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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 675 results for Agostino Letterini

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Design for Rear Decoration of a Coach, Agostino Letterini Italian, Pen and brown ink, brush and gray wash over traces of leadpoint — Design for Rear Decoration of a Coach
Agostino Letterini
Bartolomeo Letterini
n.d.

Oil lamp in the form of a bearded athlete balanced on his knees, Agostino Zoppo Italian, Bronze, partially oil-gilt, Italian, Padua — Oil lamp in the form of a bearded athlete balanced on his knees
Agostino Zoppo
ca. 1520–30

Saint Bridget of Sweden Receiving the Rule of Her Order, Agostino d'Antonio di Duccio Italian, Florence, Marble, Italian, Perugia — Saint Bridget of Sweden Receiving the Rule of Her Order
Agostino d'Antonio di Duccio
1459

Chronos, Agostino Zoppo Italian, Bronze, Italian, Padua — Chronos
Agostino Zoppo
mid-16th century

Sibyl, Agostino Zoppo Italian, Bronze, Italian, Padua — Sibyl
Agostino Zoppo
mid-16th century

Moses Striking the Rock from a set of the Life of Moses, Agostino Melissi Italian, Wool, silk (13-15 warps per inch, 6 per cm.), Italian, Florence — Moses Striking the Rock from a set of the Life of Moses
Agostino Melissi
Bernardino van Asselt
ca. 1650–57

Landscape with Erminia, Agostino Tassi Italian, Oil on wood — Landscape with Erminia
Agostino Tassi
ca. 1630

Candlestick, Agostino Veneziano (Agostino dei Musi) Italian, Low zinc brass, German — Candlestick
Agostino Veneziano (Agostino dei Musi)
late 16th century

Lounge suit, Agostino La Cavera, wool, American — Lounge suit
Agostino La Cavera
George T. Keen Inc.
ca. 1915

Lounge suit, Agostino La Cavera, wool, American — Lounge suit
Agostino La Cavera
George T. Keen Inc.
1916

Satyr whipping a nymph, who is shown from behind and bound to a tree, a second satyr bearing a club stands in the middle ground, Agostino Carracci Italian, Engraving — Satyr whipping a nymph, who is shown from behind and bound to a tree, a second satyr bearing a club stands in the middle ground
Agostino Carracci
ca. 1590–95

Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree, Agostino Carracci Italian, Engraving — Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Agostino Carracci
1599

Architect in His Study Holding a Compass and Conversing with Three Men, Agostino Tassi Italian, Pen and brown ink, brush and brown wash, over traces of black chalk on cream paper; framing line along right edge in brown ink — Architect in His Study Holding a Compass and Conversing with Three Men
Agostino Tassi
17th century

Studies of Nudes and Human Heads (recto and on the verso), Agostino Carracci Italian, Pen and brown ink over traces of graphite — Studies of Nudes and Human Heads (recto and on the verso)
Agostino Carracci
1557–1602

Pietà: Christ supported by the Virgin and an angel at the right, Agostino Carracci Italian, Engraving — Pietà: Christ supported by the Virgin and an angel at the right
Multiple artists/makers
1582

The mystic marriage of Saint Catherine who sits at center with the Christ child, angels with instruments at the left, Agostino Carracci Italian, Engraving — The mystic marriage of Saint Catherine who sits at center with the Christ child, angels with instruments at the left
Agostino Carracci
Paolo Veronese (Paolo Caliari)
1585

Ecce Homo, Agostino Carracci Italian, Engraving — Ecce Homo
Agostino Carracci
Correggio (Antonio Allegri)
1587

Allegory of the Psalm of David, Agostino Carracci Italian, Engraving — Allegory of the Psalm of David
Agostino Carracci
Orazio Samacchini
1579

Omnia Vincit Amor, Agostino Carracci Italian, Engraving — Omnia Vincit Amor
Agostino Carracci
1599

Studies for the Education of the Virgin, Agostino Masucci Italian, Pen and brown ink — Studies for the Education of the Virgin
Agostino Masucci
1692–1758

The Virgin Appearing at Mass, Agostino Masucci Italian, Red chalk, pen and brown ink. Squared in red chalk; framing lines in pen and brown ink — The Virgin Appearing at Mass
Agostino Masucci
1692–1758

Ogni cosa vince l'oro, Agostino Carracci Italian, Engraving — Ogni cosa vince l'oro
Agostino Carracci
ca. 1590–95

