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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,226 results for 954

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Goblet, Colorless (yellowish), transparent turquoise blue, and opaque brick red, yellow, and white nonlead glass. Blown, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany — Goblet
Façon de Venise, probably south Lowlands or Germany
17th century

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Saints Bartholomew and Simon, Master of Saint Francis Italian, Tempera and gold on wood, Italian, Umbria — Saints Bartholomew and Simon
Master of Saint Francis
1266–75

Cupboard (credenza), Italian (Tuscan) , first half 16th century Italian, Walnut, poplar, ebony, ebonized wood, maple, Italian, Tuscany — Cupboard (credenza)
Italian (Tuscan)
ca. 1500–1550

The Crucifixion, Jacopo Palma the Younger Italian, Oil on canvas — The Crucifixion
Jacopo Palma the Younger

Center table, Walnut, carved., Italian — Center table
Italian
19th century, second half or early 20th century

Altar candlestick (pair with 1975.1.1383), Andrea di Alessandri, called Il Bresciano Italian, Copper alloy with a thick black varnish patina. — Altar candlestick (pair with 1975.1.1383)
Andrea di Alessandri, called Il Bresciano
ca. 1565

Tondo, Giovanni della Robbia Italian, Tin-glazed terracotta — Tondo
Giovanni della Robbia
ca. 1500–1520

Side chair (sgabello, pair with 1975.1.2037), Walnut, carved., Italian — Side chair (sgabello, pair with 1975.1.2037)
Italian
possibly 19th or early 20th century (with reused footboards, possibly 16th or 17th century)

Plate, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti"., Italian (Venice) — Plate
Italian (Venice)
late 17th or early 18th century

Plate, Colorless (slightly gray), opaque red-brown, and opaque white (slightly gray) nonlead glass. Blown, "vetro a retorti"., Italian (Venice) — Plate
Italian (Venice)
probably late 17th century

Bowl, Translucent amber nonlead glass with multicolored marbling on the exterior. Blown, Italian (probably Venice) — Bowl
Italian (probably Venice)
probably late 19th century

Footed bowl, Transparent dark blue nonlead glass. Blown, enameled, gilt., Italian (Venice) — Footed bowl
Italian (Venice)
ca. 1500–1525

Armorial tazza, Colorless (slightly gray) nonlead glass. Blown, enameled, gilt., Italian (Venice) — Armorial tazza
Italian (Venice)
ca. 1500–1525

Tazza, Colorless (slightly gray), bubbly nonlead glass. Blown, pattern molded, enameled, gilt., Italian (Venice) — Tazza
Italian (Venice)
ca. 1500–1525

Tazza, Colorless (slightly gray) nonlead glass. Blown, reverse painted, gilt (unfired)., Venetian or façon de Venise, probably Tyrolean; possibly Venice — Tazza
Venetian or façon de Venise, probably Tyrolean; possibly Venice
ca. 1570

Footed bowl, Colorless (purplish gray) nonlead glass. Blown, pattern molded, enameled, gilt., Italian (Venice) — Footed bowl
Italian (Venice)
ca. 1500–1525

Footed bowl, Translucent red nonlead glass with multicolored marbling on the exterior. Blown., Italian (Venice) — Footed bowl
Italian (Venice)
ca. 1500

Goblet, Colorless (slightly grayish tan) nonlead glass. Blown, pattern molded, enameled, gilt., Italian (Venice) — Goblet
Italian (Venice)
ca. 1500–1525

Vase, Antonio Salviati Italian, Opalescent bluish white and marbled multicolored brownish nonlead glass (strong brownish marbling on the exterior, faint bluish marbling on the interior). Blown, trailed. — Vase
Antonio Salviati
late 19th century

Goblet, Gray-green nonlead glass. Blown, pattern molded, enameled, gilt., Façon de Venise, probably Bohemian — Goblet
Façon de Venise, probably Bohemian
late 16th century

Wineglass, Colorless (slightly purplish gray), bubbly nonlead glass. Blown, diamond-point (scratch) engraved., Façon de Venise, probably northern European (Lowlands or France) — Wineglass
Façon de Venise, probably northern European (Lowlands or France)
early 17th century

Inkwell, Transparent dark green glass. Blown, pattern molded., Northern European (probably German) — Inkwell
Northern European (probably German)
17th century

Folding armchair (sedia a Savonarola type), Walnut, turned and carved; silk, Italian — Folding armchair (sedia a Savonarola type)
Italian
15th century (textile); 19th century (chair, with earlier parts)

Side chair (sgabello, pair with 1975.1.2038), Walnut, carved., Italian — Side chair (sgabello, pair with 1975.1.2038)
Italian
possibly 19th or early 20th century (with reused footborads, possibly 16th or 17th century)

Wineglass, Colorless (slightly tan) nonlead glass. Blown, pattern molded, trailed, pincered, wheel-engraved., probably Italian (Venice) — Wineglass
probably Italian (Venice)
17th century

Footed bowl, Colorless (strong grayish tan), bubbly nonlead glass. Blown, enameled, gilt., Italian (Venice) — Footed bowl
Italian (Venice)
ca. 1500–1525

Tazza, Colorless (slightly tan) nonlead glass. Blown, pattern molded, enameled, gilt., Italian (Venice) — Tazza
Italian (Venice)
ca. 1500–1525

Vase, Colorless (slightly gray) and opaque white nonlead glass. Mold blown, "vetro a retorti" and "vetro a reticello", trailed, molded, gilt., Italian (Venice) — Vase
Italian (Venice)
early 17th century

Armorial goblet, Colorless (strong gray) nonlead glass. Blown, enameled, gilt., Façon de Venise, probably southern Germany or Tyrol — Armorial goblet
Façon de Venise, probably southern Germany or Tyrol
1592

Dessert glass(?), Opalescent bluish white nonlead glass. Blown, pattern molded, trailed., Italian (Venice) — Dessert glass(?)
Italian (Venice)
probably late 17th century

Wineglass, Colorless (slightly gray) nonlead glass. Blown., Italian (Venice) — Wineglass
Italian (Venice)
17th century

Cruet, Transparent amber and opaque white nonlead glass. Blown, trailed, combed., probably northern European (probably German) — Cruet
probably northern European (probably German)
late 17th century

Footed vase, Antonio Salviati Italian, Colorless, opaque turquoise blue, copper flecked (goldstone or aventurine), and opalescent white nonlead glass. Blown, mold blown, trailed, "vetro a retorti", gilt. — Footed vase
Antonio Salviati
late 19th–early 20th century

Goblet, Colorless (slightly gray) nonlead glass; silvered metal fittings. Blown, pattern molded., probably façon de Venise, northern European or Venetian — Goblet
probably façon de Venise, northern European or Venetian
late 16th–mid-17th century

Armorial jug, Colorless (slightly gray) nonlead glass. Blown, enameled, gilt., Italian (Venice) — Armorial jug
Italian (Venice)
1513–34

Footed bowl, Colorless (slightly gray) nonlead glass. Blown, pattern molded, enameled, gilt., Italian (Venice) — Footed bowl
Italian (Venice)
ca. 1500–1525

Beaker, Colorless (slightly purplish gray) nonlead glass. Blown, pattern molded., Northern European (probably Germany) — Beaker
Northern European (probably Germany)
17th century

Colorless (gray) and opaque white nonlead glass. Blown, "vetro a retorti"., Italian, Venice — Italian, Venice
16th century

Armorial flask, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", enameled, gilt., Venetian or façon de Venise, possibly Saxony — Armorial flask
Venetian or façon de Venise, possibly Saxony
mid-16th century