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Showing 955 results for Absalom Klinger

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Coverlet, Absalom Klinger American, Cotton warp, cotton and wool weft, woven, American — Coverlet
Absalom Klinger
1846

Galatea, Max Klinger German, Cast silver; marble, German — Galatea
Max Klinger
Noack and Brückner Foundry
1906

Head of a Bearded Man Wearing a Turban (recto); Latin script (verso), Master of the Death of Absalom (?) probably Northern Netherlands, Brush and black brown ink heightened with white gouache on slate gray prepared paper. — Head of a Bearded Man Wearing a Turban (recto); Latin script (verso)
Master of the Death of Absalom (?)
ca. 1510

Title Page from Eva und die Zukunft (Rad.-Werk III), Max Klinger German, Etching — Title Page from Eva und die Zukunft (Rad.-Werk III)
Max Klinger
Wilhelm Felsing
1898

Eva from Eva und die Zukunft (Rad.-Werk III), Max Klinger German, Etching; eighth state of eight — Eva from Eva und die Zukunft (Rad.-Werk III)
Max Klinger
Wilhelm Felsing
1898

Erste Zukunft from Eva und die Zukunft (Rad.-Werk III), Max Klinger German, Etching and aquatint; seventh state of seven — Erste Zukunft from Eva und die Zukunft (Rad.-Werk III)
Max Klinger
Wilhelm Felsing
1898

Die Schlange from Eva und die Zukunft (Rad.-Werk III), Max Klinger German, Etching; ninth state of nine — Die Schlange from Eva und die Zukunft (Rad.-Werk III)
Max Klinger
Wilhelm Felsing
1898

Zweite Zukunft from Eva und die Zukunft (Rad.-Werk III), Max Klinger German, Etching and aquatint; eighth state of eight — Zweite Zukunft from Eva und die Zukunft (Rad.-Werk III)
Max Klinger
Wilhelm Felsing
1898

Adam from Eva und die Zukunft (Rad.-Werk III), Max Klinger German, Etching and aquatint; seventh state of seven — Adam from Eva und die Zukunft (Rad.-Werk III)
Max Klinger
Wilhelm Felsing
1898

Dritte Zukunft from Eva und die Zukunft (Rad.-Werk III), Max Klinger German, Etching; ninth state of nine — Dritte Zukunft from Eva und die Zukunft (Rad.-Werk III)
Max Klinger
Wilhelm Felsing
1898

Title Page from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI. First edition, Max Klinger German, Title-page with an etching; housed in original portfolio; first edition — Title Page from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI. First edition
Max Klinger
F. Felsing
1881

Ort (Place) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate I. First edition, Max Klinger German, Etching, drypoint and aquatint on chine collé; first edition — Ort (Place) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate I. First edition
Max Klinger
F. Felsing
1881

Action (plate two from Paraphrase on the Finding of a Glove), Max Klinger German, Etching, drypoint and aquatint on chine collé; first edition; state three of six — Action (plate two from Paraphrase on the Finding of a Glove)
Max Klinger
F. Felsing
1881

Ruhe (Repose) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VIII. First edition, Max Klinger German, Etching, drypoint and aquatint on chine collé; first edition — Ruhe (Repose) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VIII. First edition
Max Klinger
F. Felsing
1881

Abduction (plate nine from Paraphrase on the Finding of a Glove), Max Klinger German, Etching, drypoint and aquatint on chine collé; first edition; state two of five — Abduction (plate nine from Paraphrase on the Finding of a Glove)
Max Klinger
F. Felsing
1881

Amor (Cupid) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate X. First edition, Max Klinger German, Etching, drypoint and aquatint on chine collé; first edition — Amor (Cupid) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate X. First edition
Max Klinger
F. Felsing
1881

Three Studies of Heads of Women, Max Klinger German, Pen and black ink — Three Studies of Heads of Women
Max Klinger
1883

The Release of Prometheus, Max Klinger German, Pen and black ink on buff stock — The Release of Prometheus
Max Klinger
late 19th–early 20th century

