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Date
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Object type / material
Geographic location
Department
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Armorial tazza
Italian
Possibly French
1499–1514
Goblet, Colorless (yellowish), transparent turquoise blue, and opaque brick red, yellow, and white nonlead glass. Blown, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany
Goblet
Façon de Venise, probably south Lowlands or Germany
17th century
Saints Bartholomew and Simon, Master of Saint Francis Italian, Tempera on wood, gold ground
Saints Bartholomew and Simon
Master of Saint Francis
ca. 1272
Cupboard (credenza), Italian (Tuscan) , first half 16th century Italian, Walnut, poplar, ebony, ebonized wood, maple, Italian, Tuscany
Cupboard (credenza)
Italian (Tuscan)
ca. 1500–1550
Sprinkler bottle(?), Colorless (purplish gray) and opaque white nonlead glass. Blown, pattern molded, trailed., Façon de venise, possibly Spanish (Barcelona)
Sprinkler bottle(?)
Façon de venise, possibly Spanish (Barcelona)
17th century
Goblet, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti"., Italian (Venice)
Goblet
Italian (Venice)
late 16th century
Bottle, Antonio Salviati Italian, Colorless (slightly gray) and opaque white nonlead glass; pewter mount. Blown, "vetro a fili", trailed.
Bottle
possibly Antonio Salviati
late 19th century
Stemmed cup (?), Colorless (slightly grayish tan) nonlead glass. Blown, pattern molded, trailed, gilt., Italian (Venice) or façon de Venise
Stemmed cup (?)
Italian (Venice) or façon de Venise
probably 16th century
Plate, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti"., Italian (Venice)
Plate
Italian (Venice)
late 17th or early 18th century
Footed bowl, Transparent dark blue nonlead glass. Blown, enameled, gilt., Italian (Venice)
Footed bowl
Italian (Venice)
ca. 1500–1525
Armorial tazza, Colorless (slightly gray) nonlead glass. Blown, enameled, gilt., Italian (Venice)
Armorial tazza
Italian (Venice)
ca. 1500–1525
Pitcher, Colorless (gray) and transparent dark blue-green nonlead glass. Blown, ice-glass technique, trailed., Italian (Venice), or façon de Venise
Pitcher
Italian (Venice), or façon de Venise
early 17th century
Covered bowl, Colorless (gray) nonlead glass. Blown, modeled, diamond-point (scratch) engraved., Italian (Venice)
Covered bowl
Italian (Venice)
late 16th century
Inkwell, Transparent dark green glass. Blown, pattern molded., Northern European (probably German)
Inkwell
Northern European (probably German)
17th century
Folding armchair (sedia a Savonarola type), Walnut, turned and carved; silk, Italian
Folding armchair (sedia a Savonarola type)
Italian
15th century (textile); 19th century (chair, with earlier parts)
Wineglass, Colorless (slightly tan) nonlead glass. Blown, pattern molded, trailed, pincered, wheel-engraved., probably Italian (Venice)
Wineglass
probably Italian (Venice)
17th century
Goblet, Colorless (slightly gray) transparent turquoise blue, and opaque brick red, white, and yellow nonlead glass. Blown, pattern molded, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany
Goblet
Façon de Venise, probably south Lowlands or Germany
probably 17th century, possibly 19th century
Cruet and Stopper, Antonio Salviati Italian, Transparent topaz-tinted and dark amethyst nonlead glass. Blown, pattern molded, trailed, applied and impressed parts.
Cruet and Stopper
probably Antonio Salviati
late 19th century
Beaker, Colorless (slightly tan) nonlead glass. Blown, ice-glass technique, trailed, gilt., Italian (Venice) or façon de Venise, probably south Lowlands
Beaker
Italian (Venice) or façon de Venise, probably south Lowlands
late 16th–early 17th century
Liqueur glass, Colorless (slightly gray), opaque white, copper-flecked (goldstone or aventurine), and transparent blue nonlead glass. Blown, "vetro a retorti"., Italian (Venice)
Liqueur glass
Italian (Venice)
late 19th century
Wineglass, Colorless (slightly tan) and transparent bright blue-green bubbly nonlead glass. Blown, trailed, pincered., Façon de Venise, northern European
Wineglass
Façon de Venise, northern European
probably 17th century, possibly late 19th century
Footed vessel (saltcellar?), Antonio Salviati Italian, Topaz-tinted nonlead glass. Blown, pattern molded, applied and impressed parts, gilt.
