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Showing 3,449 results for Aaron Martinet

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Hé c'est l'ami Carême!, Musée Grotesque No. 53, Aaron Martinet French, Hand-colored etching — Hé c'est l'ami Carême!, Musée Grotesque No. 53
Aaron Martinet
early 19th century

Le Goût du Jour ou Des Chinois du Boulevard Coblentz, from "Caricatures Parisiennes", Aaron Martinet French, Hand-colored etching — Le Goût du Jour ou Des Chinois du Boulevard Coblentz, from "Caricatures Parisiennes"
Aaron Martinet
Anonymous, French, 19th century
ca. 1815

Suite of rebuses

Aaron Martinet

19th century

J'ai été bien maltraité

Aaron Martinet

Feillet

19th century

L'entrée dans le Monde

Aaron Martinet

Delpech

19th century

La Pension de Jeunes Demoiselles

Aaron Martinet

19th century

Aaron Martinet

19th century

H ro ro ro ro o! (exclamation Anglaise)

Aaron Martinet

19th century

Musée Grotesque, No. 24: Richesse et Misère, ou Rien qu'un

Aaron Martinet

19th century

Le goût du jour, No. 25, le gastronôme après diner

Aaron Martinet

19th century

Les Chapeaux à L'Irato, le suprême bon ton, no. 10; from "Caricatures Parisiennes"

Aaron Martinet

1815

L'Amour et les Graces Arrivant de Londres; Le Suprême Bon-Ton No. 24, Adrien Pierre Godefroy, Le Jeune French, Hand-colored etching — L'Amour et les Graces Arrivant de Londres; Le Suprême Bon-Ton No. 24
Adrien Pierre Godefroy, Le Jeune
Aaron Martinet
1815

Well, Hello (Eh bonjour– donc–.), Charles Motte French, Hand-colored lithograph; proof with the publisher's address and the dash at the end of the inscription added by hand in pen and brown ink — Well, Hello (Eh bonjour– donc–.)
Charles Motte
Aaron Martinet
1821

The Concave Petitioner: The Taste of the Day, no. 33 (Le Solliciteur Concave: Le Goût du Jour, No. 33), Anonymous, French, 19th century French, Hand-colored etching — The Concave Petitioner: The Taste of the Day, no. 33 (Le Solliciteur Concave: Le Goût du Jour, No. 33)
Anonymous, French, 19th century
Aaron Martinet
1817

The Convex Petitioner: The Taste of the Day, no. 34 (Le Solliciteur Convèxe: Le Goût du Jour, No. 34), Anonymous, French, 19th century French, Hand-colored etching — The Convex Petitioner: The Taste of the Day, no. 34 (Le Solliciteur Convèxe: Le Goût du Jour, No. 34)
Anonymous, French, 19th century
Aaron Martinet
1817

Les Visites, Musée Grotesque, No. 21, Anonymous, French, 19th century French, Etching, hand-colored — Les Visites, Musée Grotesque, No. 21
Anonymous, French, 19th century
Aaron Martinet
early 19th century

La Promenade en Bokei; Le Suprême Bon-Ton No. 26, Adrien Pierre Godefroy, Le Jeune French, Hand-colored etching — La Promenade en Bokei; Le Suprême Bon-Ton No. 26
Adrien Pierre Godefroy, Le Jeune
Aaron Martinet
1816

Le Goût du Jour, No. 21: Les Modernes Incroyables, from "Caricatures Parisiennes", Georges Jacques Gatine French, Hand-colored etching — Le Goût du Jour, No. 21: Les Modernes Incroyables, from "Caricatures Parisiennes"
Georges Jacques Gatine
Aaron Martinet
ca. 1815

Visit of a Clergyman to Bastide, Sausion, and Collard, Sébastien Coeuré French, Lithograph — Visit of a Clergyman to Bastide, Sausion, and Collard
Sébastien Coeuré
Aaron Martinet
ca. 1825

Recontre d'Anglais a Paris; Le Suprême Bon-Ton No. 23, Adrien Pierre Godefroy, Le Jeune French, Hand-colored etching — Recontre d'Anglais a Paris; Le Suprême Bon-Ton No. 23
Adrien Pierre Godefroy, Le Jeune
Aaron Martinet
ca. 1815

The mother of the actress, from 'Dramatic sketches,' published in Le Charivari, July 2, 1864, Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil) — The mother of the actress, from 'Dramatic sketches,' published in Le Charivari, July 2, 1864
Multiple artists/makers
July 2, 1864

The ravaged poets' corner, from 'In the pub,' published in Le Charivari, January 7, 1864, Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil) — The ravaged poets' corner, from 'In the pub,' published in Le Charivari, January 7, 1864
Multiple artists/makers
January 7, 1864

Pardon, monsieur le directeur..., from "Naïvetés", Honoré Daumier French, Lithograph on newsprint, second state of two (Delteil; Hazard & Delteil) — Pardon, monsieur le directeur..., from "Naïvetés"
Multiple artists/makers
March 21, 1859

