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16 results for Albertina Museum
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Madonna and Child with the Infant Saint John the Baptist; upper left, Study for the Right Arm of the Infant Saint John; upper right, Study for Drapery (recto); Study of a Nude Male Figure (verso), Raphael (Raffaello Sanzio or Santi) Italian, Red chalk (recto); pen and brown ink (verso)
Madonna and Child with the Infant Saint John the Baptist; upper left, Study for the Right Arm of the Infant Saint John; upper right, Study for Drapery (recto); Study of a Nude Male Figure (verso)
Raphael (Raffaello Sanzio or Santi)
ca. 1506–7
Copy in Reverse Design Orientation: Based on the Group of Reclining Figures at Left in Domenico Beccafumi's Scene of Moses Striking the Rock in the Pavement of Siena Cathedral, Domenico Beccafumi Italian, Pen and brown ink, brush and brown wash, over traces of black chalk; framing lines in pen and brown ink
Copy in Reverse Design Orientation: Based on the Group of Reclining Figures at Left in Domenico Beccafumi's Scene of Moses Striking the Rock in the Pavement of Siena Cathedral
After Domenico Beccafumi
October 15, 1596
Lucretia, Raphael (Raffaello Sanzio or Santi) Italian, Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)
Lucretia
Raphael (Raffaello Sanzio or Santi)
1508–10
Portrait of a Young Man (probably a self-portrait), Cornelis Visscher Dutch, Black chalk on antique laid paper, laid down
Portrait of a Young Man (probably a self-portrait)
Cornelis Visscher
1650–51
Saint Philip Benizi Converting Two Wicked Women at the City of Todi, Bernardino Poccetti Italian, Brush and gray wash, highlighted with white gouache, on brownish paper
Saint Philip Benizi Converting Two Wicked Women at the City of Todi
Bernardino Poccetti
1608–9
The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci Italian, Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)
The Head of the Virgin in Three-Quarter View Facing Right
Leonardo da Vinci
1510–13
Presentation of the Virgin in the Temple (below), Abraham about to Sacrifice Isaac (above), Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, squared in black chalk, on brownish paper. The empty triangular corners are tinted in gray-green wash, the right diagonal border tinted in gray wash
Presentation of the Virgin in the Temple (below), Abraham about to Sacrifice Isaac (above)
Perino del Vaga (Pietro Buonaccorsi)
1520
Design for a Freestanding Tomb Seen in Elevation and Plan, Antonio da Sangallo, the Younger Italian, Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements
Design for a Freestanding Tomb Seen in Elevation and Plan
Antonio da Sangallo, the Younger
1530–35
The Rest on the Flight into Egypt, Gerrit Pietersz. Sweelink Netherlandish, Etching; second state of two
The Rest on the Flight into Egypt
Gerrit Pietersz. Sweelink
1593
The Rest on the Flight into Egypt, Gerrit Pietersz. Sweelink Netherlandish, Etching; second state of two
The Rest on the Flight into Egypt
Gerrit Pietersz. Sweelink
Publisher Johannes Starterus
1593
Virtue Crowned by Honor, Carlo Maratti Italian, Pen and brown ink, over red chalk, highlighted with white gouache, on blue paper
Virtue Crowned by Honor
Carlo Maratti
1670–76
St. John the Baptist Preaching, Gerrit Pietersz. Sweelink Netherlandish, Etching; fifth state of six
St. John the Baptist Preaching
Gerrit Pietersz. Sweelink
1593
Bust of a Bearded Figure, Andrea Solario Italian, Black, red, and ochre chalk on light brown paper (with later, substantive reintegration of the support and drawing surface along the right edges and upper portions of the sheet; detached from canvas support in 1958)
Bust of a Bearded Figure
Andrea Solario
1515–24
The Nymphaeum of the Villa di Papa Giulio, Rome, Hubert Robert French, Red chalk; framing lines in pen and brown ink
The Nymphaeum of the Villa di Papa Giulio, Rome
Hubert Robert
ca. 1761
Portrait of a Man, Jacob Backer Dutch, Black chalk, heightened with white, with touches of red chalk, on blue paper (recto); pen and brown ink, brush and gray wash over black chalk (verso)
Portrait of a Man
Jacob Backer
ca. 1645–50
Shield Bearer with the Ducal Arms of Saxony, Hans Daucher German, Honestone (Jurassic limestone), partially polychromed and gilded, German, Augsburg
Shield Bearer with the Ducal Arms of Saxony
Designer Hans Daucher
ca. 1520