
Footed bowl
Italian (Venice)
ca. 1500–1525
Beaker, Colorless (slightly purplish gray) nonlead glass. Blown, pattern molded., Northern European (probably Germany)
Beaker
Northern European (probably Germany)
17th century
Covered goblet, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a reticello", silver foil; silver-gilt mounts., probably Italian (Venice); mounts probably German (Augsburg)
Covered goblet
probably Italian (Venice); mounts probably German (Augsburg)
mid 16th century; ca. 1550–1600 (mounts); 19th-century? (lion finial)
Colorless (gray) and opaque white nonlead glass. Blown, "vetro a retorti"., Italian, Venice
Italian, Venice
16th century
Armorial flask, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", enameled, gilt., Venetian or façon de Venise, possibly Saxony
Armorial flask
Venetian or façon de Venise, possibly Saxony
mid-16th century
Colorless (slightly tan) and opaque white nonlead glass. Blown, "vetro a reticello"., Italian, Venice
Italian, Venice
late 17th–early 18th century
Tondo mirror frame, Benedetto da Maiano Italian, Stucco squeeze, blown convex mirror, gilt, orange-brown bole.
Tondo mirror frame
Possibly workshop of Benedetto da Maiano
ca. 1480
Vase, Giuseppe Barovier Italian, Translucent amber nonlead glass with multicolored marbling on the exterior. Blown.
Vase
probably Giuseppe Barovier
late 19th century
Male Saint, Workshop of Fra Filippo Lippi Italian, Tempera and gold on wood
Male Saint
Workshop of Fra Filippo Lippi
ca. 1447–1469
Saint Bernard of Clairvaux, Workshop of Fra Filippo Lippi Italian, Tempera and gold on wood
Saint Bernard of Clairvaux
Workshop of Fra Filippo Lippi
ca. 1447–1469
Saint Philip, Spinello Aretino (Spinello di Luca Spinelli) Italian, Tempera on wood, gold ground
Saint Philip
Spinello Aretino (Spinello di Luca Spinelli)
1384–85
A Saint, Possibly James the Greater, Spinello Aretino (Spinello di Luca Spinelli) Italian, Tempera on wood, gold ground
A Saint, Possibly James the Greater
Spinello Aretino (Spinello di Luca Spinelli)
1384–85
The Madonna of Humility, the Annunciation, the Nativity, and the Pietà, Bartolomeo Vivarini Italian, Tempera and gold on wood
The Madonna of Humility, the Annunciation, the Nativity, and the Pietà
Bartolomeo Vivarini
ca. 1465
Saint Anne and the Virgin and Child Enthroned with Angels, Niccolò Alunno (Niccolò di Liberatore) Italian, Tempera and gold on wood
Saint Anne and the Virgin and Child Enthroned with Angels
Niccolò Alunno (Niccolò di Liberatore)
ca. 1458–61
An Apostle, Carlo Crivelli Italian, Tempera and gold on wood
An Apostle
Carlo Crivelli
ca. 1471–73
Center table, Walnut, carved., Italian
Center table
Italian
19th century, second half or early 20th century
One of a pair of pilaster panels, Poplar, Florentine
One of a pair of pilaster panels
Florentine
1385
One of a pair of pilaster panels, A single piece of poplar. Gilt; red-brown bole., Florentine
One of a pair of pilaster panels
Florentine
1385
Altar candlestick (pair with 1975.1.1383), Andrea di Alessandri, called Il Bresciano Italian, Copper alloy with a thick black varnish patina.
Altar candlestick (pair with 1975.1.1383)
Andrea di Alessandri, called Il Bresciano
ca. 1565
Altar candlestick, Andrea di Alessandri, called Il Bresciano Italian, Copper alloy with a thick black varnish patina.
Altar candlestick
Andrea di Alessandri, called Il Bresciano
ca. 1565
Tondo, Giovanni della Robbia Italian, Tin-glazed terracotta
Tondo
Workshop of Giovanni della Robbia
ca. 1500–1520
Folding armchair (sedia a Savonarola type), Walnut, turned and carved; silk, Italian
Folding armchair (sedia a Savonarola type)
Italian
15th century (textile); 19th century (chair, with earlier parts)
Side chair (sgabello, pair with 1975.1.2037), Walnut, carved., Italian
Side chair (sgabello, pair with 1975.1.2037)
Italian
possibly 19th or early 20th century (with reused footboards, possibly 16th or 17th century)
Sprinkler bottle(?), Colorless (purplish gray) and opaque white nonlead glass. Blown, pattern molded, trailed., Façon de venise, possibly Spanish (Barcelona)
Sprinkler bottle(?)
Façon de venise, possibly Spanish (Barcelona)
17th century
Goblet, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti"., Italian (Venice)
Goblet
Italian (Venice)
late 16th century
Bottle, Antonio Salviati Italian, Colorless (slightly gray) and opaque white nonlead glass; pewter mount. Blown, "vetro a fili", trailed.
Bottle
possibly Antonio Salviati
late 19th century
Stemmed cup (?), Colorless (slightly grayish tan) nonlead glass. Blown, pattern molded, trailed, gilt., Italian (Venice) or façon de Venise
Stemmed cup (?)
Italian (Venice) or façon de Venise
probably 16th century
Goblet, Gray nonlead glass. Blown, mold blown, enameled, gilt., Façon de Venise, probably Bohemian
Goblet
Façon de Venise, probably Bohemian
late 16th century
Double cup (Doppelscheuer), Colorless (slightly gray) nonlead glass. Blown, enameled, gilt., Façon de venise, Germany or Silesia (possibly Petersdorf)
Double cup (Doppelscheuer)
Façon de venise, Germany or Silesia (possibly Petersdorf)
late 19th century
Wineglass, Colorless (strongly greenish gray) nonlead glass. Blown, mold blown., Façon de Venise, northern European
Wineglass
Façon de Venise, northern European
16th century
Goblet, Tyrol, Colorless (dark gray) bubbly nonlead glass. Blown, pattern molded, gilt., Façcon de Venise, probably Tyrolean (Hall) or French
Goblet
probably from the Tyrol
probably French
16th century
Covered goblet, Opalescent bluish white nonlead glass. Blown, pattern molded, trailed, pincered, applied parts., probably Italian (Venice)
Covered goblet
probably Italian (Venice)
probably late 19th century
Goblet, Colorless (slightly grayish) nonlead glass. Blown, pattern molded, trailed, enameled, gilt., Italian (Venice)
Goblet
Italian (Venice)
ca. 1500
Goblet, Colorless (slightly gray) and transparent dark blue nonlead glass. Blown, pattern molded, gilt., Italian (Venice)
Goblet
Italian (Venice)
ca. 1500