We are approaching mid-November when the weather starts getting nasty, from 'The countryside gentlemen,' published in Le Charivari, November 28, 1864, Honoré Daumier French, Lithograph on newsprint; third state of three (Delteil) — We are approaching mid-November when the weather starts getting nasty, from 'The countryside gentlemen,' published in Le Charivari, November 28, 1864
Multiple artists/makers
November 28, 1864

Walk-through of an influential critic, from 'Sketches from the Salon,' published in 'Le Charivari,' June 24, 1865, Honoré Daumier French, Lithograph on newsprint; second state (Delteil) — Walk-through of an influential critic, from 'Sketches from the Salon,' published in 'Le Charivari,' June 24, 1865
Multiple artists/makers
June 24, 1865

The landscape painters, the first copies nature, the second copies the first, from 'The artists,' published in Le Charivari, May 12, 1865, Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil) — The landscape painters, the first copies nature, the second copies the first, from 'The artists,' published in Le Charivari, May 12, 1865
Multiple artists/makers
May 12, 1865

Des dames d'un demi-monde, mais n'ayant pas de demi-jupes, from Actualités, published in Le Charivari, May 11, 1855, Honoré Daumier French, Lithograph; second state of two (Delteil) — Des dames d'un demi-monde, mais n'ayant pas de demi-jupes, from Actualités, published in Le Charivari, May 11, 1855
Multiple artists/makers
May 11, 1855

Les allies s'apprètent à pousser les opérations du siège avec plus de vigueur que jamais…, from "Actualités", Honoré Daumier French, Lithograph; second state of two (Delteil) — Les allies s'apprètent à pousser les opérations du siège avec plus de vigueur que jamais…, from "Actualités"
Multiple artists/makers
February 26, 1855

Plaisanterie que se permettent maintenant les chevaux, dans le quatier des Champs-Élysées, No. 523 from series Actualités, Honoré Daumier French, Lithograph on newsprint — Plaisanterie que se permettent maintenant les chevaux, dans le quatier des Champs-Élysées, No. 523 from series Actualités
Multiple artists/makers
March 22, 1858

Adèlaïde... Il me semble que je vois... la comète! (Adelaide... I think I see the comet!), from "Croquis Parisiens", Honoré Daumier French, Lithograph; third state of three (Daumier) — Adèlaïde... Il me semble que je vois... la comète! (Adelaide... I think I see the comet!), from "Croquis Parisiens"
Multiple artists/makers
February 18, 1857

Je viens prévenir le roi Agamemnon qu'on va commencer le 4e acte..., from Croquis Dramatiques, published in Le Charivari, November 27, 1856, Honoré Daumier French, Lithograph; second state of two (Delteil) — Je viens prévenir le roi Agamemnon qu'on va commencer le 4e acte..., from Croquis Dramatiques, published in Le Charivari, November 27, 1856
Multiple artists/makers
November 27, 1856

Émotions Champêtres, from "Actualités", Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil) — Émotions Champêtres, from "Actualités"
Multiple artists/makers
September 10, 1857

Le Restaurant de L'Exposition, from Le Salon de 1857, published in "Le Charivari", Honoré Daumier French, Lithograph; third state of three (Delteil) — Le Restaurant de L'Exposition, from Le Salon de 1857, published in "Le Charivari"
Multiple artists/makers
July 1, 1857

Décidément, ce qui, cette année, obtient le plus de succès à l'exposition de sculpture..., from Le Salon de 1857, published in "Le Charivari", Honoré Daumier French, Lithograph; second state of two (Delteil) — Décidément, ce qui, cette année, obtient le plus de succès à l'exposition de sculpture..., from Le Salon de 1857, published in "Le Charivari"
Multiple artists/makers
July 21, 1857

Comment, c'est dans cette cave que sont les scultpures?..., from Le Salon de 1857, published in "Le Charivari", Honoré Daumier French, Lithograph; second state of two (Delteil) — Comment, c'est dans cette cave que sont les scultpures?..., from Le Salon de 1857, published in "Le Charivari"
Multiple artists/makers
July 2, 1857

On a beau dire..., from Ces Bons Parisiens, published in Le Charivari, September 4, 1857, Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil) — On a beau dire..., from Ces Bons Parisiens, published in Le Charivari, September 4, 1857
Multiple artists/makers
September 4, 1857

À L'Odéon, from Actualités, published in Le Charivari, November 17, 1857, Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil) — À L'Odéon, from Actualités, published in Le Charivari, November 17, 1857
Multiple artists/makers
November 17, 1857

Ce perdreau est mort sur mon terrain..., from "Émotions de Chasse", Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil) — Ce perdreau est mort sur mon terrain..., from "Émotions de Chasse"
Multiple artists/makers
October 10, 1857

Oh! mame Chaboulard,... qu'est ce qu'y va nous arriver pendant ces douze mois..., from "Actualités", Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil) — Oh! mame Chaboulard,... qu'est ce qu'y va nous arriver pendant ces douze mois..., from "Actualités"
Multiple artists/makers
January 11, 1858

Apparition du fameux serpent de la rue Lacépède..., from Actualités, published in "Le Charivari", Honoré Daumier French, Lithograph — Apparition du fameux serpent de la rue Lacépède..., from Actualités, published in "Le Charivari"
Multiple artists/makers
March 18, 1858