Stage set for the marriage of Ferdinand de' Medici and Christine of Lorraine in Florence in 1589; Apollo and the Python, Agostino Carracci Italian, Etching and engraving — Stage set for the marriage of Ferdinand de' Medici and Christine of Lorraine in Florence in 1589; Apollo and the Python
Multiple artists/makers
1589–92

Saint Paul raising Patroclus who is on the ground, surrounded by a group of onlookers, a dog in the foreground at left, Agostino Carracci Italian, Engraving — Saint Paul raising Patroclus who is on the ground, surrounded by a group of onlookers, a dog in the foreground at left
Agostino Carracci
Antonio Campi
1583

Orpheus and Eurydice, Agostino Carracci Italian, Engraving, second state — Orpheus and Eurydice
Agostino Carracci
ca. 1590–95

Stage set for the marriage of Ferdinand de' Medici and Christine of Lorraine in Florence in 1589; Apollo and the Python, Agostino Carracci Italian, Etching, engraving — Stage set for the marriage of Ferdinand de' Medici and Christine of Lorraine in Florence in 1589; Apollo and the Python
Multiple artists/makers
1589–92

Studies and Sketches for Figures: Standing Male Nude in Frontal View, Male Heads, Seated Monkey, and a Long-Beaked Bird (a Stork?) (recto); Figure Studies: Back View of Standing Male and Female Heads, a Flying Long-Beaked Bird, etc. (verso), Agostino Carracci Italian, Pen and brown ink, over traces of leadpoint or soft black chalk (recto and verso) — Studies and Sketches for Figures: Standing Male Nude in Frontal View, Male Heads, Seated Monkey, and a Long-Beaked Bird (a Stork?) (recto); Figure Studies: Back View of Standing Male and Female Heads, a Flying Long-Beaked Bird, etc. (verso)
Agostino Carracci
1557–1602

Figure Studies for Various Female and Male Figures (recto); Threes Amors in the Garden of Venus (verso), Agostino Carracci Italian, Pen and brown ink, some sketches over red chalk, some faint scribbles in charcoal (recto); pen and brown ink, brush and gray-blue wash (verso) — Figure Studies for Various Female and Male Figures (recto); Threes Amors in the Garden of Venus (verso)
Agostino Carracci
1600–02

Bust-Length Portrait of a Woman (recto); Bust-Length Study of a Girl (verso), Agostino Carracci Italian, Red chalk, over possible traces of black chalk (recto); red chalk (verso) — Bust-Length Portrait of a Woman (recto); Bust-Length Study of a Girl (verso)
Agostino Carracci
1557–1602

The Martyrdom of Saint Clement I, Pope, Agostino Ciampelli Italian, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brownish paper — The Martyrdom of Saint Clement I, Pope
Agostino Ciampelli
1596–97

The Goddess Diana with Her Hounds Standing in a Landscape, Agostino Tassi Italian, Pen and brown ink, brush and brown wash — The Goddess Diana with Her Hounds Standing in a Landscape
Agostino Tassi
n.d.

Sine Cerere et Baccho Friget Venus, Agostino Carracci Italian, Engraving — Sine Cerere et Baccho Friget Venus
Agostino Carracci
1599

Christ on the cross, Saint John to the right looking toward him, to the left is the fainting Virgin Mary supported by two women, Agostino Carracci Italian, Engraving — Christ on the cross, Saint John to the right looking toward him, to the left is the fainting Virgin Mary supported by two women
Multiple artists/makers
1582

The Crucifixion, Agostino Carracci Italian, Engraving — The Crucifixion
Agostino Carracci
Paolo Veronese (Paolo Caliari)
1582

Bust of an Old Man, Agostino Carracci Italian, Engraving — Bust of an Old Man
Agostino Carracci
ca. 1583

Coat of Arms of a Cardinal of the Sampieri Family, Agostino Carracci Italian, Engraving — Coat of Arms of a Cardinal of the Sampieri Family
Agostino Carracci
1590–95

Aeneas and his family fleeing Troy, Agostino Carracci Italian, Engraving — Aeneas and his family fleeing Troy
Multiple artists/makers
1595

Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso), Agostino Carracci Italian, Pen and brown ink, over black chalk underdrawing — Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)
Agostino Carracci
ca. 1590–93

Standing Male Nude, Agostino Ciampelli Italian, Red chalk — Standing Male Nude
Agostino Ciampelli

The three holy women going to the sepulchre, Agostino Veneziano (Agostino dei Musi) Italian, Engraving — The three holy women going to the sepulchre
Agostino Veneziano (Agostino dei Musi)
Raphael (Raffaello Sanzio or Santi)
ca. 1514–36