El Templo de Dendur estará cerrado desde el domingo 26 de abril hasta el viernes 8 de mayo. El Met Quinta Avenida estará cerrado el lunes 4 de mayo.

Planifique su visita
Entradas
Español
DonarMembresía
Entradas
Estamos trabajando para traducir esta página lo antes posible. Gracias por su comprensión.

Search for Art

1-42 of 3,159 results for Alexander Galli Bibiena
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Object type / material
Geographic location
Department
Section of the Interior of a Court Theater (of Mannheim), Alexander Galli Bibiena Italian, Pen and black ink, brush and gray wash, over graphite
Section of the Interior of a Court Theater (of Mannheim)
Alexander Galli Bibiena
1707–69
Tomb of Joseph I, Emperor of Hungary, King of Bohemia, Alexander Galli Bibiena Italian, Etching and engraving
Tomb of Joseph I, Emperor of Hungary, King of Bohemia
Alexander Galli Bibiena
1700–1769
Sketch of a Palace Interior, Antonio Galli Bibiena Italian, Pen and brown ink over traces of black chalk or graphite
Sketch of a Palace Interior
Antonio Galli Bibiena
Ferdinando Galli Bibiena
1700–74
Sketch for a Stage Set: Foreshortened View of a Palace with a Figure on the Stairs, Antonio Galli Bibiena Italian, Pen and brown ink
Sketch for a Stage Set: Foreshortened View of a Palace with a Figure on the Stairs
Antonio Galli Bibiena
Francesco Galli Bibiena
1700–74
Design for a Stage Set with a Palace and Bridge, Carlo Galli Bibiena Italian, Pen and ink with wash over graphite
Design for a Stage Set with a Palace and Bridge
Carlo Galli Bibiena
Ferdinando Galli Bibiena
18th century
Repose, John White Alexander American, Oil on canvas, American
Repose
John White Alexander
1895
Designs for the Theater at Nancy: Longitudinal Section and Half Ground Plan, Francesco Galli Bibiena Italian, Pen and brown ink, brush and brown wash
Designs for the Theater at Nancy: Longitudinal Section and Half Ground Plan
Francesco Galli Bibiena
1709
Stage Setting with Ballet, Ferdinando Galli Bibiena ? Italian, Ink and blue wash
Stage Setting with Ballet
Ferdinando Galli Bibiena
1657–1743
Design for a Stage Set: Solomon Receiving the Queen of Sheba under a Baldacchino, with Fantastical Architecture and a Gardenscape, Carlo Galli Bibiena Italian, Pen and brown ink, brush and brown wash over graphite
Design for a Stage Set: Solomon Receiving the Queen of Sheba under a Baldacchino, with Fantastical Architecture and a Gardenscape
Carlo Galli Bibiena
1728–78
Foreshortened or Trompe L'Oeil View of the Architecture Surrounding a Courtyard, Ferdinando Galli Bibiena Italian, Pen and brown ink, brush and gray wash over black chalk
Foreshortened or Trompe L'Oeil View of the Architecture Surrounding a Courtyard
Ferdinando Galli Bibiena
1677–1743
Drawing for an Opera Set, Giuseppe Galli Bibiena Italian, Pen, brown ink and wash
Drawing for an Opera Set
Giuseppe Galli Bibiena
Design for a Stage Set: The Gallery of a Magnificent Palace Decorated with Mirrors, Giuseppe Galli Bibiena Italian, Pen and brown ink, brush and gray wash over traces of black chalk (recto and verso)
Design for a Stage Set: The Gallery of a Magnificent Palace Decorated with Mirrors
Giuseppe Galli Bibiena
1696–1756
Half elevation and half ground plan for a catafalque for Margherite Louise d'Orleans, Granduchess of Tuscany (1645–1721), Giuseppe Galli Bibiena Italian, Pen and brown ink, brush and brown and gray wash
Half elevation and half ground plan for a catafalque for Margherite Louise d'Orleans, Granduchess of Tuscany (1645–1721)
Giuseppe Galli Bibiena
ca. 1721
Half Elevation and Half Ground Plan for Catafalque for Antonio Farnese, Duke of Parma (d. 1731), Giuseppe Galli Bibiena Italian, Pen, brown ink and brown and gray washes
Half Elevation and Half Ground Plan for Catafalque for Antonio Farnese, Duke of Parma (d. 1731)
Giuseppe Galli Bibiena
ca. 1731
Half Ground Plan, Half elevation for a Catafalque for a Duchess de Berri, Giuseppe Galli Bibiena Italian, Pen, brown ink and gray wash
