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Showing 3,449 results for Aaron Martinet
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Hé c'est l'ami Carême!, Musée Grotesque No. 53, Aaron Martinet French, Hand-colored etching
Hé c'est l'ami Carême!, Musée Grotesque No. 53
Aaron Martinet
early 19th century
Le Goût du Jour ou Des Chinois du Boulevard Coblentz, from "Caricatures Parisiennes", Aaron Martinet French, Hand-colored etching
Le Goût du Jour ou Des Chinois du Boulevard Coblentz, from "Caricatures Parisiennes"
Aaron Martinet
Anonymous, French, 19th century
ca. 1815
Suite of rebuses
Aaron Martinet
19th century
J'ai été bien maltraité
Aaron Martinet
Feillet
19th century
La Pension de Jeunes Demoiselles
Aaron Martinet
19th century
Les Joueurs
Aaron Martinet
19th century
L'entrée dans le Monde
Aaron Martinet
Delpech
19th century
H ro ro ro ro o! (exclamation Anglaise)
Aaron Martinet
19th century
Le goût du jour, No. 25, le gastronôme après diner
Aaron Martinet
19th century
Les Chapeaux à L'Irato, le suprême bon ton, no. 10; from "Caricatures Parisiennes"
Aaron Martinet
1815
Musée Grotesque, No. 24: Richesse et Misère, ou Rien qu'un
Aaron Martinet
19th century
Le Goût du Jour, No. 21: Les Modernes Incroyables, from "Caricatures Parisiennes", Georges Jacques Gatine French, Hand-colored etching
Le Goût du Jour, No. 21: Les Modernes Incroyables, from "Caricatures Parisiennes"
Georges Jacques Gatine
Aaron Martinet
ca. 1815
Recontre d'Anglais a Paris; Le Suprême Bon-Ton No. 23, Adrien Pierre Godefroy, Le Jeune French, Hand-colored etching
Recontre d'Anglais a Paris; Le Suprême Bon-Ton No. 23
Adrien Pierre Godefroy, Le Jeune
Aaron Martinet
ca. 1815
L'Amour et les Graces Arrivant de Londres; Le Suprême Bon-Ton No. 24, Adrien Pierre Godefroy, Le Jeune French, Hand-colored etching
L'Amour et les Graces Arrivant de Londres; Le Suprême Bon-Ton No. 24
Adrien Pierre Godefroy, Le Jeune
Aaron Martinet
1815
Well, Hello (Eh bonjour– donc–.), Charles Motte French, Hand-colored lithograph; proof with the publisher's address and the dash at the end of the inscription added by hand in pen and brown ink
Well, Hello (Eh bonjour– donc–.)
Charles Motte
Aaron Martinet
1821
Les Visites, Musée Grotesque, No. 21, Anonymous, French, 19th century French, Hand-colored etching
Les Visites, Musée Grotesque, No. 21
Anonymous, French, 19th century
Aaron Martinet
early 19th century
The Concave Petitioner: The Taste of the Day, no. 33 (Le Solliciteur Concave: Le Goût du Jour, No. 33), Anonymous, French, 19th century French, Hand-colored etching
The Concave Petitioner: The Taste of the Day, no. 33 (Le Solliciteur Concave: Le Goût du Jour, No. 33)
Anonymous, French, 19th century
Aaron Martinet
1817
The Convex Petitioner: The Taste of the Day, no. 34 (Le Solliciteur Convèxe: Le Goût du Jour, No. 34), Anonymous, French, 19th century French, Hand-colored etching
The Convex Petitioner: The Taste of the Day, no. 34 (Le Solliciteur Convèxe: Le Goût du Jour, No. 34)
Anonymous, French, 19th century
Aaron Martinet
1817
La Promenade en Bokei; Le Suprême Bon-Ton No. 26, Adrien Pierre Godefroy, Le Jeune French, Hand-colored etching
La Promenade en Bokei; Le Suprême Bon-Ton No. 26
Adrien Pierre Godefroy, Le Jeune
Aaron Martinet
1816
Visit of a Clergyman to Bastide, Sausion, and Collard, Sébastien Coeuré French, Lithograph
Visit of a Clergyman to Bastide, Sausion, and Collard
Sébastien Coeuré
Aaron Martinet
ca. 1825
The mother of the actress, from 'Dramatic sketches,' published in Le Charivari, July 2, 1864, Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil)
The mother of the actress, from 'Dramatic sketches,' published in Le Charivari, July 2, 1864
Multiple artists/makers
July 2, 1864
Pardon, monsieur le directeur..., from "Naïvetés", Honoré Daumier French, Lithograph on newsprint, second state of two (Delteil; Hazard & Delteil)
Pardon, monsieur le directeur..., from "Naïvetés"
Multiple artists/makers
March 21, 1859
Walk-through of an influential critic, from 'Sketches from the Salon,' published in 'Le Charivari,' June 24, 1865, Honoré Daumier French, Lithograph on newsprint; second state (Delteil)
Walk-through of an influential critic, from 'Sketches from the Salon,' published in 'Le Charivari,' June 24, 1865
Multiple artists/makers
June 24, 1865
The landscape painters, the first copies nature, the second copies the first, from 'The artists,' published in Le Charivari, May 12, 1865, Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil)
The landscape painters, the first copies nature, the second copies the first, from 'The artists,' published in Le Charivari, May 12, 1865
Multiple artists/makers
May 12, 1865
Des dames d'un demi-monde, mais n'ayant pas de demi-jupes, from Actualités, published in Le Charivari, May 11, 1855, Honoré Daumier French, Lithograph; second state of two (Delteil)
Des dames d'un demi-monde, mais n'ayant pas de demi-jupes, from Actualités, published in Le Charivari, May 11, 1855
Multiple artists/makers