Pegasus and the Young Bellephron, Max Klinger German, Pen and black ink on buff stock — Pegasus and the Young Bellephron
Max Klinger
late 19th–early 20th century

Design for a Title Page for Sheet Music, Max Klinger German, Pen and black ink, brush and gray wash, red gouache, corrected with white; partially incised for transfer; strips added at top and at right — Design for a Title Page for Sheet Music
Max Klinger
late 19th–early 20th century

Wounded Crane with an Arrow in its Breast Before Setting Sun, Max Klinger German, Pen and ink on buff stock — Wounded Crane with an Arrow in its Breast Before Setting Sun
Max Klinger
late 19th–early 20th century

An die Schönheit, from the series Vom Tode Zweiter Teil, Max Klinger German, Engraving and etching — An die Schönheit, from the series Vom Tode Zweiter Teil
Max Klinger
1898–1910

Intermezzi, Opus IV, Max Klinger German, Etching and aquatint — Intermezzi, Opus IV
Max Klinger
Stroefer
1881

Siesta I, from the series Radierte Skizzen, Max Klinger German, Etching and aquatint; third or fourth state of four — Siesta I, from the series Radierte Skizzen
Max Klinger
n.d.

Mondnacht, from Intermezzi, plate 4, Max Klinger German, Etching and aquatint — Mondnacht, from Intermezzi, plate 4
Max Klinger
n.d.

Kämpfende Centauren (Fighting Centaurs), Max Klinger German, Etching and aquatint; second state — Kämpfende Centauren (Fighting Centaurs)
Max Klinger
1870–1920

Studies for headpieces and vignettes in the book, Amor und Psyche (Opus V), Max Klinger German, Pen and ink on blue paper — Studies for headpieces and vignettes in the book, Amor und Psyche (Opus V)
Max Klinger
1878

Max Klinger's Radierungen zu Apulejus' Märchen Amor und Psyche, Opus V a+b, Max Klinger German, Etching and aquatint — Max Klinger's Radierungen zu Apulejus' Märchen Amor und Psyche, Opus V a+b
Multiple artists/makers
after 1909

Eva und die Zukunft (Rad.-Werk III), Max Klinger German, Etching — Eva und die Zukunft (Rad.-Werk III)
Max Klinger
Wilhelm Felsing
1898

A Life, Max Klinger German, Series of fourteen etchings (fifteen in the edition) with original cardboard portfolio — A Life
Max Klinger
Wilhelm Felsing
1884–98

View from the Artist's Studio Window, Rome, Max Klinger German, Etching on thin Chinese paper — View from the Artist's Studio Window, Rome
Max Klinger
1890

The Head of a Young Woman Wearing a Bonnet, Max Klinger German, Graphite with pen, brush and ink — The Head of a Young Woman Wearing a Bonnet
Max Klinger
ca. 1880–82

Going Under (from the series A Life), Max Klinger German, Etching and aquatint; final state of six — Going Under (from the series A Life)
Max Klinger
1884, 4th edition 1898

Self-portrait, Max Klinger German, Etching — Self-portrait
Max Klinger
1918

Titelblatt, from the series "Radierte Skizzen", Max Klinger German, Etching and aquatint on chine collé — Titelblatt, from the series "Radierte Skizzen"
Max Klinger
n.d.

Malerische Zueignung, from the series Radierte Skizzen, Max Klinger German — Malerische Zueignung, from the series Radierte Skizzen
Max Klinger
n.d.

Frühlingsanfang, from the series "Radierte Skizzen", Max Klinger German, Etching and aquatint on chine collé — Frühlingsanfang, from the series "Radierte Skizzen"
Max Klinger
n.d.

Schaukel, from the series Radierte Skizzen, Max Klinger German — Schaukel, from the series Radierte Skizzen
Max Klinger
n.d.

Verfolgung, from the series Radierte Skizzen, Max Klinger German — Verfolgung, from the series Radierte Skizzen
Max Klinger
n.d.

Sterbender Wanderer, from the series Radierte Skizzen, Max Klinger German — Sterbender Wanderer, from the series Radierte Skizzen
Max Klinger
n.d.