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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 675 results for Agostino Letterini
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Design for Rear Decoration of a Coach, Agostino Letterini  Italian, Pen and brown ink, brush and gray wash over traces of leadpoint
Agostino Letterini
Bartolomeo Letterini
n.d.
Oil lamp in the form of a bearded athlete balanced on his knees, Agostino Zoppo  Italian, Bronze, partially oil-gilt, Italian, Padua
Agostino Zoppo
ca. 1520–30
Saint Bridget of Sweden Receiving the Rule of Her Order, Agostino d'Antonio di Duccio  Italian, Florence, Marble, Italian, Perugia
Agostino d'Antonio di Duccio
1459
Chronos, Agostino Zoppo  Italian, Bronze, Italian, Padua
Agostino Zoppo
mid-16th century
Sibyl, Agostino Zoppo  Italian, Bronze, Italian, Padua
Agostino Zoppo
mid-16th century
Moses Striking the Rock from a set of the Life of Moses, Agostino Melissi  Italian, Wool, silk (13-15 warps per inch, 6 per cm.), Italian, Florence
Agostino Melissi
Bernardino van Asselt
ca. 1650–57
Landscape with Erminia, Agostino Tassi  Italian, Oil on wood
Agostino Tassi
ca. 1630
Candlestick, Agostino Veneziano (Agostino dei Musi)  Italian, Low zinc brass, German
Agostino Veneziano (Agostino dei Musi)
late 16th century
Lounge suit, Agostino La Cavera, wool, American
Agostino La Cavera
George T. Keen Inc.
ca. 1915
Lounge suit, Agostino La Cavera, wool, American
Agostino La Cavera
George T. Keen Inc.
1916
Satyr whipping a nymph, who is shown from behind and bound to a tree, a second satyr bearing a club stands in the middle ground, Agostino Carracci  Italian, Engraving
Agostino Carracci
ca. 1590–95
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree, Agostino Carracci  Italian, Engraving
Agostino Carracci
1599
Architect in His Study Holding a Compass and Conversing with Three Men, Agostino Tassi  Italian, Pen and brown ink, brush and brown wash, over traces of black chalk on cream paper; framing line along right edge in brown ink
Agostino Tassi
17th century
Studies of Nudes and Human Heads (recto and on the verso), Agostino Carracci  Italian, Pen and brown ink over traces of graphite
Agostino Carracci
1557–1602
Pietà: Christ supported by the Virgin and an angel at the right, Agostino Carracci  Italian, Engraving
Multiple artists/makers
1582
The mystic marriage of Saint Catherine who sits at center with the Christ child, angels with instruments at the left, Agostino Carracci  Italian, Engraving
Agostino Carracci
Paolo Veronese (Paolo Caliari)
1585
Ecce Homo, Agostino Carracci  Italian, Engraving
Agostino Carracci
Correggio (Antonio Allegri)
1587
Allegory of the Psalm of David, Agostino Carracci  Italian, Engraving
Agostino Carracci
Orazio Samacchini
1579
Omnia Vincit Amor, Agostino Carracci  Italian, Engraving
Agostino Carracci
1599
Studies for the Education of the Virgin, Agostino Masucci  Italian, Pen and brown ink
Agostino Masucci
1692–1758
The Virgin Appearing at Mass, Agostino Masucci  Italian, Red chalk, pen and brown ink. Squared in red chalk; framing lines in pen and brown ink
Agostino Masucci
1692–1758
Ogni cosa vince l'oro, Agostino Carracci  Italian, Engraving
Agostino Carracci
ca. 1590–95
Stage set for the marriage of Ferdinand de' Medici and Christine of Lorraine in Florence in 1589; Apollo and the Python, Agostino Carracci  Italian, Etching and engraving
Multiple artists/makers
1589–92
Saint Paul raising Patroclus who is on the ground, surrounded by a group of onlookers, a dog in the foreground at left, Agostino Carracci  Italian, Engraving
Agostino Carracci
Antonio Campi
1583
Orpheus and Eurydice, Agostino Carracci  Italian, Engraving, second state
Agostino Carracci
ca. 1590–95
Stage set for the marriage of Ferdinand de' Medici and Christine of Lorraine in Florence in 1589; Apollo and the Python, Agostino Carracci  Italian, Etching, engraving
Multiple artists/makers
1589–92
Studies and Sketches for Figures: Standing Male Nude in Frontal View, Male Heads, Seated Monkey, and a Long-Beaked Bird (a Stork?) (recto); Figure Studies:  Back View of Standing Male and Female Heads, a Flying Long-Beaked Bird, etc. (verso), Agostino Carracci  Italian, Pen and brown ink, over traces of leadpoint or soft black chalk (recto and verso)
Agostino Carracci
1557–1602
Figure Studies for Various Female and Male Figures (recto); Threes Amors in the Garden of Venus (verso), Agostino Carracci  Italian, Pen and brown ink, some sketches over red chalk, some faint scribbles in charcoal (recto); pen and brown ink, brush and gray-blue wash (verso)
Agostino Carracci
1600–02
Bust-Length Portrait of a Woman (recto); Bust-Length Study of a Girl (verso), Agostino Carracci  Italian, Red chalk, over possible traces of black chalk (recto); red chalk (verso)
Agostino Carracci
1557–1602
The Martyrdom of Saint Clement I, Pope, Agostino Ciampelli  Italian, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brownish paper
Agostino Ciampelli
1596–97
The Goddess Diana with Her Hounds Standing in a Landscape, Agostino Tassi  Italian, Pen and brown ink, brush and brown wash
Agostino Tassi
n.d.
Sine Cerere et Baccho Friget Venus, Agostino Carracci  Italian, Engraving
Agostino Carracci
1599
Christ on the cross, Saint John to the right looking toward him, to the left is the fainting Virgin Mary supported by two women, Agostino Carracci  Italian, Engraving
Multiple artists/makers
1582
The Crucifixion, Agostino Carracci  Italian, Engraving
Agostino Carracci
Paolo Veronese (Paolo Caliari)
1582
Bust of an Old Man, Agostino Carracci  Italian, Engraving
Agostino Carracci
ca. 1583
Coat of Arms of a Cardinal of the Sampieri Family, Agostino Carracci  Italian, Engraving
Agostino Carracci
1590–95
Aeneas and his family fleeing Troy, Agostino Carracci  Italian, Engraving
Multiple artists/makers
1595
Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso), Agostino Carracci  Italian, Pen and brown ink, over black chalk underdrawing
Agostino Carracci
ca. 1590–93
Standing Male Nude, Agostino Ciampelli  Italian, Red chalk
Agostino Ciampelli
The three holy women going to the sepulchre, Agostino Veneziano (Agostino dei Musi)  Italian, Engraving
Agostino Veneziano (Agostino dei Musi)
Raphael (Raffaello Sanzio or Santi)
ca. 1514–36