May 11, 1855
Adèlaïde... Il me semble que je vois... la comète! (Adelaide... I think I see the comet!), from "Croquis Parisiens", Honoré Daumier French, Lithograph; third state of three (Daumier)
Adèlaïde... Il me semble que je vois... la comète! (Adelaide... I think I see the comet!), from "Croquis Parisiens"
Multiple artists/makers
February 18, 1857
Plaisanterie que se permettent maintenant les chevaux, dans le quatier des Champs-Élysées, No. 523 from series Actualités, Honoré Daumier French, Lithograph on newsprint
Plaisanterie que se permettent maintenant les chevaux, dans le quatier des Champs-Élysées, No. 523 from series Actualités
Multiple artists/makers
March 22, 1858
Je viens prévenir le roi Agamemnon qu'on va commencer le 4e acte..., from Croquis Dramatiques, published in Le Charivari, November 27, 1856, Honoré Daumier French, Lithograph; second state of two (Delteil)
Je viens prévenir le roi Agamemnon qu'on va commencer le 4e acte..., from Croquis Dramatiques, published in Le Charivari, November 27, 1856
Multiple artists/makers
November 27, 1856
We are approaching mid-November when the weather starts getting nasty, from 'The countryside gentlemen,' published in Le Charivari, November 28, 1864, Honoré Daumier French, Lithograph on newsprint; third state of three (Delteil)
We are approaching mid-November when the weather starts getting nasty, from 'The countryside gentlemen,' published in Le Charivari, November 28, 1864
Multiple artists/makers
November 28, 1864
V'la une p'tite femme qu'est pas paresseuse..., from "Croquis Dramatiques", Honoré Daumier French, Lithograph; third state of three (Delteil)
V'la une p'tite femme qu'est pas paresseuse..., from "Croquis Dramatiques"
Multiple artists/makers
January 7, 1857
Un rappel de chanteuse..., from Croquis Dramatiques, published in Le Charivari, January 9, 1857, Honoré Daumier French, Lithograph; third state of three (Delteil)
Un rappel de chanteuse..., from Croquis Dramatiques, published in Le Charivari, January 9, 1857
Multiple artists/makers
January 21, 1857
Dire que dans mon temps, moi aussi..., from Croquis Parisiens, published in Le Charivari, January 24, 1857, Honoré Daumier French, Lithograph; third state of three (Delteil)
Dire que dans mon temps, moi aussi..., from Croquis Parisiens, published in Le Charivari, January 24, 1857
Multiple artists/makers
January 25, 1857
Intérieur d'un magasin de St. Pétersbourg..., from Actualités, published in Le Charivari, December 23, 1854, Honoré Daumier French, Lithograph; second state of two (Delteil)
Intérieur d'un magasin de St. Pétersbourg..., from Actualités, published in Le Charivari, December 23, 1854
Multiple artists/makers
December 23, 1854
Les Théâtres au Mois d'Août, from Croquis d'Été, published in Le Charivari, August 21, 1856, Honoré Daumier French, Lithograph; second state of two (Delteil)
Les Théâtres au Mois d'Août, from Croquis d'Été, published in Le Charivari, August 21, 1856
Multiple artists/makers
August 21, 1856
Ayant eu la facheuse idée d'aller...au bord de l'eau, from Croquis d'Été, published in Le Charivari, September 3, 1856, Honoré Daumier French, Lithograph; second state of two (Delteil)
Ayant eu la facheuse idée d'aller...au bord de l'eau, from Croquis d'Été, published in Le Charivari, September 3, 1856
Multiple artists/makers
September 3, 1856
Ohé...les navigateurs...débarquez sans crainte..., from Croquis d'Été, published in Le Charivari, September 10, 1856, Honoré Daumier French, Lithograph; second state of two (Delteil)
Ohé...les navigateurs...débarquez sans crainte..., from Croquis d'Été, published in Le Charivari, September 10, 1856
Multiple artists/makers
September 10, 1856
Et dire qu'on nous interdit d'entrer..., from Les Boursicotières, published in Le Charivari, October 2, 1856, Honoré Daumier French, Lithograph; second state of two (Delteil)
Et dire qu'on nous interdit d'entrer..., from Les Boursicotières, published in Le Charivari, October 2, 1856
Multiple artists/makers
October 2, 1856
C'est peut-être bon...mais c'est égal..., from Les Hippophages, published in Le Charivari, October 23, 1856, Honoré Daumier French, Lithograph; second state of two (Delteil)
C'est peut-être bon...mais c'est égal..., from Les Hippophages, published in Le Charivari, October 23, 1856
Multiple artists/makers
October 2, 1856
Grande révolte des rats de montfaucon, from Les Hippophages, published in Le Charivari, October 21, 1856, Honoré Daumier French, Lithograph; second state of two (Delteil)
Grande révolte des rats de montfaucon, from Les Hippophages, published in Le Charivari, October 21, 1856
Multiple artists/makers
October 21, 1856
Mr. Vautour: –Je ne saurais trop..., from Locataires et Propriétaires, published in Le Charivari, October 20, 1856, Honoré Daumier French, Lithograph; third state of three (Delteil)
Mr. Vautour: –Je ne saurais trop..., from Locataires et Propriétaires, published in Le Charivari, October 20, 1856
Multiple artists/makers
October 20, 1856