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1-42 of 606 results for Agostino Fecia
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Metodo Pratico e Progressive per l'Insegnamento della Lingua Italiana
Multiple artists/makers
1839
Oil lamp in the form of a bearded athlete balanced on his knees, Agostino Zoppo Italian, Bronze, partially oil-gilt, Italian, Padua
Oil lamp in the form of a bearded athlete balanced on his knees
Agostino Zoppo
ca. 1520–30
Saint Bridget of Sweden Receiving the Rule of Her Order, Agostino d'Antonio di Duccio Italian, Florence, Marble, Italian, Perugia
Saint Bridget of Sweden Receiving the Rule of Her Order
Agostino d'Antonio di Duccio
1459
Moses Striking the Rock from a set of the Life of Moses, Agostino Melissi Italian, Wool, silk (13-15 warps per inch, 6 per cm.), Italian, Florence
Moses Striking the Rock from a set of the Life of Moses
Agostino Melissi
Bernardino van Asselt
ca. 1650–57
Chronos, Agostino Zoppo Italian, Bronze, Italian, Padua
Chronos
Agostino Zoppo
mid-16th century
Sibyl, Agostino Zoppo Italian, Bronze, Italian, Padua
Sibyl
Agostino Zoppo
mid-16th century
Landscape with Erminia, Agostino Tassi Italian, Oil on wood
Landscape with Erminia
Agostino Tassi
ca. 1630
Candlestick, Agostino Veneziano (Agostino dei Musi) Italian, Low zinc brass, German
Candlestick
Agostino Veneziano (Agostino dei Musi)
late 16th century
Saint Peter's Basilica, Agostino Veneziano (Agostino dei Musi) Italian, Engraving
Saint Peter's Basilica
Agostino Veneziano (Agostino dei Musi)
1517
Lounge suit, Agostino La Cavera, wool, American
Lounge suit
Agostino La Cavera
George T. Keen Inc.
ca. 1915
Lounge suit, Agostino La Cavera, wool, American
Lounge suit
Agostino La Cavera
George T. Keen Inc.
1916
Design for Rear Decoration of a Coach, Agostino Letterini Italian, Pen and brown ink, brush and gray wash over traces of leadpoint
Design for Rear Decoration of a Coach
Agostino Letterini
Bartolomeo Letterini
n.d.
Studies for the Education of the Virgin, Agostino Masucci Italian, Pen and brown ink
Studies for the Education of the Virgin
Agostino Masucci
1692–1758
The Virgin Appearing at Mass, Agostino Masucci Italian, Red chalk, pen and brown ink. Squared in red chalk; framing lines in pen and brown ink
The Virgin Appearing at Mass
Agostino Masucci
1692–1758
Ogni cosa vince l'oro, Agostino Carracci Italian, Engraving
Ogni cosa vince l'oro
Agostino Carracci
ca. 1590–95
Sine Cerere et Baccho Friget Venus, Agostino Carracci Italian, Engraving
Sine Cerere et Baccho Friget Venus
Agostino Carracci
1599
Saint Paul raising Patroclus who is on the ground, surrounded by a group of onlookers, a dog in the foreground at left, Agostino Carracci Italian, Engraving
Saint Paul raising Patroclus who is on the ground, surrounded by a group of onlookers, a dog in the foreground at left
Agostino Carracci
Antonio Campi
1583
Christ on the cross, Saint John to the right looking toward him, to the left is the fainting Virgin Mary supported by two women, Agostino Carracci Italian, Engraving
Christ on the cross, Saint John to the right looking toward him, to the left is the fainting Virgin Mary supported by two women
Multiple artists/makers
1582
Pietà: Christ supported by the Virgin and an angel at the right, Agostino Carracci Italian, Engraving
Pietà: Christ supported by the Virgin and an angel at the right
Multiple artists/makers
1582
Allegory of the Psalm of David, Agostino Carracci Italian, Engraving
Allegory of the Psalm of David
Agostino Carracci
Orazio Samacchini
1579
The Crucifixion, Agostino Carracci Italian, Engraving
The Crucifixion
Agostino Carracci
Paolo Veronese (Paolo Caliari)
1582
Omnia Vincit Amor, Agostino Carracci Italian, Engraving
Omnia Vincit Amor
Agostino Carracci
1599
Aeneas and his family fleeing Troy, Agostino Carracci Italian, Engraving
Aeneas and his family fleeing Troy
Multiple artists/makers
1595
The mystic marriage of Saint Catherine who sits at center with the Christ child, angels with instruments at the left, Agostino Carracci Italian, Engraving
The mystic marriage of Saint Catherine who sits at center with the Christ child, angels with instruments at the left
Agostino Carracci
Paolo Veronese (Paolo Caliari)
1585
Ecce Homo, Agostino Carracci Italian, Engraving
Ecce Homo
Agostino Carracci
Correggio (Antonio Allegri)
1587
Bust of an Old Man, Agostino Carracci Italian, Engraving
