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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,685 results for Alfredo Camisa

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Mondina che legge, Alfredo Camisa Italian, Gelatin silver print — Mondina che legge
Alfredo Camisa
1956

Alfredo Camisa

1955

Bambini di Bagnara

Alfredo Camisa

1960

La mattina dopo il Carnevale in Galleria, Napoli

Alfredo Camisa

1957

Propaganda, Alfredo Zalce Mexican, Lithograph — Propaganda
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1939

Portfolio of eight lithographs: 'Estampas de Yucatán', Alfredo Zalce Mexican, Lithograph — Portfolio of eight lithographs: 'Estampas de Yucatán'
Multiple artists/makers
1946

Dancer in the Footlights, Alfredo Müller Italian, Etching and aquatint printed in color — Dancer in the Footlights
Alfredo Müller
1897–99

Poster celebrating the allied victory at the end of World War II, Alfredo Zalce Mexican, Linocut and letterpress printed in black and orange, backed with linen — Poster celebrating the allied victory at the end of World War II
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1945

Poster relating to solidarity, a soldier and two workers walking together, Alfredo Zalce Mexican, Linocut and letterpress printed on pink paper, backed with linen — Poster relating to solidarity, a soldier and two workers walking together
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1938

Poster relating to the expropriation of foreign oil interests, Alfredo Zalce Mexican, Linocut and letterpress on orange paper, backed with linen — Poster relating to the expropriation of foreign oil interests
Alfredo Zalce
Cooperativa de Artes Gráficas, Mexico City
ca. 1938

Poster celebrating National Teachers' Day, Alfredo Zalce Mexican, Linocut on green paper, backed with linen — Poster celebrating National Teachers' Day
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
Ca. 1938–40

Rats marked with the Nazi Swastika devouring books, the padlocked 'Escuela Normal' at the right, Alfredo Zalce Mexican, Linocut — Rats marked with the Nazi Swastika devouring books, the padlocked 'Escuela Normal' at the right
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1943

A seated mestiza woman, Alfredo Zalce Mexican, Soft-ground etching — A seated mestiza woman
Alfredo Zalce
1947

Two men standing in front of a display of animal bones, Alfredo Zalce Mexican, Etching — Two men standing in front of a display of animal bones
Alfredo Zalce
1947

Corn cribs (a type of granary) with a figure in the foreground, Alfredo Zalce Mexican, Etching — Corn cribs (a type of granary) with a figure in the foreground
Alfredo Zalce
1947

A woman and child in a hammock, from 'Estampas de Yucatán' (1946), Alfredo Zalce Mexican, Lithograph — A woman and child in a hammock, from 'Estampas de Yucatán' (1946)
Multiple artists/makers
1945

A Henequén worker, from 'Estampas de Yucatán' (1946), Alfredo Zalce Mexican, Lithograph — A Henequén worker, from 'Estampas de Yucatán' (1946)
Multiple artists/makers
1945

The salt deposits of Celestún, from 'Estampas de Yucatán' (1946), Alfredo Zalce Mexican, Lithograph — The salt deposits of Celestún, from 'Estampas de Yucatán' (1946)
Multiple artists/makers
1945

Flyer relating to an anti-Calles demonstration of December 1935 in Mexico City, Alfredo Zalce Mexican, Lithograph and letterpress backed on linen — Flyer relating to an anti-Calles demonstration of December 1935 in Mexico City
Alfredo Zalce
1935

Plate 23: the strategists plotting to combat the revolution, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut — Plate 23: the strategists plotting to combat the revolution, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1947

Plate 34: 'The criminal' Victoriano Huerta installed as President sitting on chair with murdered men at his feet, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut — Plate 34: 'The criminal' Victoriano Huerta installed as President sitting on chair with murdered men at his feet, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1945

Plate 56: Venustiano Carranza holding a copy of the 1917 constitution, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut — Plate 56: Venustiano Carranza holding a copy of the 1917 constitution, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1945

Plate 75: the traitor Saturnino Cedillo agent of the foreign petroleum companies, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut — Plate 75: the traitor Saturnino Cedillo agent of the foreign petroleum companies, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1947

Plate 79: Mexico at war, agricultural workers (Braseros) leave for the United States to work, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut — Plate 79: Mexico at war, agricultural workers (Braseros) leave for the United States to work, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1947

Plate 80: a young man removing a bandage from his eye, to learn to read (relating to the literacy campaign), from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut — Plate 80: a young man removing a bandage from his eye, to learn to read (relating to the literacy campaign), from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Alfredo Zalce
Taller de Gráfica Popular, Mexico City
1947

A group of people looking at animal bones in a natural history museum, Alfredo Zalce Mexican, Linocut — A group of people looking at animal bones in a natural history museum
Alfredo Zalce
ca. 1940

A man reading and a man listening to him, Alfredo Zalce Mexican, Woodcut — A man reading and a man listening to him
Alfredo Zalce
1941

Two people drinking and laughing, Alfredo Zalce Mexican, Linocut — Two people drinking and laughing
Alfredo Zalce
ca. 1941

A man carrying a basket on his back, Alfredo Zalce Mexican, Linocut — A man carrying a basket on his back
Alfredo Zalce
ca. 1941

Peasant Children, Alfredo Zalce Mexican, Linocut — Peasant Children
Alfredo Zalce
1942

Pointing Fingers, Alfredo Zalce Mexican, Linocut — Pointing Fingers
Alfredo Zalce
1943

A group of men looking at a newspaper stand, Alfredo Zalce Mexican, Linocut — A group of men looking at a newspaper stand
Alfredo Zalce
1941

Fallen Nazi, Alfredo Zalce Mexican, Linocut — Fallen Nazi
Alfredo Zalce
ca. 1941

Mother and son chopping and bundling wood, from "El Sombrerón", Alfredo Zalce Mexican, Linocut in black — Mother and son chopping and bundling wood, from "El Sombrerón"
Alfredo Zalce
1945

A woman holding her head, from "El Sombrerón", Alfredo Zalce Mexican, Linocut — A woman holding her head, from "El Sombrerón"
Alfredo Zalce
1945

A leopard and a group of seated men holding weapons, from "El Sombrerón", Alfredo Zalce Mexican, Woodcut — A leopard and a group of seated men holding weapons, from "El Sombrerón"
Alfredo Zalce
1945

A skull in flames, from "El Sombrerón", Alfredo Zalce Mexican, Linocut — A skull in flames, from "El Sombrerón"
Alfredo Zalce
1945

A puppeteer and his puppets, from "El Sombrerón", Alfredo Zalce Mexican, Linocut — A puppeteer and his puppets, from "El Sombrerón"
Alfredo Zalce
1945

Headless woman, from "El Sombrerón", Alfredo Zalce Mexican, Linocut — Headless woman, from "El Sombrerón"
Alfredo Zalce
1946

'Los Camiones', a giant pair of hands about to crush a bus full of people, Alfredo Zalce Mexican, Linocut — 'Los Camiones', a giant pair of hands about to crush a bus full of people
Alfredo Zalce
1946