Half Ground Plan, Half elevation for a Catafalque for a Duchess de Berri
Giuseppe Galli Bibiena
1696–1756
Half Plan and Half Elevation for a Catafalque for Margarita Louisa, Gran Duchess of Tuscany (d. 1721), Giuseppe Galli Bibiena Italian, Pen, brown ink and gray and yellow washes
Half Plan and Half Elevation for a Catafalque for Margarita Louisa, Gran Duchess of Tuscany (d. 1721)
Giuseppe Galli Bibiena
ca. 1721
Framed Design for an Altar, Giuseppe Galli Bibiena Italian, Pen and brown ink, brush and brown and gray wash over traces of leadpoint, on cream laid paper; vertical line in leadpoint trough the center to create the symmetry of the design
Framed Design for an Altar
Giuseppe Galli Bibiena
ca. 1710–20
Ground Plan of a Catafalque for Francis Lewis of Newburg, Archshop of Mainz (died Breslau 1732), Giuseppe Galli Bibiena Italian, Pen, brown ink and gray wash over pencil
Ground Plan of a Catafalque for Francis Lewis of Newburg, Archshop of Mainz (died Breslau 1732)
Giuseppe Galli Bibiena
ca. 1732
Ground Plan for a Catafalque for Eleonora Magdalena Theresa (1655–1720), Giuseppe Galli Bibiena Italian, Pen, brown ink and gray wash
Ground Plan for a Catafalque for Eleonora Magdalena Theresa (1655–1720)
Giuseppe Galli Bibiena
ca. 1720
Elevation of a Catafalque: Wreathed Columns Supporting a Stepped Dome Surmounted by two Obelisks with Figure of Saturn between Them, Giuseppe Galli Bibiena Italian, Pen and brown ink over (black chalk?)
Elevation of a Catafalque: Wreathed Columns Supporting a Stepped Dome Surmounted by two Obelisks with Figure of Saturn between Them
Giuseppe Galli Bibiena
1696–1756
Elevation of a Catafalque: Obelisks at the Corners and One in Center, Giuseppe Galli Bibiena Italian, Pen and brown ink, brush and brown wash
Elevation of a Catafalque: Obelisks at the Corners and One in Center
Giuseppe Galli Bibiena
ca. 1720–40
Elevation of a Catafalque: the Central Part Comprised of a Series of Steps to Top; with Statues and Central Cartouche with a Figural Scene: a Figure Kneeling before Virgin and Child (?), Giuseppe Galli Bibiena Italian, Pen and brown ink
Elevation of a Catafalque: the Central Part Comprised of a Series of Steps to Top; with Statues and Central Cartouche with a Figural Scene: a Figure Kneeling before Virgin and Child (?)
Giuseppe Galli Bibiena
1696–1756
A Chapel with Figures of Statues en Grisaille of Faith, Hope and Charity and four Putti with Symbols of the Passion, Giuseppe Galli Bibiena Italian, Pen, brown ink and gray wash
A Chapel with Figures of Statues en Grisaille of Faith, Hope and Charity and four Putti with Symbols of the Passion
Giuseppe Galli Bibiena
1696–1756
Ground Plan, Giuseppe Galli Bibiena Italian, Pen and black ink
Ground Plan
Giuseppe Galli Bibiena
ca. 1750
Half Longitudinal Section and Half Plan, Giuseppe Galli Bibiena Italian, Pen, black ink and wash
Half Longitudinal Section and Half Plan
Giuseppe Galli Bibiena
ca. 1750
Architectural Perspective, in an Oval: Porch of a Palace with Corinthian Columns, Ferdinando Galli Bibiena Italian, Pen and brown ink over black chalk
Architectural Perspective, in an Oval: Porch of a Palace with Corinthian Columns
Ferdinando Galli Bibiena
1657–1743
Design of a Perspective for a Stage Set with Courtyard and Triumphal Arch, Ferdinando Galli Bibiena - circle of Italian, Pen and brown ink, brush and green and gray wash, over leadpoint with some traces of white gouache
Design of a Perspective for a Stage Set with Courtyard and Triumphal Arch
Ferdinando Galli Bibiena
1677–1743
Perspectival Sketch for a Palace Interior, Giuseppe Galli Bibiena Italian, Pen and brown ink, brush and gray wash, over traces of graphite; framing lines in pen and black ink, brush and light pink wash
Perspectival Sketch for a Palace Interior
Giuseppe Galli Bibiena
1696–1756
Perspective Sketch for a Palace Interior, Giuseppe Galli Bibiena Italian, Pen and brown ink, brush and gray wash, over traces of graphite; framing lines in pen and black ink, brush and light pink wash.