Bust of an Old Man
Agostino Carracci
ca. 1583
Architect in His Study Holding a Compass and Conversing with Three Men, Agostino Tassi Italian, Pen and brown ink, brush and brown wash, over traces of black chalk on cream paper; framing line along right edge in brown ink
Architect in His Study Holding a Compass and Conversing with Three Men
Agostino Tassi
17th century
Studies of Nudes and Human Heads (recto and on the verso), Agostino Carracci Italian, Pen and brown ink over traces of graphite
Studies of Nudes and Human Heads (recto and on the verso)
Agostino Carracci
1557–1602
Stage set for the marriage of Ferdinand de' Medici and Christine of Lorraine in Florence in 1589; Apollo and the Python, Agostino Carracci Italian, Etching and engraving
Stage set for the marriage of Ferdinand de' Medici and Christine of Lorraine in Florence in 1589; Apollo and the Python
Multiple artists/makers
1589–92
Coat of Arms of a Cardinal of the Sampieri Family, Agostino Carracci Italian, Engraving
Coat of Arms of a Cardinal of the Sampieri Family
Agostino Carracci
1590–95
Orpheus and Eurydice, Agostino Carracci Italian, Engraving, second state
Orpheus and Eurydice
Agostino Carracci
ca. 1590–95
Stage set for the marriage of Ferdinand de' Medici and Christine of Lorraine in Florence in 1589; Apollo and the Python, Agostino Carracci Italian, Etching, engraving
Stage set for the marriage of Ferdinand de' Medici and Christine of Lorraine in Florence in 1589; Apollo and the Python
Multiple artists/makers
1589–92
Satyr whipping a nymph, who is shown from behind and bound to a tree, a second satyr bearing a club stands in the middle ground, Agostino Carracci Italian, Engraving
Satyr whipping a nymph, who is shown from behind and bound to a tree, a second satyr bearing a club stands in the middle ground
Agostino Carracci
ca. 1590–95
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree, Agostino Carracci Italian, Engraving
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Agostino Carracci
1599
The Goddess Diana with Her Hounds Standing in a Landscape, Agostino Tassi Italian, Pen and brown ink, brush and brown wash
The Goddess Diana with Her Hounds Standing in a Landscape
Agostino Tassi
n.d.
Studies and Sketches for Figures: Standing Male Nude in Frontal View, Male Heads, Seated Monkey, and a Long-Beaked Bird (a Stork?) (recto); Figure Studies: Back View of Standing Male and Female Heads, a Flying Long-Beaked Bird, etc. (verso), Agostino Carracci Italian, Pen and brown ink, over traces of leadpoint or soft black chalk (recto and verso)
Studies and Sketches for Figures: Standing Male Nude in Frontal View, Male Heads, Seated Monkey, and a Long-Beaked Bird (a Stork?) (recto); Figure Studies: Back View of Standing Male and Female Heads, a Flying Long-Beaked Bird, etc. (verso)
Agostino Carracci
1557–1602
Figure Studies for Various Female and Male Figures (recto); Threes Amors in the Garden of Venus (verso), Agostino Carracci Italian, Pen and brown ink, some sketches over red chalk, some faint scribbles in charcoal (recto); pen and brown ink, brush and gray-blue wash (verso)
Figure Studies for Various Female and Male Figures (recto); Threes Amors in the Garden of Venus (verso)
Agostino Carracci
1600–02
Bust-Length Portrait of a Woman (recto); Bust-Length Study of a Girl (verso), Agostino Carracci Italian, Red chalk, over black chalk (recto); red chalk (verso)
Bust-Length Portrait of a Woman (recto); Bust-Length Study of a Girl (verso)
Agostino Carracci
1577–1602
The Martyrdom of Saint Clement I, Pope, Agostino Ciampelli Italian, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brownish paper
The Martyrdom of Saint Clement I, Pope
Agostino Ciampelli
1596–97
Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso), Agostino Carracci Italian, Pen and brown ink, over black chalk underdrawing
Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)
Agostino Carracci
ca. 1590–93
Standing Male Nude, Agostino Ciampelli Italian, Red chalk
Standing Male Nude
Agostino Ciampelli
Capital decorated with Acanthus Leaves from the Church of Sant' Agnese fuori le mura, from "Speculum Romanae Magnificentiae", Agostino Veneziano (Agostino dei Musi) Italian, Engraving
Capital decorated with Acanthus Leaves from the Church of Sant' Agnese fuori le mura, from "Speculum Romanae Magnificentiae"
Agostino Veneziano (Agostino dei Musi)
ca. 1514–36