Footed vessel (saltcellar?)
probably Antonio Salviati
late 19th century
Chandelier, Brass, German
Chandelier
German
19th or 20th century
Wineglass, Colorless (slightly gray) and transparent turquoise blue nonlead glass. Blown, pattern molded, trailed, pincered, milled., Façon de Venise, northern European (possibly the Lowlands)
Wineglass
Façon de Venise, northern European (possibly the Lowlands)
17th century
Vase, Giuseppe Barovier Italian, Translucent amber nonlead glass with multicolored marbling on the exterior. Blown.
Vase
probably Giuseppe Barovier
late 19th century
Center table, Walnut, carved., Italian
Center table
Italian
19th century, second half or early 20th century
One of a pair of pilaster panels, A single piece of poplar. Gilt; red-brown bole., Florentine
One of a pair of pilaster panels
Florentine
1385
Altar candlestick (pair with 1975.1.1383), Andrea di Alessandri, called Il Bresciano Italian, Copper alloy with a thick black varnish patina.
Altar candlestick (pair with 1975.1.1383)
Andrea di Alessandri, called Il Bresciano
ca. 1565
Altar candlestick, Andrea di Alessandri, called Il Bresciano Italian, Copper alloy with a thick black varnish patina.
Altar candlestick
Andrea di Alessandri, called Il Bresciano
ca. 1565
Tondo, Giovanni della Robbia Italian, Tin-glazed terracotta
Tondo
Workshop of Giovanni della Robbia
ca. 1500–1520
Side chair (sgabello, pair with 1975.1.2037), Walnut, carved., Italian
Side chair (sgabello, pair with 1975.1.2037)
Italian
possibly 19th or early 20th century (with reused footboards, possibly 16th or 17th century)
Goblet, Gray nonlead glass. Blown, mold blown, enameled, gilt., Façon de Venise, probably Bohemian
Goblet
Façon de Venise, probably Bohemian
late 16th century
Double cup (Doppelscheuer), Colorless (slightly gray) nonlead glass. Blown, enameled, gilt., Façon de venise, Germany or Silesia (possibly Petersdorf)
Double cup (Doppelscheuer)
Façon de venise, Germany or Silesia (possibly Petersdorf)
late 19th century
Wineglass, Colorless (strongly greenish gray) nonlead glass. Blown, mold blown., Façon de Venise, northern European
Wineglass
Façon de Venise, northern European
16th century
Goblet, Tyrol, Colorless (dark gray) bubbly nonlead glass. Blown, pattern molded, gilt., Façcon de Venise, probably Tyrolean (Hall) or French
Goblet
probably from the Tyrol
probably French
16th century
Covered goblet, Opalescent bluish white nonlead glass. Blown, pattern molded, trailed, pincered, applied parts., probably Italian (Venice)
Covered goblet
probably Italian (Venice)
probably late 19th century
Goblet, Colorless (slightly grayish) nonlead glass. Blown, pattern molded, trailed, enameled, gilt., Italian (Venice)
Goblet
Italian (Venice)
ca. 1500
Goblet, Colorless (slightly gray) and transparent dark blue nonlead glass. Blown, pattern molded, gilt., Italian (Venice)
Goblet
Italian (Venice)
ca. 1500
Beaker (Stangenglas), Colorless (slightly gray) and opaque white nonlead glass; pewter mount. Blown, "vetro a retorti"., probably south Lowlands; possibly Bohemia or Saxony
Beaker (Stangenglas)
probably south Lowlands; possibly Bohemia or Saxony
late 16th century
Covered bottle, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", applied, molded., Italian (Venice)
Covered bottle
Italian (Venice)
early 18th century
Pilgrim flask, Italian , Venetian, early 16th century, Colorless (slightly tan) nonlead glass. Blown, enameled, gilt., Italian (Venice)
Pilgrim flask
Italian
ca. 1500–1525
Bowl, Colorless (slightly gray) and transparent bright green nonlead glass. Blown, pattern molded, enameled, gilt., Italian (Venice)
Bowl
Italian (Venice)
ca. 1500–1525