Perspective Sketch for a Palace Interior
Giuseppe Galli Bibiena
18th century
Design for a Stage Set: Interior of a Ballroom or Theater with Torqued Columns and Large Volutes Above, Francesco Galli Bibiena Italian, Pen and brown ink, brush and gray wash over traces of graphite
Design for a Stage Set: Interior of a Ballroom or Theater with Torqued Columns and Large Volutes Above
Francesco Galli Bibiena
1676–1736
Design for Stage Set with Double Storey of Torqued Columns and Balustrades, Francesco Galli Bibiena Italian, Pen and brown ink, brush and gray wash over traces of graphite
Design for Stage Set with Double Storey of Torqued Columns and Balustrades
Francesco Galli Bibiena
1659–1739
View of a Theater (Bayreuth): Exterior Elevation of the Façade; Central Portal Surmounted by Royal Crown, Giuseppe Galli Bibiena Italian, Pen, brown ink and gray wash
View of a Theater (Bayreuth): Exterior Elevation of the Façade; Central Portal Surmounted by Royal Crown
Giuseppe Galli Bibiena
1696–1756
Designs for the Theater at Nancy: View of Half the Proscenium and a Half a Section of It; End of the Ceiling; and Ground Plan, Francesco Galli Bibiena Italian, Pen and brown ink, brush and brown wash
Designs for the Theater at Nancy: View of Half the Proscenium and a Half a Section of It; End of the Ceiling; and Ground Plan
Francesco Galli Bibiena
1659–1739
Design for One-Quarter of a Ceiling; Elaborate Architectural Ornament in Perspective, Ferdinando Galli Bibiena Italian, Pen and brown ink over traces of leadpoint
Design for One-Quarter of a Ceiling; Elaborate Architectural Ornament in Perspective
Ferdinando Galli Bibiena
1657–1743
Design for a Stage Set: Semi-Circular Architectural Ruins, Fountains, and an Obelisk, Ferdinando Galli Bibiena Italian, Pen and brown ink, brush and brown wash over graphite
Design for a Stage Set: Semi-Circular Architectural Ruins, Fountains, and an Obelisk
Ferdinando Galli Bibiena
1657–1743
Views of a Theater (Bayreuth): Profile View of Facade and Half of the Plan, Giuseppe Galli Bibiena Italian, Pen, brown ink, and gray wash; the plan with rose wash
Views of a Theater (Bayreuth): Profile View of Facade and Half of the Plan
Giuseppe Galli Bibiena
1696–1756
Views of a Theater (Bayreuth): Interior Elevation of the Theater Showing Royal Box, Giuseppe Galli Bibiena Italian, Pen, gray ink, and gray and brown wash
Views of a Theater (Bayreuth): Interior Elevation of the Theater Showing Royal Box
Giuseppe Galli Bibiena
1696–1756
Architect's Sketchbook and Sourcebook, Ferdinando Galli Bibiena Italian, Pen and brown ink, brush with gray wash, over leadpoint; with some ruler and compass construction
Architect's Sketchbook and Sourcebook
Ferdinando Galli Bibiena
1700–43
Half Elevation and Half Ground Plan for a Catafalque for a Duke, Giuseppe Galli Bibiena Italian, Pen, brown ink and brown and gray wash over black chalk
Half Elevation and Half Ground Plan for a Catafalque for a Duke
Giuseppe Galli Bibiena
1696–1756
Ground Plan for a Catafalque for an electress of Bavaria, Giuseppe Galli Bibiena Italian, Pen, brown ink and gray wash
Ground Plan for a Catafalque for an electress of Bavaria
Giuseppe Galli Bibiena
1696–1756
Half Ground Plan and Half Elevation for a Catafalque for Duke Francesco of Parma (1694–1727), Giuseppe Galli Bibiena Italian, Pen, brown ink and gray wash
Half Ground Plan and Half Elevation for a Catafalque for Duke Francesco of Parma (1694–1727)
Giuseppe Galli Bibiena
ca. 1727
Half Ground Plan and Half Elevation of a Catafalque for Cosimo III dei Medici, Grand Duke of Tuscany (1642–1723), Giuseppe Galli Bibiena (Workshop of ?) Italian, Pen and brown ink, brush and gray wash
Half Ground Plan and Half Elevation of a Catafalque for Cosimo III dei Medici, Grand Duke of Tuscany (1642–1723)
Giuseppe Galli Bibiena
1696–1756